Review of X-Ray

X-Ray (1981)
3/10
You might want to take something to numb the pain.
7 April 2009
When the Valentine's Day card he sends to pretty Susan Jeremy is greeted with laughter and derision, young Harold loses the plot and impales Susan's playmate on a hat-stand. Nineteen years later, a now fully grown Susan (played by Playboy playmate Barbi Benton) attends a hospital appointment only to find a still-rather-obsessed Harold waiting there to try and steal her heart once again—only this time, he intends to do it literally with a variety of nasty surgical implements!!

Chock full of ridiculous red-herrings and annoying false scares, and displaying zero originality from start to finish, Boaz Davidson's Hospital Massacre is a derivative piece of slasher garbage that, at times, is so daft that it unintentionally borders on parody.

In the prologue, Susan is seen brandishing a large knife, only to reveal that she is about to cut a cake; later, what looks like blood drips onto Susan's shoe but which turns out to be ketchup; an unscheduled lift stop on a deserted floor results in Susan being startled by men in masks, who are then revealed to be fumigating the level; and a human shape under a sheet turns out to be a mannequin: Hospital Massacre is absolutely littered with such dumb contrivances that really grate on the nerves.

Also serving to irritate are Susan's inability to keep quiet when being stalked by the killer (she drops her lighter, knocks over reports, and clatters metal instruments at the most inopportune moments), the complete absence of any other people when the murderer strikes, the ridiculous manner in which the hospital staff treat their patients (can anyone say 'lawsuit'?), and the score, which mimics not only Harry Manfredini's music from Friday the 13th (which is understandable, I suppose), but also Jerry Goldsmith's choral chanting from The Omen (???!?!).

On the plus side, there's the occasional spot of reasonable gore (including a severed head in a box, an axe in the head and a pointed thingy through the neck), an enjoyably exploitative moment where Miss Benton strips to her panties for an unnecessary all-over examination by a pervy doctor, and one incredible, must-be-seen-to-be-believed scene in which Susan runs into a room full of people covered from head-to-toe in plaster who all proceed to flail their limbs in an uncontrollable manner. Weird.
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