It's as if the creators of Zoo attempted to legitimize bestiality by depicting it as some sort of mystical nature-bonding experience.
Actors portray the story of the events leading up to and following Kenneth Pinyan's death, as snippets from interviews with those involved are used to narrate.
The film has a surreal, dark feel accomplished by the use of abstract camera work, dim lighting, and a soundtrack that sounds like it was produced by Boards of Canada. Though these techniques produce a somewhat interesting aesthetic for the film, they feel like a feeble attempt to mystify or romanticize the world of horse f*cking.
Despite the film's attempts to create a surreal, brooding atmosphere and the grizzly facts of the story, the absurdity of the film's subject matter is at times laughably funny. In one memorable scene, news helicopters circle the farm of two Zoophiles. Knowing the gig is up, one man grabs a bucket of horse porn and runs frantically into the horizon. I nearly fell off the couch laughing.
Actors portray the story of the events leading up to and following Kenneth Pinyan's death, as snippets from interviews with those involved are used to narrate.
The film has a surreal, dark feel accomplished by the use of abstract camera work, dim lighting, and a soundtrack that sounds like it was produced by Boards of Canada. Though these techniques produce a somewhat interesting aesthetic for the film, they feel like a feeble attempt to mystify or romanticize the world of horse f*cking.
Despite the film's attempts to create a surreal, brooding atmosphere and the grizzly facts of the story, the absurdity of the film's subject matter is at times laughably funny. In one memorable scene, news helicopters circle the farm of two Zoophiles. Knowing the gig is up, one man grabs a bucket of horse porn and runs frantically into the horizon. I nearly fell off the couch laughing.