Aditya Chopra's Dilwale Dulhania Le Jayenge is a superb example of the genius of Hindi commercial cinema. If you see it, you'll get that it's not very different as a love story. It is even ordinary. But it becomes special for many reasons. First and foremost, for its fresh, naive spirit. Secondly, the many paradoxes it contains: it is powerful yet subtle, larger-than-life yet simple, funny yet sad, magical yet realistic, and so on. Thirdly, it is one of the first films portraying Indians who live outside their country (in this case, London). It also shows the yearning of the first-generation NRIs who live far away from their homeland and for many reasons find it difficult to come back. Yet, the film remains mainly a poignant, melancholic romance.
Raj and Simran, the characters played by Shahrukh Khan and Kajol represent the last generation of youngsters who were innocent and naive. They were much more simple, respectful and full of life. Such people almost no longer exist nowadays. The film relates their love story in a rather mesmerising way. Every scene is important. There are many great moments in the film. Raj and Simran's entire acquaintance and interaction in the first half is charming. Their separation at the end of the first half, when both make each other understand of their true feelings without explicitly admitting it, is moving. The traditional wedding preparations in the second half are well-made; the values they show, Raj's attempts to conquer Simran's father, and the couple's deepening relationship are interesting. The only thing I regretted was the typical fight scene towards the end.
Shahrukh Khan and Kajol, who undoubtedly form a great film couple, are both excellent in their roles. They act from the heart, and ably bring their characters to life. Shahrukh Khan is incredible as Raj, a modern guy who understands the value of family and marriage, and yet he has the look of a careless fool who does not take anything seriously. Khan acts with great ease, wit and humour, and his inner fear of losing his beloved is always understood. Kajol as the dreamy and poetic yet intransigent and smart Simran is exceptional, and she looks very hot throughout. Amrish Puri and Farida Jalal as Simran's parents provide great support. Amrish Puri is particularly impressive as the strict but soft-hearted father, and Jalal is touching as the woman who has lived life according to terms and does not want the same to happen to her daughter. Anupam Kher is funny and entertaining as Raj's father.
The film's soundtrack is outstanding and is clearly one of the main reasons this film works so well and is unforgettable today. The music is very well identified with the film and its story. Just try to imagine you would be given to watch the movie with the songs edited out. You wouldn't want to, right? That's because every song is a gem and is as important as every other scene. Every song comes in the right place and is sung and pictured exceptionally well. The one closest to my heart is "Ho Gaya Hai Tujhko", for its beautiful melody and very melancholic feel, which is aided by its blend of fantasy and reality on-screen. It is performed to perfection by Lata Mangeshkar and Udit Narayan. DDLJ is a film that should not be missed by anyone. It is one of the great gifts of Yash Chopra and his banner. It is a milestone of Indian cinema for its ability to inject fresh and magical energies into a banal love story, and for making it classically memorable.
Raj and Simran, the characters played by Shahrukh Khan and Kajol represent the last generation of youngsters who were innocent and naive. They were much more simple, respectful and full of life. Such people almost no longer exist nowadays. The film relates their love story in a rather mesmerising way. Every scene is important. There are many great moments in the film. Raj and Simran's entire acquaintance and interaction in the first half is charming. Their separation at the end of the first half, when both make each other understand of their true feelings without explicitly admitting it, is moving. The traditional wedding preparations in the second half are well-made; the values they show, Raj's attempts to conquer Simran's father, and the couple's deepening relationship are interesting. The only thing I regretted was the typical fight scene towards the end.
Shahrukh Khan and Kajol, who undoubtedly form a great film couple, are both excellent in their roles. They act from the heart, and ably bring their characters to life. Shahrukh Khan is incredible as Raj, a modern guy who understands the value of family and marriage, and yet he has the look of a careless fool who does not take anything seriously. Khan acts with great ease, wit and humour, and his inner fear of losing his beloved is always understood. Kajol as the dreamy and poetic yet intransigent and smart Simran is exceptional, and she looks very hot throughout. Amrish Puri and Farida Jalal as Simran's parents provide great support. Amrish Puri is particularly impressive as the strict but soft-hearted father, and Jalal is touching as the woman who has lived life according to terms and does not want the same to happen to her daughter. Anupam Kher is funny and entertaining as Raj's father.
The film's soundtrack is outstanding and is clearly one of the main reasons this film works so well and is unforgettable today. The music is very well identified with the film and its story. Just try to imagine you would be given to watch the movie with the songs edited out. You wouldn't want to, right? That's because every song is a gem and is as important as every other scene. Every song comes in the right place and is sung and pictured exceptionally well. The one closest to my heart is "Ho Gaya Hai Tujhko", for its beautiful melody and very melancholic feel, which is aided by its blend of fantasy and reality on-screen. It is performed to perfection by Lata Mangeshkar and Udit Narayan. DDLJ is a film that should not be missed by anyone. It is one of the great gifts of Yash Chopra and his banner. It is a milestone of Indian cinema for its ability to inject fresh and magical energies into a banal love story, and for making it classically memorable.