The story of The Abyss starts with a mysterious crash of a US nuclear submarine that is armed with the appropriate nuclear weaponry for its time. With reports of it down, we want to get it before the Russians do.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.