This movie is something that you should DEFINETLY not watch and view from a surface area (despite probably being both a popcorn flick and an in-depth surreal movie) and expecting it to have a basic plot, because what you are about to see is something that needs your mindset not to go sane, nor to go insane, but to go unsane. Tag: Riaru Onigokko is a 2015 Japanese horror film directed by Sion Sono, with one of the main actresses being the pulchritudinous Reina Triendl.
It starts off with a bus scene, where there are these high-school girls jiving around whilst having pillow fights. In the middle of the playful chaos, is Mitsuko - probably one of the only students in the bus who aren't crazy - writing a poem. After being teased for wriitng a poem, she picks up the pen off of the floor, dusts it off, and then is just about to return back up when she realises her entire bus had been sliced in half, with all of the students now dead as their upper extremeties had been cut off by a supernatural wind. This signifies the beginning of a mind-twisting and reality-bending storyline that this very film follows...
This is just my intepretation combined with another folk's one on Youtube named Russel Fortell. But throughout the film, we see such tragic events happen to those who the main character dearly loves, aswell as her identity being changed to represent her growing up (Keiko represents the pressure of getting married by society, and Izumi representing the ongoing marathon that is life). Mitsuko represents our childhood; the bus scene represents our innocence being lost after being first exposed to the harsh reality of the real world, and the other scenes representing something else that's also deep. The ending shows that despite the world being so callous and vindictive, she continues to leave marks (foot-prints) as a sign of her innocence and that she used to live life proudly.
This film has such huge amounts of depth despite being a horror movie (most horror movies kinda don't seem to cram as much metaphors and symbolism into the storyline as much as this one), and it almost seems...beautiful because it just shows as a prime example how filmmaking can bring such versatile things into motion pictures. Tag is a movie that might give you a sense of horror, confusion, euphoria, and a hypnosis-like state. Those who have hated the film must've not fully grasped how extremely radical this flick is in, well, just about almost anything about it (which I do get because this is a movie that's out of the norm).
There's also some feminist metaphors throughout the movie aswell, which I thought was pretty interesting to note about. But overall? This movie is a literal daymare frenzy turned into such a surrealistic masterpiece that will probably require you to go insane. Do take note that the visual effects may not be as good as the typical high budget hollywood movie possibly due to the budget and production, but that is fine, because as long as the storyline has that light and shine, then that can still qualify as a good movie.
10/10 (A+ for me)
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