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9/10
Don't Sell this one short until you Understand the reasoning.....
27 January 2006
Keeping personal views out of comments are what objectively reviewing a film is all about. I have to say this film is one that can pull at heart strings if you can immerse yourself in the emotion of what is actually happening. The film's premise is Love versus Money. The plot of the film is set to slowly pull you into the characters' who are presented with the temptation of the choice. Woody Harrelson really pulls off a serious character in this one. Having taken the deal from John Gage (Robert Redford) to give away his wife for one night in return for a Million dollars, Harrelson realizes too late that the choice he has made would damage the relationship beyond repair. Let me say this, watching Harrelson run to the closed door once he realizes what he has done is a powerful scene if you can put yourself in the situation. As the movie progresses it does a wonderful job of making the viewer have a hard time hating Redford's character. At times the viewer is convinced that Moore's character belongs with Redford. The movie then switches to Harrelson's character that is devastated and living on his own coping with the loss. As Moore's Character is seduced by Redford, Harrelson slips slowly into depression. Once again, the movie gives the viewer a chance to experience many different emotions. John Barry's Concerto playing throughout this movie really adds to the somber mood. A wonderful placement of this music as the characters slowly move towards the movie's end. Some good acting by all here is evident. Do not sell this movie short because on the outside it seems to be choppy. It was meant to put the viewer in all situations the characters are in. I recommend this one to anyone who is a hopeless romantic.

Best Scene: There are many…One that comes to mind is Harrelson's character reflecting on the relationship with Moore as he sits alone in his empty apartment with his dog by his side.
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8/10
Worth Seeing if you have seen Terms of Endearment
13 January 2006
Now when this movie first came out, no one really saw it. Critics gave it bad reviews. Part of the issue was the original Terms of Endearment was made back in 1983. So when some of the cast came back 13 years later, it can lose some of its box office draw. However, the time that passed actually made this movie more believable as the characters had also aged. Shirley MacLaine reprises her role and does a nice job, trying to raise her dead daughter's children. The movie stays grounded by dealing with everyday issues as well as getting older and the trials of a non-traditional family. Paxton plays a nice role in this film adding a little flare to the shadowing plot of Shirley MacLaine's character getting older. Nicholson's return, although brief, helped this film round itself out. See this one only if you see Terms of Endearment first.

Best Scene: Nicholson and MacLaine re-living the past on the beach.
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Sugar Hill (1993)
9/10
Very Well done
13 January 2006
Wesley Snipes gives a heart felt performance in this movie about two brothers who get involved as young children with the White Mafia. Snipes and Wright truly are opposites in this one, which gives the movie a nice blend pace as you await Wright to snap at any moment. Added in the mix is actress Theresa Randle who does a nice job convincing you there is more to Snipes character than just killing for hire. Interaction between Snipes'character and his father are very well done. Adding a feel of compassion and hate. Wright's character gives this film an extra push in the category of character depth.

Best scene: Snipes'character (Romello) tries to have a sit down dinner with his father and brother. Some of the best lines in the film are said in this scene.

I recommend this movie it has appeal to a wide audience.
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