Review of Conquest

Conquest (1937)
9/10
One Man's Liberator, Another Man's Tyrant
10 June 2007
I've often thought that those first twenty minutes of Conquest are the most important of the film. When those Cossacks invade the civilized home of Count Walewska, their actions there establish the reason for all that follows in the film. They are one greasy, slovenly, disreputable lot, set against the urbane Henry Stephenson as the Count and his young wife Maria, played by Greta Garbo.

After what we see of the Cossacks, no wonder the Poles welcome the armies of Napoleon Bonaparte as liberators, restorers of their country which had been carved up about 40 years earlier by Russia, Prussia, and Austria. And when it seems that Greta Garbo is the best thing the Poles have to offer Charles Boyer, it becomes her patriotic duty, even Stephenson unwillingly goes along with the liaison.

But she really loves the Little Corporal as it turns out. They even have a son together. But unfortunately Boyer is about himself first last and always.

Maria Walewska was not the first or last of Napoleon's amours. In fact this film ought to be seen back to back with Desiree, a lost love of Bonaparte's from an earlier time. Both of his marriages were for political reasons, Garbo should have known about the first one going in.

Conquest is one of the few Garbo films where she is not number one, what holds the film together is Charles Boyer as Napoleon. Boyer captures perfectly both the idealism and ambition that was Bonaparte, he got an Oscar nomination for Best Actor, but lost to Spencer Tracy for Captains Courageous. Not that Garbo's bad, but I can't recall any other film where her leading man overshadowed her.

Although Conquest takes quite a few liberties with the historical record, it's still a fine costume drama, one of the best that MGM put out back in its height.
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