8/10
Perchance To Dream
8 April 2007
Warning: Spoilers
In terms of films as opposed to plays the 1930s were Guitry's most fruitful decade yielding an even dozen titles; the 1950s threatened to eclipse that but he died in 1957 having completed eleven films whilst in between there were another nine in the 1940s and one Silent in 1915.

For a playwright and a verbose one at that Guitry knew how to make the camera move fluidly as in this case when it pans rather than cuts around a salon swooping on groups of two or three before moving on. Nor has he lost his knack of arresting openings witness the Gypsy sextet who open proceedings with a short medley before the Opening Credits, one of them playing what appears to be a form of zither. As he often did Guitry casts his wife of the time, Jacqueline Delubac, as his leading lady, marries her off to Raimu,casts himself as the lover and lest we forget he is a man of words as well as images he proceeds to divide the film into duologues perming any two from three and even throws in a tour de force monologue for himself, For talent spotters in the salles he supplies cameos for Arletty, Michel Simon and Claude Dauphin and the finished product is everything you expect from this Renaissance man.
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