Another fine contemporary movie from Mizoguchi, as so often with his films, focusing on womens lives. This is a partial remake of his earlier 'Sisters of Gion', although the commentary in my Masters of Cinema DVD version suggests that the studio made him tone down the original script as they did not want their new star, Ayako Wakao, to play a 'bad girl' as was originally intended.
The film is set in the mid 1950's, as the traditional Gion Geisha quarter in Kyoto is under pressure from the massive changes in Japan at the time. Old traditions are dying, there is greater pressure for the girls to indulge in what is essentially prostitution. Both customers and young geisha are less interested in the old formalities. A young girl, the daughter of a geisha and a failing businessman begs an older geisha to take her on and train her. The girl has a funny mixture of ambition and dignity, proud of her status (she insists on wearing her full geisha outfit even to a regular bar), while refusing to 'do what is necessary' with a rich patron. The older woman is caught between her desire to protect the girl and the economic necessities of the time. The 'sisterhood' of Gion - the older, dominant Geisha, use their influence and power to put huge pressure on her to call the young girl to heel.
There are some indications that Mizoguchi's heart wasn't entirely in this film. It is shot quite conventionally by his standards and lacks his trademark visual skills and experimentation. But it is beautifully acted by the whole cast and the insight into the lives of the geisha at the time appears very convincing and real (who can say for sure if it is or not?). It isn't quite as good as his later 'Street of Shame', but its still a fine film and well worth watching.
The Masters of Cinema version (region 2) version that I saw sell it as a 'double DVD' with the brilliant Sansho the Bailiff. The whole package is superb, well worth buying.
The film is set in the mid 1950's, as the traditional Gion Geisha quarter in Kyoto is under pressure from the massive changes in Japan at the time. Old traditions are dying, there is greater pressure for the girls to indulge in what is essentially prostitution. Both customers and young geisha are less interested in the old formalities. A young girl, the daughter of a geisha and a failing businessman begs an older geisha to take her on and train her. The girl has a funny mixture of ambition and dignity, proud of her status (she insists on wearing her full geisha outfit even to a regular bar), while refusing to 'do what is necessary' with a rich patron. The older woman is caught between her desire to protect the girl and the economic necessities of the time. The 'sisterhood' of Gion - the older, dominant Geisha, use their influence and power to put huge pressure on her to call the young girl to heel.
There are some indications that Mizoguchi's heart wasn't entirely in this film. It is shot quite conventionally by his standards and lacks his trademark visual skills and experimentation. But it is beautifully acted by the whole cast and the insight into the lives of the geisha at the time appears very convincing and real (who can say for sure if it is or not?). It isn't quite as good as his later 'Street of Shame', but its still a fine film and well worth watching.
The Masters of Cinema version (region 2) version that I saw sell it as a 'double DVD' with the brilliant Sansho the Bailiff. The whole package is superb, well worth buying.