Change Your Image
perlshop
Ratings
Most Recently Rated
Reviews
Extinction (2018)
good movie spoiled by insufferable kid
Extinction is a sci-fi thriller that initially captivates with its intriguing premise and solid performances, particularly from Michael Peña and Lizzy Caplan. The film's depiction of a man haunted by visions of an alien invasion sets the stage for a suspenseful narrative. The special effects and action sequences are commendable, adding to the overall intensity of the movie. However, the film's potential is significantly undermined by the portrayal of the protagonist's child, whose constant whining and disruptive behavior detract from the story's momentum and emotional impact.
Despite its promising start, "Extinction" struggles to maintain its grip on the audience due to this character's insufferable presence. The child's incessant complaints and lack of development make it difficult to empathize with the family's plight, ultimately diminishing the film's dramatic tension. This flaw overshadows the movie's strengths, leaving viewers frustrated and unable to fully immerse themselves in the otherwise compelling storyline.
MH370: The Plane That Disappeared (2023)
What a terrible series - Shame on Netflix
The Netflix documentary on MH 370 left me feeling deeply unsettled, particularly due to the inclusion of Jeff Wise. It seems the filmmakers have deliberately given this conspiracy theorist a platform, likely in pursuit of higher viewership and profits. This decision feels incredibly disrespectful to the victims and their loved ones, as it appears to exploit their trauma for commercial gain. Wise's theories, which lack substantial evidence, only serve to sensationalize the tragedy rather than provide any meaningful insight or closure.
Moreover, the documentary's focus on such speculative narratives detracts from the genuine efforts to understand what happened to MH 370. By giving airtime to someone like Wise, the filmmakers risk overshadowing the real pain and suffering experienced by those affected by the disaster. It's disheartening to see a serious and tragic event being used as a vehicle for promoting unfounded theories, ultimately prioritizing sensationalism over sensitivity and respect for the victims and their families.
Europa Report (2013)
Europa Report: A Sci-Fi Gem That Outshines the Rest"
"Europa Report" is a captivating sci-fi thriller that stands out for its realistic portrayal of space exploration. The film follows a group of astronauts on a mission to Jupiter's moon, Europa, in search of potential life. The narrative is gripping, with a documentary-style approach that adds to the authenticity and immersion. The characters are well-developed, and their interactions and challenges feel genuine, making the audience invested in their journey. The visual effects are impressive, and the attention to scientific accuracy sets it apart from many other sci-fi movies.
In comparison to films like "2012," "Europa Report" excels in delivering a more believable and engaging story. While "2012" relies heavily on exaggerated disaster scenarios and special effects, "Europa Report" focuses on the human element and the plausible aspects of space travel. This makes it not only more enjoyable but also more thought-provoking. The film's tension and suspense are built through realistic scenarios and the unknown dangers of space, rather than over-the-top action sequences. Overall, "Europa Report" is a refreshing and intelligent addition to the sci-fi genre.
Nocebo (2022)
Unmissable Gem: Ignore the Ratings, 'Nocebo' is a Must-Watch
"Nocebo" offers a gripping exploration of the intricate web of power dynamics between the Western world and developing nations. Through its lens, the film skillfully exposes the unsettling reality of how the West often exploits the resources and vulnerabilities of third-world countries for its own gain. With masterful storytelling, it delves into the moral ambiguity of such actions, presenting a thought-provoking narrative that challenges viewers to confront uncomfortable truths about global inequality and exploitation. By shedding light on this complex issue, "Nocebo" serves as a powerful reminder of the importance of ethical responsibility and the consequences of unchecked greed in a globalized world.
Despite its poignant message and compelling storytelling, "Nocebo" has faced unjustly low ratings, perhaps indicative of a discomfort in confronting the uncomfortable truths it presents. However, its unflinching portrayal of the exploitation of third-world countries by the West is a necessary and timely contribution to the cinematic landscape. Through its evocative storytelling and powerful performances, "Nocebo" serves as a wake-up call, urging audiences to critically examine the impact of their actions and advocate for a more equitable world.
