This film was given bad reviews by both the gay and straight press. I don't understand why as there are some terrible Dutch films that are rated more highly. (Karakter; Wilde Mossels; De Grot) These were truly awful films without ANY real narrative structure to make you want to continue from frame to frame. Unfortunately one of them got an Oscar and so the Dutch have continued to produce pretentious unwatchable films that even their own population run away from.
In this context 'Gay' had all the basic simplicity of a high class soap opera (think Dynasty) and over the top characters that with more intelligent handling could have come out of Fassbinder. In fact the first two thirds of the film were harsh in a way that could only alienate both heterosexuals and homosexuals. I mean what straight man is capable of sitting in a cinema and watching so much male kissing or so much gay sex? Not many! And for a mainstream homosexual audience self-criticism does not often come easy. The men lead shallow, selfish lives and seem to live on a diet of sushi and champagne. This was not 'Another Country' and neither was it a wish fulfillment fantasy about finding the ideal boy next door.
Unfortunately after this promising start the film fell apart in the last section as soon as one of the characters put on a dress and we entered 'La Cage Aux Folles' territory. It seemed to me that the director had suddenly thought ' Oh my God what of the straight audience and their reactions?' A man of course, in a dress, being hysterical is not a threat.
This was not a bad film and certainly given its limitations was far more watchable than most Dutch efforts. It had a few laughs which is rare in a Dutch film and it made you want to see how it would work out. The fact that the working out was a disappointment was just a pity. I think it's time the Dutch made another homosexual film but not call it 'Gay' which is plain boring and which leaves nothing for those who have a queer perspective.
In this context 'Gay' had all the basic simplicity of a high class soap opera (think Dynasty) and over the top characters that with more intelligent handling could have come out of Fassbinder. In fact the first two thirds of the film were harsh in a way that could only alienate both heterosexuals and homosexuals. I mean what straight man is capable of sitting in a cinema and watching so much male kissing or so much gay sex? Not many! And for a mainstream homosexual audience self-criticism does not often come easy. The men lead shallow, selfish lives and seem to live on a diet of sushi and champagne. This was not 'Another Country' and neither was it a wish fulfillment fantasy about finding the ideal boy next door.
Unfortunately after this promising start the film fell apart in the last section as soon as one of the characters put on a dress and we entered 'La Cage Aux Folles' territory. It seemed to me that the director had suddenly thought ' Oh my God what of the straight audience and their reactions?' A man of course, in a dress, being hysterical is not a threat.
This was not a bad film and certainly given its limitations was far more watchable than most Dutch efforts. It had a few laughs which is rare in a Dutch film and it made you want to see how it would work out. The fact that the working out was a disappointment was just a pity. I think it's time the Dutch made another homosexual film but not call it 'Gay' which is plain boring and which leaves nothing for those who have a queer perspective.