For reasons that only can be related to protect the crap the Hollywood movie industry produces this smart and not easy to digest movie did not get distribution while awful USA movies (non-independent) are shown in thousands of theatres.
This is not a matter of subtitles or commercial issues. European countries like France or Spain translate the dialogs in their own language and few theatres show the original version. This is the real FREEDOM, USA citizens do not have (though are being convinced of the contrary). On the contrary USA distributors; buy movies that are never shown because if they do people could first of all THINK something Hollywood is against and second could realize that out of the technical and production aspects USA movies are far from art; just plain formula repeated and remixed in every major title.
Now, about "LE NOUVEAU PROTOCOL"; Raoul Craft (the outstanding Clovic Cornillac) is notified about his son dead on car accident. The first 15 or 20 minutes deals with the tragedy and family sadness without almost using dialogs. During that period; Raoul is contacted by a women (always solid Marie-Josee Croze in a too complex character) that a medical laboratory was involved on the kids dead.
After the initial sorrow, a series of unclear events makes Raoul believe the woman and tries to find out what happened. Things get violent but in a completely unexpected way. The line between good and evil is blurred; as it is in real life.
It could be fare to compare this movie with the CONSTANT GARDENER (the same subject matter); however while that movie had a more poetic / romantic approach, this one is pretty complex and never gives an easy answer to anything.
This is not a matter of subtitles or commercial issues. European countries like France or Spain translate the dialogs in their own language and few theatres show the original version. This is the real FREEDOM, USA citizens do not have (though are being convinced of the contrary). On the contrary USA distributors; buy movies that are never shown because if they do people could first of all THINK something Hollywood is against and second could realize that out of the technical and production aspects USA movies are far from art; just plain formula repeated and remixed in every major title.
Now, about "LE NOUVEAU PROTOCOL"; Raoul Craft (the outstanding Clovic Cornillac) is notified about his son dead on car accident. The first 15 or 20 minutes deals with the tragedy and family sadness without almost using dialogs. During that period; Raoul is contacted by a women (always solid Marie-Josee Croze in a too complex character) that a medical laboratory was involved on the kids dead.
After the initial sorrow, a series of unclear events makes Raoul believe the woman and tries to find out what happened. Things get violent but in a completely unexpected way. The line between good and evil is blurred; as it is in real life.
It could be fare to compare this movie with the CONSTANT GARDENER (the same subject matter); however while that movie had a more poetic / romantic approach, this one is pretty complex and never gives an easy answer to anything.