I saw Talledega Nights: The Ballad Of Ricky Bobby last night. I was in need of a good laugh, and the flick certainly delivered. As usual, Will Ferrell is unbelievably funny and the main attraction. The actual movie, however, was fairly mediocre.
It feels very fractured; as if there's enough deleted scenes to make an entirely different movie (as the case was with Wake Up Ron Burgundy). I also get the feeling that they left out many funny moments to tell the tale of a man who was destined to go fast, got too cocky, and learned some valuable life lessons blah, blah, blah. I hate to say it, but it almost feels like something Happy Madison productions would dish out. Honestly, if it were not for Will Ferrell, if, say, Rob Schnieder or David Spade was in the lead, I probably would have hated this movie. But because Ferrell is so damn lovable, and because the movie had its share of funny moments and very quotable lines, I liked it. You can already tell by some of the career moves he has been making (many have been flying under the radar), Will Ferrell is slowly gearing towards an image that is more than just the lovable, hilarious idiot. And I think that just establishes him further as a kind of America's Sweetheart type.
John C Rielly is also worth pointing out. He's a great actor, but he seems to be at most ease when he's playing a buffoon. And his character here is about as big of a buffoon as you can imagine.
None of the other actors have many laughs, unfortunately. Sacha Cohen got a little irritating after a while, and every other talent is wasted. Michael Clarke Duncan. They have Michael Clarke Duncan in the damn movie and they don't do a single funny thing with him. Imagine what they could have done with him! Instead, his only laugh comes literally once the movie is over, in a blooper. David Koechner is also in the movie but he merely lingers around like a ghost. He had one scene in The 40-Year-Old Virgin, and that made a more lasting impression than the couple of scenes he had in this one. There's also some cameos, of two famous singers who normally would not associate with each other (I guess that's as far as the joke goes), and they do nothing. They just sit there and don't say a word.
So, put that all together and your main reason to see this movie is Will and John: Shake and Bake. There are big laughs here and there, and some great great lines (the crack dealer line, the highlander line, the big red advertisement, pissing excellence, are some that stood out for me) but I guess when they edited the movie they wanted a plot. And that takes the fun out of it. It's painfully formulaic, and even many of the jokes are predictable, too. There's a kiss scene at the end that you can see coming from miles away. Sure, you can't really believe it (in a good, funny way), but you could anticipate it. Ferrell's other movies like Anchorman or Old School were in their own ways unpredictable, or at least, less predictable than this. It makes a comedy so much funnier if you don't know where it's headed from the second it starts. Anchorman barely had a plot and it turned out amazing because of that. There was more room for the funny stuff. Male Chauvanism. Panda Bears. That's all the plot I need.
If Will Ferrell and director Adam McKay collaborate for another comedy, I hope to see two things: A longer title and a thinner plot.
My rating: 6.5/10
It feels very fractured; as if there's enough deleted scenes to make an entirely different movie (as the case was with Wake Up Ron Burgundy). I also get the feeling that they left out many funny moments to tell the tale of a man who was destined to go fast, got too cocky, and learned some valuable life lessons blah, blah, blah. I hate to say it, but it almost feels like something Happy Madison productions would dish out. Honestly, if it were not for Will Ferrell, if, say, Rob Schnieder or David Spade was in the lead, I probably would have hated this movie. But because Ferrell is so damn lovable, and because the movie had its share of funny moments and very quotable lines, I liked it. You can already tell by some of the career moves he has been making (many have been flying under the radar), Will Ferrell is slowly gearing towards an image that is more than just the lovable, hilarious idiot. And I think that just establishes him further as a kind of America's Sweetheart type.
John C Rielly is also worth pointing out. He's a great actor, but he seems to be at most ease when he's playing a buffoon. And his character here is about as big of a buffoon as you can imagine.
None of the other actors have many laughs, unfortunately. Sacha Cohen got a little irritating after a while, and every other talent is wasted. Michael Clarke Duncan. They have Michael Clarke Duncan in the damn movie and they don't do a single funny thing with him. Imagine what they could have done with him! Instead, his only laugh comes literally once the movie is over, in a blooper. David Koechner is also in the movie but he merely lingers around like a ghost. He had one scene in The 40-Year-Old Virgin, and that made a more lasting impression than the couple of scenes he had in this one. There's also some cameos, of two famous singers who normally would not associate with each other (I guess that's as far as the joke goes), and they do nothing. They just sit there and don't say a word.
So, put that all together and your main reason to see this movie is Will and John: Shake and Bake. There are big laughs here and there, and some great great lines (the crack dealer line, the highlander line, the big red advertisement, pissing excellence, are some that stood out for me) but I guess when they edited the movie they wanted a plot. And that takes the fun out of it. It's painfully formulaic, and even many of the jokes are predictable, too. There's a kiss scene at the end that you can see coming from miles away. Sure, you can't really believe it (in a good, funny way), but you could anticipate it. Ferrell's other movies like Anchorman or Old School were in their own ways unpredictable, or at least, less predictable than this. It makes a comedy so much funnier if you don't know where it's headed from the second it starts. Anchorman barely had a plot and it turned out amazing because of that. There was more room for the funny stuff. Male Chauvanism. Panda Bears. That's all the plot I need.
If Will Ferrell and director Adam McKay collaborate for another comedy, I hope to see two things: A longer title and a thinner plot.
My rating: 6.5/10