I usually find it helpful to keep a scorecard when watching a Charlie Chan film to keep track of all the characters, for this one, you need it just for the action. Yikes! - it took about twenty movies in the Chan franchise to build up to four dead bodies in one outing, but here they pile up fast and furious. Mr. Moto (Peter Lorre) is not above dispatching a few himself, and just as he did in the first film of the series (Think Fast, Mr. Moto), winds up throwing a man over board. There are other similarities as well, the biggest coincidence being the use of the name Marco Polo; here it's the name of a bridge, while in 'Think Fast', it was the name of a cruise ship.
By this time, we know Moto to be an importer operating as a detective, but here we learn that he's also an adventurer, explorer, soldier of fortune and one of the Orient's great mysteries. Or so he's described by businessman Tom Nelson (Thomas Beck). In the story, Moto seeks to protect a missing scroll that when joined together with others to form a pattern, indicates the location of the burial place of Genghis Khan and a vast treasure. Of course, a host of others seek to own the desired scroll, as much as Madame Chung (Pauline Frederick) and her son, the Prince (Philip Ahn) are determined to protect it.
Oddities abound in the film, as in the opening scene when Moto in disguise dispatches an assassin in the Gobi Desert, and proceeds to bury him - inside the tent! John Carradine makes an appearance in the story as an antiques dealer named Periera, and for some unexplained reason uses the terms 'senor' and 'senorita' when addressing Nelson and Eleanor Joyce (Jayne Regan). And say, could there really have been an American bar in China in 1937 called 'Mike's Place'?
But you know what, most of it doesn't matter, because Mr. Moto is a bundle of energy uncovering the bad guys and tracking down the stolen Chung scrolls. He even concocts a romantic link between the main heavy Koerger (Sidney Blackmer) and Miss Joyce to create a jealous rage in Madame Tchernov (Nedda Harrigan), thereby undermining the villain's plot to discover the treasure. But the biggest shock of all is the way it ends, and for that you'll have to see the picture.
With just a couple of the Mr. Moto films under my belt for now, it's quite unusual to see how differently he operates compared to the other Oriental Detectives of the era, notably Charlie Chan and Mr. Wong. Whereas the latter two solved their cases much more methodically, Moto combines clever analysis and martial action to achieve his results, and the results are entirely entertaining. Peter Lorre adds a distinctive flair to the Moto persona, and gets one excited about catching the next film in the series - Oh, so!
By this time, we know Moto to be an importer operating as a detective, but here we learn that he's also an adventurer, explorer, soldier of fortune and one of the Orient's great mysteries. Or so he's described by businessman Tom Nelson (Thomas Beck). In the story, Moto seeks to protect a missing scroll that when joined together with others to form a pattern, indicates the location of the burial place of Genghis Khan and a vast treasure. Of course, a host of others seek to own the desired scroll, as much as Madame Chung (Pauline Frederick) and her son, the Prince (Philip Ahn) are determined to protect it.
Oddities abound in the film, as in the opening scene when Moto in disguise dispatches an assassin in the Gobi Desert, and proceeds to bury him - inside the tent! John Carradine makes an appearance in the story as an antiques dealer named Periera, and for some unexplained reason uses the terms 'senor' and 'senorita' when addressing Nelson and Eleanor Joyce (Jayne Regan). And say, could there really have been an American bar in China in 1937 called 'Mike's Place'?
But you know what, most of it doesn't matter, because Mr. Moto is a bundle of energy uncovering the bad guys and tracking down the stolen Chung scrolls. He even concocts a romantic link between the main heavy Koerger (Sidney Blackmer) and Miss Joyce to create a jealous rage in Madame Tchernov (Nedda Harrigan), thereby undermining the villain's plot to discover the treasure. But the biggest shock of all is the way it ends, and for that you'll have to see the picture.
With just a couple of the Mr. Moto films under my belt for now, it's quite unusual to see how differently he operates compared to the other Oriental Detectives of the era, notably Charlie Chan and Mr. Wong. Whereas the latter two solved their cases much more methodically, Moto combines clever analysis and martial action to achieve his results, and the results are entirely entertaining. Peter Lorre adds a distinctive flair to the Moto persona, and gets one excited about catching the next film in the series - Oh, so!