Reviews

2 Reviews
Sort by:
Filter by Rating:
American Idol (2002– )
Optimistic to the Point of Foolishness
1 May 2006
There comes a time in every reasonable man's life when he must sit down in his living room and watch an episode of American Idol. Truth is I'm not a reasonable man. Or even a reasonable woman, now that I think about it. I have, however, watched an episode of American Idol and will go so far as to say that I have religiously watched three seasons of it. First season was great. Second season was good. During third season, I got wiser and realized that the show wasn't as good anymore, but still I watched. It had lost its magic, its X-Factor, you could say. During fourth season, I watched four or five episodes. By then, I had rediscovered sitcom television. Now comes fifth season, and the inevitable disappointment that lurks around the show reappears again. Yet, people still watch the show because they are too brainwashed not to.

Then again, what else is there to watch on Tuesdays? Or Wednesdays. Or Thursdays. Or any other night of the week, for that matter. I mean, why watch anything else when I can watch the new season or reruns of past performances made readily available via my Handy-Dandy DVD player? (Yes, we bought the Best of Season One. So sue me.) I must say that American Idol has become predictable. A "dude, man, dawg" from Randy Jackson. An "I just want to eat you up and make all our viewers sick to their stomachs with my infinite well of gaga comments" from Paula Abdul. And "Enter sarcastic, British remark here" from Simon Cowell. Cue Ryan Seacrest's idiotic retort and make-the-girls-swoon smile. The contestants are the same: air-headed bimbos, wannabe rockers, real rockers, melt-the-camera-with-a-stare heartthrobs, belters, and the like. For goodness sake, give us something good to watch again! Every now and then we get fantastic singers like Kelly Clarkson, Tamira Grey, and Clay Aiken. The rest are a little more or less than mediocre. Come to think of it, I can't remember the last time I heard Ruben, Fantasia, or Diana on the radio. Don't even mention Justin Guarini. What a waste of his perfectly good talent. The only thing Idol can do for you is give you a year, if that, of fame, then send you on back home to the karaoke bars in Oneida, Tennessee. Tough break, kids.

It is just unfair to see what they do to these contestants. They get the same amount of men as they do women to avoid any legal problems about gender bias. Completely bogus! Sometimes, there are better men than some of the women on that show (and vice versa), so why should they be cut just so the Idol producers won't be accused of discrimination on the cover of tabloids. The real crime is letting a bunch of less-than-worthy singers get on just to balance things out. And then some of the singers get scolded for song choices. Oh, no, Heaven forbid someone does a Mariah or a Whitney! No, no! Those are untouchable. I just have my fingers crossed that one contestant will finally lash out at Randy, saying, "Well, Mr. Jackson, you give me a list of songs I'm not supposed to do, and I'll make sure I sing them all just for you." Even if they are really good, nothing is as good as the original, so just give up.

The producers of Idol need to take a step back from the show they've created and look at what it has become: a rigged popularity contest. The only thing Idol is good for is delaying House episodes for weeks at a time. What a waste of an Emmy and Golden Globe winning show. Producers, you need some variety in this show. Just keep your fingers crossed that you choose the correct Idol this time, as you seem to think that America is too intellectually inept to do so themselves. Greenlighting this overstayed-it's-welcomed show for another season and thinking that the same people are still going to love it would be optimistic to the point of foolishness. But then again, what do I know? I'm just a kid with a television and a telephone.
67 out of 99 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Elizabethtown (2005)
9/10
Elizabethtown: The Long Expected Performance
9 October 2005
In a couple of words, I could describe this movie as really very good. I definitely have to commend director/writer Cameron Crowe (Jerry Maguire) for a beautifully written script. The perfect mixture of comedy, drama, and romance made this movie worth sitting down and watching (twice, for me). The story was wonderfully original (or it sure seemed like it if it wasn't), and the moments between Drew and his father at the end were mostly perfect, though some little bits were drawn out.

I'm not an Orlando Bloom fan, and as far as I was concerned, I had never seen a good Orlando Bloom movie until now. Lord of the Rings' success wasn't because of Captain Obvious Bloom (I swear, Peter Jackson forgot about Legolas and gave him some lines last minute). Pirates of the Caribbean was all Johnny Depp. Troy, well, that one belonged to Brad Pitt. Kingdom of Heaven… eh, no comment. Finally, Orlando Bloom has finally found his calling in romantic-comedies. I would rather see one hundred romantic-comedies that're all the same then sit through five of his "epic" war movies.

As the lovable, semi-suicidal shoe designer Drew Baylor, Bloom does really well for most of the movie. Sometimes in scenes where Bloom has the chance to be really passionate and full of emotion, he kind of tones it down. But he's got potential to do better next time. Just step up the romance and he'll do just fine. Bad things aside, he was funny! The writing was great and he did the scenes wonderfully.

I will, however, have to subtract points for the casting of Kirsten Dunst, who played a flight attendant and Drew's new (possibly only) friend named Claire Colburn. She had no emotion and no chemistry with Bloom. She couldn't decide whether to be Southern or just normal. The only things that saved her were the incredibly long phone call between her and Bloom that was really about nothing in general, which she executed well, and her contribution to the road trip at the end. Luckily, she wasn't bad enough to sink the movie.

Susan Sarandon sparkled as Bloom's mother. I was a bit disappointed when, during most of the movie, Sarandon was hardly there, but a nice little surprise came near the end of the movie in which she gave a very funny speech that lit the place on fire. Her impulsive "no looking back" projects were funny. But there was a mystery shrouding Sarandon's family. Where did they go? Wouldn't they be comforting her? Were they dead? Who knows? It was all Drew's dad's family. They never really said.

Alec Baldwin was very funny, yet short-lived, as Drew's boss. His part was really well played. Jessica Biel played Drew's girlfriend Ellen. Who cares about her? The movie would be fine without her, oh, three scenes. If she was going to have a part, it might as well be somewhat significant. After all, she was his girlfriend, very possibly his only one since high school. If she's trying to get a reprieve from the Stealth "fiasco," sorry, thanks for playing, but try again.

The movie may not be Oscar-worthy to some (but I think it deserves at least a nomination for Crowe), but it still warrants a watch. The movie was carried by Orlando Bloom, who maybe for the first time in his life did a great job all on his own. Here it is… the long-expected performance we've all been waiting for. Elizabethtown is a "Do Not Miss."
9 out of 24 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed