"Silent Hill" is an excellent example of a computer game that has been adapted with great attention to detail by an obvious fan. The tone, the plot and even the musical score remain faithful to the game, which results in a visual world that instantly feels familiar. However, the same could be said for Uwe Boll's glorious computer game adaptations. The difference between "Silent Hill" and "House Of The Dead", for example, is this film's ability to stand alone without prior knowledge of the game.
Christophe Gans begins his film with an ominous sequence that shows Rose frantically chase her sleepwalking daughter, Sharon, to the side of a cliff. Sharon wakes up and says "Silent Hill", the name of an abandoned town. Such is the simplicity of the film's premise - a mother decides to take her daughter to a town that she has mentioned in her sleep. This seemingly innocuous set-up belies the twists and turns that occur when Rose and Sharon finally arrive in Silent Hill. In fact, the film begins much like an Asian horror movie, deriving suspense from random creepy events and an ominous tone. "Silent Hill" works very well on this level, due to the stylish cinematography and creative art design.
The first half of the film moves slowly enough for the audience to learn more about the characters and appreciate the depth of Rose's maternal instinct for Sharon. Australian actress, Radha Mitchell delivers her best performance since moving to Hollywood as Rose. There is something wonderfully ordinary about Radha, which in turn makes Rose sympathetic and credible, despite the incredible scenarios in which she finds herself. This part of the film also introduces Officer Cybil, played with flair by Laurie Holden. Cybil is initially suspicious of Rose but turns out to be her only ally in the world's least friendly town. The supporting cast is bursting with gifted character actors like Sean Bean, Alice Krige and Deborah Kara Unger but their roles are too small to make a significant impact on the film.
"Silent Hill" transforms from an eerie thriller into a fast-paced, supernatural horror movie when Rose loses Sharon to the Silent Hill locals. The second half of the film plays like a demented cross between "Aliens" and "The Village", only with more violence and gore. The segments, when the alarm sounds and the world literally turns to hell, contain some excellent special effects and editing. There are a couple of examples of poorly realised computer graphics but as a whole the visuals are stunning. The scene where Rose crawls past light sensitive drones in the basement is brilliant. The gore is surprisingly plentiful with victims being ripped apart and a mattress enacting a particularly painful revenge on one of the faithful.
There is much for gore hounds and gamers to enjoy in "Silent Hill". The majority of the film holds up very well for casual viewers; however the ending is destined to leave some people scratching their heads in confusion. Christophe Gans has displayed enough originality and flair to announce himself as a talent to watch. Bring on the sequel!
Christophe Gans begins his film with an ominous sequence that shows Rose frantically chase her sleepwalking daughter, Sharon, to the side of a cliff. Sharon wakes up and says "Silent Hill", the name of an abandoned town. Such is the simplicity of the film's premise - a mother decides to take her daughter to a town that she has mentioned in her sleep. This seemingly innocuous set-up belies the twists and turns that occur when Rose and Sharon finally arrive in Silent Hill. In fact, the film begins much like an Asian horror movie, deriving suspense from random creepy events and an ominous tone. "Silent Hill" works very well on this level, due to the stylish cinematography and creative art design.
The first half of the film moves slowly enough for the audience to learn more about the characters and appreciate the depth of Rose's maternal instinct for Sharon. Australian actress, Radha Mitchell delivers her best performance since moving to Hollywood as Rose. There is something wonderfully ordinary about Radha, which in turn makes Rose sympathetic and credible, despite the incredible scenarios in which she finds herself. This part of the film also introduces Officer Cybil, played with flair by Laurie Holden. Cybil is initially suspicious of Rose but turns out to be her only ally in the world's least friendly town. The supporting cast is bursting with gifted character actors like Sean Bean, Alice Krige and Deborah Kara Unger but their roles are too small to make a significant impact on the film.
"Silent Hill" transforms from an eerie thriller into a fast-paced, supernatural horror movie when Rose loses Sharon to the Silent Hill locals. The second half of the film plays like a demented cross between "Aliens" and "The Village", only with more violence and gore. The segments, when the alarm sounds and the world literally turns to hell, contain some excellent special effects and editing. There are a couple of examples of poorly realised computer graphics but as a whole the visuals are stunning. The scene where Rose crawls past light sensitive drones in the basement is brilliant. The gore is surprisingly plentiful with victims being ripped apart and a mattress enacting a particularly painful revenge on one of the faithful.
There is much for gore hounds and gamers to enjoy in "Silent Hill". The majority of the film holds up very well for casual viewers; however the ending is destined to leave some people scratching their heads in confusion. Christophe Gans has displayed enough originality and flair to announce himself as a talent to watch. Bring on the sequel!