Upgraded (2024)
Upgraded: A Downgrade for Rom-Coms
Upgraded 2024 is a romantic comedy that tries to copy the success of The Devil Wears Prada and Cinderella, but fails miserably. Camila Mendes stars as Ana, a lying intern who pretends to be her boss to impress a rich and handsome man named Will (Archie Renaux). The movie is full of clichés, stereotypes, and unrealistic situations that make it hard to care about the characters or the plot.
The movie is boring and predictable, but also annoying and frustrating. Mendes and Renaux have no chemistry and no charisma, and they waste the potential of the witty and flirty dialogue. The supporting cast is also wasted, especially Marisa Tomei as Ana's bossy and snooty boss Claire, and Lena Olin as Will's mother Catherine, a UK celebrity with a keen eye for art. The movie also showcases some bland scenery of London and its art scene, making it a visually dull experience.
Upgraded 2024 is a terrible and forgettable movie that should be avoided by anyone looking for a good rom-com. It is a poor choice for fans of rom-coms who are looking for a smart and funny escape. It sends a very wrong message that it's okay to lie to get what you want, and that the ends justify the means. I gave it one star out of 10.
The Final Cut (2004)
Ruined a Great Premise with a Terrible Ending
Final Cut is a sci-fi thriller that explores the ethical and moral implications of editing people's memories after their death. The movie follows Alan Hakman (Robin Williams), a "cutter" who is hired to create a "rememory" video for a controversial corporate executive. The premise is intriguing and raises some interesting questions about the nature of truth, identity, and memory.
However, the movie fails to deliver a satisfying conclusion, as it resorts to clichés and plot holes. The ending is very bad, as it contradicts the established rules of the movie's universe and undermines the character development of Hakman. The movie also wastes the potential of its supporting cast, such as Mira Sorvino and Jim Caviezel, who are given little to do. Final Cut is a movie that starts with a good idea, but ends with a bad execution.
Station Eleven (2021)
A Masterclass in Monotony and Pretentious Prose
The Tedious Art of Workshop Fiction.
In the vast expanse of television content, it's a rare phenomenon to stumble upon a show that not only fails to capture your interest but also manages to evoke a profound sense of boredom. HBO Max's 'Station Eleven' is one such show that has sparked a debate about the merits and pitfalls of a narrative style known as workshop fiction.
The show begins with promise, offering a post-apocalyptic world that could serve as a fertile ground for compelling storytelling. However, it quickly becomes apparent that 'Station Eleven' is less interested in exploring its narrative potential and more focused on indulging in the self-gratifying nuances of workshop fiction.
For the uninitiated, workshop fiction is a style that emerges from the creative writing workshops where the emphasis is placed on crafting prose that is rich in detail and heavy on emotional resonance. While this approach can lead to deeply affecting works, it often comes at the expense of a coherent plot and relatable characters. 'Station Eleven' falls victim to this very trap.
The series is riddled with scenes that meander aimlessly, punctuated by time jumps that add little to the overall progression of the story. Characters engage in endless dialogue, which, while potentially rich in subtext, does little to move the plot forward or endear them to the viewer. Jeevan, a character meant to be central to the narrative, comes across as particularly unlikable, further alienating the audience.
The show's reliance on workshop fiction tropes is evident in its treatment of characters as mere vessels for trauma rather than fully realized individuals. They are defined by quirky details and metaphors that are intended to be profound but instead feel contrived. The result is a cast of characters that are difficult to invest in emotionally, making their journeys through the series' bleak landscape all the more tedious to follow.
Moreover, 'Station Eleven' seems to revel in its own seriousness, presenting trauma and the end of the world with an air of pretentiousness that borders on contempt for traditional storytelling. The narrative is so preoccupied with establishing a mood that it forgets to tell a story that is engaging or meaningful. It's as if the show is more concerned with demonstrating the complexity of the human soul than providing entertainment or a satisfying narrative experience.
