6/10
Traces of a great human folly
11 May 2010
On August 9, 1945, six years into the bloodiest war concocted by governments of major powers, the humble Japanese people -that had nothing to do with the decisions of their barbarous rulers- he got up after another night marked by anxiety and terror. For the past six months, dozens of cities were being bombed by allied forces prepared to uproot every trace of fascism. And just three days before the most terrible bomb that has come to know humanity, had been released by the U.S. against the people of Hiroshima, killing 180,000 people with it, most of them, innocent civilians.

Around noon, a beautiful and loving lady, look forward to her husband who, at that time, was in the city of Nagasaki. When the clock struck at the stroke of 11:00 am, she was out of the house looking at the mountains that separated the place where he was the father of her children. Two seconds later, heard, this time very close, another terrifying explosion as three days before, he did believe that had opened wide the gates of hell. A huge mushroom of fire and smoke curled over the mountains in the center of Nagasaki and an satanic eye kept on your retina the image of all those around him. About 80 thousand civilians, without any role in the conflict, were killed instantly and in the course of the year. It was Harry S. Truman' gift, to account for the "power" of the American nation.

46 years after of this insucess, the director Akira Kurosawa tried to do an act of reflection, forgiveness and reconciliation, hatred against any lag still persists in the minds of people. And a grandmother, the woman who was waiting for the husband who never returned and never was able to identify among charred corpses, feels that he has erased any resentment in his heart, but still thinks with pain in man she loved. Four grandchildren accompany now and the memories will come to your mind as a choice between a trip to Hawaii is put on the table.

For unlucky, this is a timid film of little relevance and visual plot, and that does not achieve sufficient strength and sensitivity that we had used the master Kurosawa. The presence of Richard Gere gives very little, and the film dissolves without the emotional impact that we hoped we would.
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