6/10
"Classic" is in the eye of the beholder
7 July 2006
Warning: Spoilers
Although I don't consider The Stork Club a classic, it's the kind of escapist fluff the Hollywood studio "system" cranked out like an assembly line. The millionaire referred to in the other user's comments was Barry Fitzgerald, a fine Irish character actor. He is best remembered for roles in memorable films such as "How Green was My Valley," and "The Naked City," as well as "Going My Way," for which he was nominated for both Best Actor and Best Supporting Actor (win) for the same role, the only actor ever so recognized. He is also part of an exclusive group nominated for both lead and supporting Oscars in the same year(although for different films). But he is best remembered as the delightful Michaleen, the matchmaker with the mischievous leprechaun-like charm in "The Quiet Man."

Although not a conventional beauty, star Betty Hutton wasn't a major talent but she had an infectiously vivacious quality and innocence that made her appealing. "The Stork Club" is worth viewing if only for Hutton's all-stops-out rendition of Hoagy Carmichael's "Doctor, Lawyer, Indian Chief," which she belts out with irresistible enthusiasm.

That aside, the film is historically memorable for supposedly using a set that was an exact replica of the long-defunct Stork Club, a notoriously exclusive New York institution for decades. The so-called "sanctum sanctorum" of the real Stork Club was the Cub Room, which only admitted celebrities and other big names, and their guests. In the great "All About Eve," the Cub Room is the celebrity watering hole that Bette Davis refers to as the place where "the elite meet."

A harmless confection and curio from a bygone age that is worth a look for the nostalgic value of a now-unimaginably innocent time.
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