The series' approach to storytelling is emblematic of the pitfalls of workshop fiction when taken to an extreme. It prioritizes style over substance, leaving viewers with a hollow feeling rather than a sense of fulfillment. The end product is a show that, despite its talented cast and occasional glimpses of brilliance in performance, ultimately feels like a missed opportunity.
In conclusion, 'Station Eleven' is a testament to the limitations of workshop fiction as a narrative framework for television. It serves as a cautionary tale for creators who may be tempted to prioritize artistic expression over storytelling. For viewers seeking a show that delivers a well-rounded narrative experience, 'Station Eleven' is likely to disappoint. It is a show that, despite its aspirations, fails to leave a lasting impact and instead fades into the background as a forgettable entry in the annals of television history.
Devs (2020)
Everything great except the lead actress
In the intriguing mini-series "Devs," the storyline captivates viewers with its compelling narrative. However, the overall viewing experience is hindered by the perceived shortcomings of the lead actress.
While the plot holds promise and engages audiences with its complexity, the portrayal by the lead actress falls short, making it challenging for viewers to fully immerse themselves in the show.
The success of any series often relies on a cohesive blend of both narrative depth and strong performances, and unfortunately, the disconnect with the lead actress detracts from the overall enjoyment of "Devs."
Despite the actress's perceived limitations, the series may still appeal to those who can overlook the casting choice and appreciate the unique narrative elements presented in "Devs."
The thematic depth and thought-provoking concepts explored in the show could potentially outweigh the drawbacks of the lead actress's performance.
Viewers may find themselves torn between the allure of the storyline and the distracting impact of the casting choice, ultimately determining whether they can overlook the latter to fully appreciate the series as a whole.
Advantageous (2015)
Boring and not at all engaging
"Advantageous" left me with a sense of disappointment, as it seemed to prioritize artistic elements over entertainment value. The film's heavy emphasis on its artistic and avant-garde aspects often overshadowed any potential for engaging storytelling. It appeared to be more concerned with artistic expression than providing the audience with an enjoyable viewing experience.
The movie's plot, while perhaps carrying some potential, felt convoluted and challenging to follow. Its artistic choices and abstract narrative approach made it difficult to connect with the characters and their experiences, leaving me disengaged and uninterested.
Furthermore, "Advantageous" seemed to lack the pacing and momentum that typically keeps viewers engaged. It felt sluggish and meandering, failing to maintain the audience's attention throughout its duration. This lack of excitement and entertainment value was a significant drawback.
In summary, "Advantageous" may appeal to those who appreciate highly artistic and avant-garde films, but for viewers seeking entertainment and engagement, it may come across as tedious and unfulfilling. Its focus on artistic expression seemed to overshadow its ability to provide an enjoyable cinematic experience.
Surrogates (2009)
Outstanding sci fi seems more relevant now than ever
"Surrogates" is a film that truly captivated me with its engaging story, skillful direction, and commendable performances. The movie weaves an intriguing narrative that explores the consequences of a world reliant on surrogates, challenging the boundaries between reality and artificiality. The exploration of these themes is not only thought-provoking but also keeps the audience engrossed throughout.
The direction of the film is commendable, as it effectively conveys the contrasting worlds of the surrogates and the real, emphasizing the film's central themes. The visual storytelling and use of technology within the movie add depth and complexity to the narrative, making it a visually stimulating experience.
Additionally, the acting in "Surrogates" is praiseworthy. The cast, led by Bruce Willis, delivers strong performances that add authenticity to the characters and their struggles. Their ability to convey the emotional nuances of the story enhances the audience's connection with the film.
In summary, "Surrogates" is a well-crafted movie with a compelling story, skillful direction, and strong acting performances. It offers an engaging exploration of futuristic concepts and the impact of technology on human existence, making it a film I would highly recommend to those seeking an intellectually stimulating and visually satisfying cinematic experience.
Sunshine Cleaning (2008)
Boring and pointless
"Sunshine Cleaning" is a film that left me bewildered and utterly disinterested. It seemed like an endless journey through a maze of aimless storytelling, with each moment feeling more pointless than the last. The film's lack of purpose left me so bored that I found myself fast-forwarding through significant portions just to reach a conclusion.
