Julian Wright (Jason Clarke) is a successful, if overworked, marketing specialist, who is unable to cope with several events from his past. Emotionally distanced he lost his wife to his friend and is currently contemplating signing the divorce papers. With his love life in tatters he focuses entirely on his job with a big pay rise and new office on the horizon. That is until he meets Michael (Paz Vega), a sexually charged immigrant with an overdose of charm and chaos (like Amelia on crack). Almost an erotic thriller, much in the vein of "9 and 1/2 Weeks", although with the slight twist that Paz takes on the role of Mickey Rourke.
I seldom tend to gift a movie more than it's general rating on IMDb, but I for one am completely sold by a very witty, well developed script with fairly deep underlying psychological commentary. I do understand some of the issues with the movie. First of them would be the main characters. Both Julian and Michael (however much eye-candy she may be) are severely unlikeable leads, but given that both have deep emotional issues I find their dysfunctionality rather appealing and warranted. This may cause a lot of negativity towards the movie due to the inability to form a connection between the viewer and the characters, but once you gloss over this and delve into the story it can be quite rewarding. The relationship between Michael and his family, friends as well as Paz is thoroughly believable, even if we fail to grow warm to them.
"The Human Contract" probably should have also had more focus around the main issue of contention: Michael. The addition of the family context was well warranted, if unevenly scripted, especially in the final act, where the movie does unforgivably falter and the resolution is appallingly done (acted, scripted and directed). Almost as if Jada Pinkett Smith had no idea how to finish the movie off nicely and concocted up a poor filler in which neither she not any of her crew had any faith in. Hence the unfitting hack-job to cap off some really inspirational filmmaking. Also some of the characters and situations seem superfluous and detrimental. In regards to this one big irk is the lack of resolution to Julian's marketing contract, which seems like a key part of the movie, but fails to be closed (it suddenly and inexcusably drops out of the story) by the end credits.
Nonetheless the dialogue is crisp and cerebral, while the direction is assured. All in all some very important elements for great filmmaking, but just needs to work a bit on some of the rough spots in the movie.
For those interested the movie does offer some great erotic scenes with real tension and memorable build-up - something that I haven't seen in cinema for quite some time.
I seldom tend to gift a movie more than it's general rating on IMDb, but I for one am completely sold by a very witty, well developed script with fairly deep underlying psychological commentary. I do understand some of the issues with the movie. First of them would be the main characters. Both Julian and Michael (however much eye-candy she may be) are severely unlikeable leads, but given that both have deep emotional issues I find their dysfunctionality rather appealing and warranted. This may cause a lot of negativity towards the movie due to the inability to form a connection between the viewer and the characters, but once you gloss over this and delve into the story it can be quite rewarding. The relationship between Michael and his family, friends as well as Paz is thoroughly believable, even if we fail to grow warm to them.
"The Human Contract" probably should have also had more focus around the main issue of contention: Michael. The addition of the family context was well warranted, if unevenly scripted, especially in the final act, where the movie does unforgivably falter and the resolution is appallingly done (acted, scripted and directed). Almost as if Jada Pinkett Smith had no idea how to finish the movie off nicely and concocted up a poor filler in which neither she not any of her crew had any faith in. Hence the unfitting hack-job to cap off some really inspirational filmmaking. Also some of the characters and situations seem superfluous and detrimental. In regards to this one big irk is the lack of resolution to Julian's marketing contract, which seems like a key part of the movie, but fails to be closed (it suddenly and inexcusably drops out of the story) by the end credits.
Nonetheless the dialogue is crisp and cerebral, while the direction is assured. All in all some very important elements for great filmmaking, but just needs to work a bit on some of the rough spots in the movie.
For those interested the movie does offer some great erotic scenes with real tension and memorable build-up - something that I haven't seen in cinema for quite some time.