3/10
I couldn't believe it.
29 December 2004
Warning: Spoilers
'The Unguarded Hour' takes its title from the existentialist premise (expounded in this film's dialogue) that every man's life contains an interval in which circumstances conspire to deprive him of all his defences, leaving him a pawn of fate. How true, how true.

I'm a great fan of the films of Sam Wood, a craftsman who remains sadly underrated. Even film historian William K Everson insisted on knocking Wood and calling him untalented. Contemporary reports indicate that Wood was a racist and an unpleasant man who founded some very dubious political causes, yet his films consistently show solid proficiency and some subtle symbolism. Regrettably, 'The Unguarded Hour' contains some howlingly unlikely plot twists, a few extra-long coincidences and some very implausible motivations, including one plot twist at the end that's fatally contrived.

SPOILERS COMING. Sir Alan Dearden is a promising young barrister, of whom great things are expected. He is currently prosecuting Samuel Metford, a meek little man charged with pushing his wife off the white cliffs of Dover. Oddly, the trial drags on for many days even though there are no witnesses. Metford's pathetic defence is that he warned his wife to keep away from the cliff's edge, and an unidentified woman passed by as he said this. But the woman can't be located, so Metford has no witness. Sir Alan confides all this to his beautiful wife Lady Helen.

The unknown woman is in fact Lady Helen. Sir Alan has been blackmailed by Lewis, a scoundrel who possesses letters written to the oddly named Diana Roggers ten years before he married Lady Helen. If those letters were to resurface now, the embarrassment would put paid to Sir Alan's career. When Lady Helen passed the Metfords, she was en route to paying Lewis £2,000 for the letters. Now she daren't come forward, lest the information come out. (Amazingly, she won't even tell her husband!) Matters get worse when extremely contrived circumstances make Sir Alan a suspect in a new murder. Lady Helen wants to clear him but she can't. Then, at the end, Sir Alan is cleared by the unlikeliest person in this film, the one who has the most to gain if Sir Alan is *not* cleared.

'The Unguarded Hour' is entertainingly told but is a complete load of cobblers. If Loretta Young weren't so beautiful, I would never have sat through this rubbish. The film boasts some excellent production values, and quite a few of those great supporting actors from Hollywood's golden age. Henry Daniell is especially hissable as the blackmailer. But this is implausible rubbish. I'll rate 'The Unguarded Hour' 3 points out of 10.
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