The movie's characters, though potentially intriguing, failed to make a significant impact. Their lack of depth and development made it difficult to invest in their journeys or connect with their struggles. As a result, the emotional resonance that typically enriches a film was conspicuously absent, leaving me disengaged from their experiences.
Furthermore, "Sunshine Cleaning" suffered from a meandering plot that lacked focus and direction. Scenes felt disconnected, and the pacing was uneven, making the narrative difficult to follow or care about. It was as if the filmmakers themselves were uncertain of the story they wanted to tell, and this uncertainty translated into a frustrating and unenjoyable viewing experience.
In summary, "Sunshine Cleaning" proved to be a cinematic disappointment. Its lack of purpose, underdeveloped characters, and aimless storytelling left me with no option but to fast-forward through substantial portions of the film. It's a movie I wouldn't recommend to those seeking an engaging or meaningful cinematic experience.
Feast of Love (2007)
The Most Stupid Movie Ever Made: A Cinematic Catastrophe
Feast of Love is a film that left a strong impression on me, but unfortunately, it was not a positive one. From start to finish, it proved to be a tedious and bewildering experience, lacking any discernible redeeming qualities. The movie's storyline was convoluted and seemingly devoid of logic, making it incredibly difficult to become emotionally invested in the characters or their relationships. This lack of coherence left me feeling frustrated and disconnected from the narrative.
One of the most striking aspects of "Feast of Love" was its inability to engage the audience. The film failed to provide any meaningful or thought-provoking content, making it feel like a pointless exercise in storytelling. The characters, despite their potentially interesting backgrounds and relationships, came across as shallow and underdeveloped. This lack of depth further contributed to the film's overall sense of shallowness and pointlessness.
Additionally, the pacing of the movie was painfully slow, making it a struggle to maintain interest throughout its duration. It felt as though the plot meandered aimlessly, with no clear direction or purpose. This lack of momentum left me constantly checking my watch, hoping for the film to deliver something compelling or engaging, but it consistently fell short.
In summary, "Feast of Love" proved to be a frustrating and disappointing cinematic experience. Its lack of logic, underdeveloped characters, and sluggish pacing make it a movie that I would not recommend to anyone seeking an engaging or enjoyable film.
Seeking a Friend for the End of the World (2012)
A Comedy that Misses the Mark
Seeking a Friend for the End of the World" is a disappointing cinematic experience on multiple fronts. The film suffers from subpar acting that fails to engage the audience emotionally. The lackluster performances coupled with a lack of chemistry between the lead characters hinder the film's ability to establish a connection with viewers.
Furthermore, the script of the movie falls flat, delivering uninspiring dialogue and a plot that struggles to captivate. The attempts at humor often miss the mark, leaving the audience with an overall sense of dullness. It's a missed opportunity to explore the profound and existential themes that the end-of-the-world scenario could have offered.
In the end, "Seeking a Friend for the End of the World" disappoints with its underwhelming acting, uninspired script, and a failure to deliver the humor and depth one would expect from a film of this premise. It's a forgettable cinematic experience that leaves much to be desired.
The Duff (2015)
DUFF-initely Not a Comedy Gem: More Like a Dullsville High School Drama!
The DUFF," released in 2015, left me quite disappointed. From the start, it became evident that the movie was riddled with clichés, making it feel unoriginal and unengaging. The plot followed a predictable trajectory, leaving little room for surprises or fresh storytelling. As the film unfolded, it became increasingly challenging to connect with the characters and their experiences, largely due to the lackluster acting performances. The cast struggled to bring depth to their roles, leaving the viewer feeling disconnected from the narrative.
One of the major drawbacks of "The DUFF" was its reliance on high school movie tropes that had been overused in countless other teen comedies. The film seemed to follow a formulaic approach, failing to offer any unique or thought-provoking insights into the teenage experience. This predictability made it difficult to become emotionally invested in the characters or their journey, ultimately diminishing the overall viewing experience.
