A world away from the 1989 sci-fi faux pas starring Mark Hamill and Bill Paxton that carried this movie title, this a low-budget film with an interesting cast. Most notably last seen in The Lord of the Rings, Sean Astin, Bosnian beauty Ivana Milicevic and Hertfordshire hardman Vinnie Jones.
However, despite being produced on a very limited budget, and in a remarkably short period of time (27 days according to van Eyssen), this film still remains watchable.
The script is good and delivery from Astin is excellent. Vinnie Jones plays well, Vinnie Jones and Milicevic has her moments; only plot holes in the screenplay itself, written by Louis Morneau and Phillip Badger, let the actors down in important scenes of interaction.
This film doesn't have the same seamless flow that other time-playback movies like the fantastic Run Lola Run or even Groundhog Day or Sliding Doors has. Consequently you're never quite sure whether you actually give a damn about the characters or not.
It becomes apparent as the film unfolds that the director had to cut corners (the budget was repeatedly slashed according to van Eyssen) and gaping wide plot holes are hurriedly painted over with techno-babble and the extremely convenient occurrence of events.
However, despite these issues, the cinematography in places is excellent and van Eyssen uses inexpensive camera techniques very well demonstrating that stunning big screen effects can be achieved without a Battlestar-sized budget.
A little bit of background info putting this movie into context will make it much more interesting and it's an enjoyable example of the potential of director David van Eyssen.
However, despite being produced on a very limited budget, and in a remarkably short period of time (27 days according to van Eyssen), this film still remains watchable.
The script is good and delivery from Astin is excellent. Vinnie Jones plays well, Vinnie Jones and Milicevic has her moments; only plot holes in the screenplay itself, written by Louis Morneau and Phillip Badger, let the actors down in important scenes of interaction.
This film doesn't have the same seamless flow that other time-playback movies like the fantastic Run Lola Run or even Groundhog Day or Sliding Doors has. Consequently you're never quite sure whether you actually give a damn about the characters or not.
It becomes apparent as the film unfolds that the director had to cut corners (the budget was repeatedly slashed according to van Eyssen) and gaping wide plot holes are hurriedly painted over with techno-babble and the extremely convenient occurrence of events.
However, despite these issues, the cinematography in places is excellent and van Eyssen uses inexpensive camera techniques very well demonstrating that stunning big screen effects can be achieved without a Battlestar-sized budget.
A little bit of background info putting this movie into context will make it much more interesting and it's an enjoyable example of the potential of director David van Eyssen.