Laurence Turcotte-Fraser’s wistful documentary follows resourceful porn star Tara Emory’s ‘entropic’ problem with clutter
This documentary about a transgender porn star turns out to be a portrait of a divided self, but not quite how you’d expect. Two personalities vie inside Massachusetts-based adult performer Tara Emory: zeppelin-bosomed sci-fi sex kitten, and grease monkey/compulsive hoarder. Director Laurence Turcotte-Fraser’s intimate and ever-so-wistful study thankfully bypasses current trans-related bloodletting and even to a large degree questions of gender definition; instead this film concentrates on a purely individual problem: Emory’s battle with the “entropic” clutter threatening to overwhelm her life.
The lithe, rangy Emory is a mid-40s veteran of DIY internet porn, crafting bespoke photoshoots and making personal appearances in Victoriana, Barbarella and other shades of kitsch. But supporting her fantasy existence is real-world scaffolding: a trove of bric-a-brac and flotsam filling Wonderland, the rented barn-cum-studio where this intensely creative self-starter works.
This documentary about a transgender porn star turns out to be a portrait of a divided self, but not quite how you’d expect. Two personalities vie inside Massachusetts-based adult performer Tara Emory: zeppelin-bosomed sci-fi sex kitten, and grease monkey/compulsive hoarder. Director Laurence Turcotte-Fraser’s intimate and ever-so-wistful study thankfully bypasses current trans-related bloodletting and even to a large degree questions of gender definition; instead this film concentrates on a purely individual problem: Emory’s battle with the “entropic” clutter threatening to overwhelm her life.
The lithe, rangy Emory is a mid-40s veteran of DIY internet porn, crafting bespoke photoshoots and making personal appearances in Victoriana, Barbarella and other shades of kitsch. But supporting her fantasy existence is real-world scaffolding: a trove of bric-a-brac and flotsam filling Wonderland, the rented barn-cum-studio where this intensely creative self-starter works.
- 5/7/2024
- by Phil Hoad
- The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.