A woman is haunted by a "nightmare man" who fills her dreams with terror. When her medication runs out, Nightmare Man seemingly escapes her subconscious and enters the physical world. Hiding out in a secluded cottage (along with Tiffany Shepis and friends), she tries to stop the monster, but carnage ensues... can the beast be stopped without hurting the woman who carries him?
I really wanted to see this film for the Tiffany Shepis acting (and nudity) as well as the Rolfe Kanefsky writing and directing. Full disclosure: as part of my work as a reviewer, I have talked with both Tiffany and Rolfe and continue to exchange mail with Rolfe on occasion. So I'm a little biased, and I was more than eager to see this film (which in all honesty should have been released over a year ago).
What we have here is Kanefsky's trademarks. Good-looking girls in various stages of undress, holding rather large weapons (in this case a rifle and a crossbow). There's some sexual suggestive situations ("erotic truth or dare") and a killer demon on the loose. Unlike "The Hazing" with the excessive "Evil Dead" references, this one seems largely unique. I've heard it compared to "The Exorcist" (which is an amazing stretch), and there is one subtle and one not to subtle reference to Kanefsky's earlier film "There's Nothing Out There".
What is bothersome about Rolfe's movies is how he has big ideas but small budgets. His writing is much better than the average horror writer's and his directing is quite exquisite (as my friend Hannah keenly pointed out, he has that 1980s sense of where to put the camera while chasing a girl through the woods). And his special effects and gore are pretty decent. Even the acting is above average (Shepis in particular, but no one here was lacking -- which is more than I can say about other, "bigger" films).
This comes off as bothersome because if you're a film snob or don't have the patience for lower budget films, you'll be really turned off my the film quality. I don't know film grades (35mm? Super 8? These terms are familiar to me but unclear at the same time), so I can't say what he uses, but it does give the air of less than the Hollywood standard. Which, in turn, screams "amateur" to some people, despite Rolfe being quite the veteran of film and horror in particular. His "Hazing" makes him well-known in the cult circles -- he's without a doubt the biggest director in the 2007 After Dark Horrorfest lineup.
So anyway, the film is enjoyable if you don't mind that. Good death scenes, plenty of dry humor, some butts and breasts for the guys to enjoy. Blood, blood, blood (and even a little gore and pieces of dangling flesh). The pacing is good. I found some parts too slow or too long, but Hannah says the suspense was really well done compared to films her and I have seen lately, so I suppose it depends what pace you're ready for. Maybe I needed a beer (Regal Cinemas is lacking in the booze department).
Of the four films I've seen so far this year, I'm ranking "Nightmare Man" my second favorite (behind "Tooth and Nail"). It's worth seeing in the theater if you can get there, or otherwise I sincerely hope you make it a top renting priority when it comes out. Throw on a few special features on the DVD and this may even be worth owning (a commentary track, Rolfe? Could you do that for us?). But yeah, I give this one two thumbs up (assuming Hannah allows me to borrow her thumb).
I really wanted to see this film for the Tiffany Shepis acting (and nudity) as well as the Rolfe Kanefsky writing and directing. Full disclosure: as part of my work as a reviewer, I have talked with both Tiffany and Rolfe and continue to exchange mail with Rolfe on occasion. So I'm a little biased, and I was more than eager to see this film (which in all honesty should have been released over a year ago).
What we have here is Kanefsky's trademarks. Good-looking girls in various stages of undress, holding rather large weapons (in this case a rifle and a crossbow). There's some sexual suggestive situations ("erotic truth or dare") and a killer demon on the loose. Unlike "The Hazing" with the excessive "Evil Dead" references, this one seems largely unique. I've heard it compared to "The Exorcist" (which is an amazing stretch), and there is one subtle and one not to subtle reference to Kanefsky's earlier film "There's Nothing Out There".
What is bothersome about Rolfe's movies is how he has big ideas but small budgets. His writing is much better than the average horror writer's and his directing is quite exquisite (as my friend Hannah keenly pointed out, he has that 1980s sense of where to put the camera while chasing a girl through the woods). And his special effects and gore are pretty decent. Even the acting is above average (Shepis in particular, but no one here was lacking -- which is more than I can say about other, "bigger" films).
This comes off as bothersome because if you're a film snob or don't have the patience for lower budget films, you'll be really turned off my the film quality. I don't know film grades (35mm? Super 8? These terms are familiar to me but unclear at the same time), so I can't say what he uses, but it does give the air of less than the Hollywood standard. Which, in turn, screams "amateur" to some people, despite Rolfe being quite the veteran of film and horror in particular. His "Hazing" makes him well-known in the cult circles -- he's without a doubt the biggest director in the 2007 After Dark Horrorfest lineup.
So anyway, the film is enjoyable if you don't mind that. Good death scenes, plenty of dry humor, some butts and breasts for the guys to enjoy. Blood, blood, blood (and even a little gore and pieces of dangling flesh). The pacing is good. I found some parts too slow or too long, but Hannah says the suspense was really well done compared to films her and I have seen lately, so I suppose it depends what pace you're ready for. Maybe I needed a beer (Regal Cinemas is lacking in the booze department).
Of the four films I've seen so far this year, I'm ranking "Nightmare Man" my second favorite (behind "Tooth and Nail"). It's worth seeing in the theater if you can get there, or otherwise I sincerely hope you make it a top renting priority when it comes out. Throw on a few special features on the DVD and this may even be worth owning (a commentary track, Rolfe? Could you do that for us?). But yeah, I give this one two thumbs up (assuming Hannah allows me to borrow her thumb).