What I like about Target, is its lack of contrivances. I thought it might be a credible portrayal of real characters. Yes, if I were a CIA agent wanting to forget my past life, I'd create one 180 degrees opposite. If I had a dad as boring as that, I'd also find it hard to relate. There aren't a lot of conventional thrill/action situations here, its emotional and psychological, and most of it works very well. I personally like the fact the violence is minimal in this film, but there is enough to keep you chilled. The cocky kid who 'knows' better than dad, resolves his feelings and relationship in the end while growing up, may not be fully developed, but I got the idea.
The script was penned with 3 writers, no wonder some of the storyline may stray. But I liked the clear relationships between Hackman and Dillon and found them likeable and believable, never mind the mother gets lost somewhere.
To compare this to a film in a similar genre, I'd go with Harrison Ford in Frantic, not the Eiger Sanction?!. I also want to complement Penn (or whoever is responsible) for using native speaking French and Russian actors, I get very irritated when productions in foreign countries use American actors with SO fake accents. Native tongue productions always convey a verite/credible feel.
The script was penned with 3 writers, no wonder some of the storyline may stray. But I liked the clear relationships between Hackman and Dillon and found them likeable and believable, never mind the mother gets lost somewhere.
To compare this to a film in a similar genre, I'd go with Harrison Ford in Frantic, not the Eiger Sanction?!. I also want to complement Penn (or whoever is responsible) for using native speaking French and Russian actors, I get very irritated when productions in foreign countries use American actors with SO fake accents. Native tongue productions always convey a verite/credible feel.