10/10
Correcting tendentiousness
3 January 2010
Max Färberböck, known to the world-wide audience since his "Aimee and Jaguar", shows in this newer film for once not the standard story of the bad Germans, who, deserving after what they have done, being Nazis, are liberated by the good Russians, the good Americans and the good Allies. It shows exactly the same experience that we all, who grew up in the East Block, had about our Russiand "friends". They came to rape, to destroy, to violate, to erase. It is a very interesting fact concerning mass psychology or perhaps better mass-psychosis that nobody normally speaks about the enormous amount of destruction done or caused by the liberators of end-World War II Europe. And nobody even mentions the Stalinist concentration camps. This is why we need films like "Eine Frau In Berlin".

However, in Färberböcks film, we see the Russians, "like animals, like pigs, an-alphabets, without culture" - as the Russian Major says it in his own words, he, who speaks, according to the main female character "a seldomly high-style Russian". Well, a little bit of "justness" had to be - not ALL Russians are like the "scum" (quotation from the movie) that we see. Interestingly, my Hungarian home-town had been bombed by Americans, but afterward the Russians came like vultures and pitched themselves into the ruins, what was female, was raped, what had been church or synagogue - was emptied and the treasures stolen, a subculture sneaking from the sou-terrain up to the ruins and even profiting from corpses and debris.
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