I wanted to like this picture (brave little independent film launches out into the big world at London Film Festival), and it has a striking opening sequence. Unfortunately, by the halfway point it started to feel laboured; by the end, fatally, the characters had become annoying rather than sympathetic, and the whole thing came across with an amateurish feeling.
It feels too long for its actual content: too many would-be-meaningful shots of driving, of landscape, of the camera looking at characters, of characters looking at each other, of 'oh-look-I-managed-to-catch-a-flock-of-birds-in-the-viewfinder' (this happens several times, and while it's a pretty composition and no doubt a challenging achievement, it doesn't really do anything for the film as a whole). And it needs a better script -- it sounded a lot of the time as if the characters were improvising their dialogue as they went along, and there is little coherent plot. The film manages to give the overall impression of someone's Film Studies degree project material expanded to feature length, not always successfully.
Perhaps the most frustrating scene is where the central pair, for no reason that ever becomes apparent, act out a scenario that involves the woman, dressed in man's clothing, performing a sexually aggressive pick-up on the young man, tricked out in make-up, a necklace and a padded bra -- like so much of the rest of the film, this scene doesn't go anywhere plot-wise, and I just got the impression that the director thought it would be a fun thing to get the actors to do. It's certainly confusing for the audience. (I was actually wondering at one point if we had been subjected to an artful piece of misdirection, and that the unfaithful spouse was actually being revealed as a partner in a lesbian relationship -- but apparently not.)
"The Dish and the Spoon" (again, why this title?) starts off with an interesting premise (and some jaw-dropping ranting on the part of Greta Gerwig), but gradually lost this viewer's engagement. This sort of free-flowing improvisational stuff really isn't in my line: your average B-movie would squeeze in six or seven times the plot and far more dialogue into two-thirds of the running time of this picture.
Apparently it's 'mumblecore', 'wacky', 'quirky'. It isn't me.
It feels too long for its actual content: too many would-be-meaningful shots of driving, of landscape, of the camera looking at characters, of characters looking at each other, of 'oh-look-I-managed-to-catch-a-flock-of-birds-in-the-viewfinder' (this happens several times, and while it's a pretty composition and no doubt a challenging achievement, it doesn't really do anything for the film as a whole). And it needs a better script -- it sounded a lot of the time as if the characters were improvising their dialogue as they went along, and there is little coherent plot. The film manages to give the overall impression of someone's Film Studies degree project material expanded to feature length, not always successfully.
Perhaps the most frustrating scene is where the central pair, for no reason that ever becomes apparent, act out a scenario that involves the woman, dressed in man's clothing, performing a sexually aggressive pick-up on the young man, tricked out in make-up, a necklace and a padded bra -- like so much of the rest of the film, this scene doesn't go anywhere plot-wise, and I just got the impression that the director thought it would be a fun thing to get the actors to do. It's certainly confusing for the audience. (I was actually wondering at one point if we had been subjected to an artful piece of misdirection, and that the unfaithful spouse was actually being revealed as a partner in a lesbian relationship -- but apparently not.)
"The Dish and the Spoon" (again, why this title?) starts off with an interesting premise (and some jaw-dropping ranting on the part of Greta Gerwig), but gradually lost this viewer's engagement. This sort of free-flowing improvisational stuff really isn't in my line: your average B-movie would squeeze in six or seven times the plot and far more dialogue into two-thirds of the running time of this picture.
Apparently it's 'mumblecore', 'wacky', 'quirky'. It isn't me.