7/10
The film does injustice to Liszt who is portrayed both as a prima donna and a Lothario.
12 February 2005
Ferencz Liszt was by most accounts a kind and pious man who shared his talents and privileges of his fame with his fans, students and fellow artists like Berlioz and Wagner. This film does him an injustice by portraying him as a prima donna and Lothario. Nevertheless, the producers must be commended for making it. It aroused my interest in classical music when I saw it at the age of 10.

I thrilled to the bombast and impossible fingerwork of Hungarian Rhapsody No. 2. But the final piece Liszt (portrayed by Bogarde) played as he retreated to the monastery haunted me throughout my teenage years. Liebestraume No. 3 ("Dreams of Love") can either be a soothing balm or a cutting knife for the lovesick.

Bogarde, who obviously knew his onions about piano playing displayed the exact fingerwork on the proper fields of the keyboard and his body English was totally convincing. Well after all, he was not only an actor but a true artist - an accomplished writer and a painter.

Capuccine, touted as one of the most beautiful women at the time, portrayed the Princess of Witgenstein. But my heart fell for the jilted wife, the Belgian countess portrayed by Genevieve Page whom I found more,"simpatica."
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