Written and directed by Brian Hecker, "Bart Got a Room" is a semi-autobiographical coming-of-age tale set in south Florida where high school geek Danny Stein won't be in the demographic majority for another fifty years yet. A good Jewish boy, Danny is all excited about attending his senior prom - or at least he would be if he could get the hot sophomore he drives to school every day to agree to go as his date. Unfortunately, she thinks of him merely as an older-brother type, so Danny is forced to look elsewhere for options, including the Plain Jane Camille (Alia Shawkat), who's been his best friend since childhood and obviously wishes Danny felt about her the way she feels about him. Danny also has to contend with the fact that his soon-to-be-divorced parents (wonderfully played by William H. Macy and Cheryl Hines) are already in the market for future spouses and that they keep the understandably mortified youngster continually posted on their dating progress.
Though in terms of plotting there's little that separates "Bart Got a Room" from countless other films in the same genre, the movie finds a wealth of truth and humor in its deadpan depictions of ordinary life. Bart and all the figures who inhabit his world go through their days just trying to make the best of bad situations, searching for that one little nugget of happiness that will make the crushing banality of the rest of their lives at least tolerable, if not worthwhile. For Danny, it's getting a date for the prom and meeting an attractive girl who will reciprocate his romantic interest; for his parents, it's trying to get that one last stab at coupled attachment in a world where youth is prized above all else and where they're faced with a daily reminder of what awaits them in their fast-approaching "golden years;" for Camille, it's trying to get the boy she's attracted to to see her as a burgeoning woman with sexual appetites and not just a platonic buddy to study and hang out with.
"Bart Got a Room" nicely captures the exaggerated nature of teenage trauma, when showing up dateless to the prom is a personal tragedy comparable only to the crash of the Hindenburg or the sinking of the Titanic. And Steve Kaplan perfectly conveys every bit of the angst Danny experiences as he maneuvers his way through those shark-infested waters known as adolescence.
Though in terms of plotting there's little that separates "Bart Got a Room" from countless other films in the same genre, the movie finds a wealth of truth and humor in its deadpan depictions of ordinary life. Bart and all the figures who inhabit his world go through their days just trying to make the best of bad situations, searching for that one little nugget of happiness that will make the crushing banality of the rest of their lives at least tolerable, if not worthwhile. For Danny, it's getting a date for the prom and meeting an attractive girl who will reciprocate his romantic interest; for his parents, it's trying to get that one last stab at coupled attachment in a world where youth is prized above all else and where they're faced with a daily reminder of what awaits them in their fast-approaching "golden years;" for Camille, it's trying to get the boy she's attracted to to see her as a burgeoning woman with sexual appetites and not just a platonic buddy to study and hang out with.
"Bart Got a Room" nicely captures the exaggerated nature of teenage trauma, when showing up dateless to the prom is a personal tragedy comparable only to the crash of the Hindenburg or the sinking of the Titanic. And Steve Kaplan perfectly conveys every bit of the angst Danny experiences as he maneuvers his way through those shark-infested waters known as adolescence.