In addition to the clichéd storyline, the lack of strong performances from the cast further detracted from the film's appeal. While some actors did their best, the overall acting quality left much to be desired. This made it challenging to empathize with the characters and root for their personal growth, a crucial element in teen coming-of-age stories.
In conclusion, "The DUFF" was a disappointment due to its reliance on clichés, predictable plot, and subpar acting. It failed to offer a fresh take on the high school comedy genre, leaving viewers with a forgettable and unremarkable movie experience.
Influencer (2022)
A Gripping Thriller with a Social Media Twist
I just watched a movie called 'Influencer,' and I think it was a really good film. The pacing was good, and overall, it was a good thriller. The cast and acting could have been better, but it was passable. Overall, I would recommend giving it a watch.
The plot of 'Influencer' kept me engaged throughout. It had enough twists and turns to keep me guessing, and I appreciated how it delved into the world of social media and its impact on our lives. The director did a commendable job in building and maintaining tension, which is crucial for a thriller.
While the cast and acting in 'Influencer' weren't exceptional, they didn't detract significantly from the overall experience. The characters were relatable, and I found myself invested in their fates. If you enjoy thrillers with a contemporary twist, 'Influencer' is definitely worth checking out.
Project Greenlight: A New Generation (2023)
Good director awful producers
Project Greenlight showcases a stark contrast between the exceptional talent of director Meeko and the frustrating behavior of the producers. Meeko's directorial prowess shines, but the producers' demands, insistence on diversity decisions, and constant interruptions create a tense and challenging environment. It's a revealing look at the complexities of filmmaking behind the scenes.
The producers' behavior in 'Project Greenlight' paints a disheartening picture of their relentless interference, incessant complaints, and inappropriate pressure tactics. Their actions not only undermine Meeko's creative process but also highlight the challenges faced by directors when subjected to unwarranted scrutiny and micromanagement. It's a stark reminder of the detrimental impact that such producer-director conflicts can have on the filmmaking journey.
Gray Matter (2023)
This is actually a good film
Gray Matters" is a recent film that left a lasting impression on me, despite its surprisingly low rating. It's a movie that skillfully weaves together a compelling narrative with strong performances and adept direction, making it an enjoyable watch, although the ending felt somewhat rushed.
One of the standout aspects of "Gray Matters" is the remarkable acting by the cast. The film features a talented ensemble of actors who bring their characters to life with authenticity and depth. The lead actress delivers a particularly impressive performance. She captures the complexity of her character, a woman who discovers telekinetic powers, with grace and nuance. Her portrayal of the character's inner conflict and journey of self-discovery through her newfound abilities is both convincing and relatable. Her chemistry with a co-star, who plays her daughter, adds.
Depth to the story, making their relationship feel genuine and heartfelt.
Moreover, "Gray Matters" benefits from solid direction that enhances the overall viewing experience. The director deserves credit for her ability to balance the film's dramatic elements. The movie seamlessly transitions between moments of introspection and more thought-provoking scenes, creating a well-rounded emotional journey for the audience. The director's keen eye for detail is evident in the film's.cinematography, which captures the beauty of the setting and adds visual richness to the story. The film's pacing, while generally good, is where it falters slightly, as it accelerates towards the end.
However, it's this rushed ending that stands out as a minor flaw in an otherwise enjoyable film. The climax of "Gray Matters" feels abrupt and somewhat forced, as if the filmmakers were trying to tie up loose ends too quickly. Given the depth of the characters and the complexity of the themes explored, a more gradual resolution would have been more satisfying. This hurried conclusion leaves the audience with a sense of wanting more closure and a deeper exploration of the characters' relationships and the implications of the protagonist's telekinetic powers.
Despite this drawback, "Gray Matters" remains a great fun to watch. The film's charm lies in its ability to tackle important themes related to supernatural abilities with humor and heart. It addresses the challenges.and responsibilities that come with extraordinary powers in a lighthearted yet thought-provoking manner. It's a refreshing take on the genre, offering a fresh perspective on the idea of self-discovery through extraordinary circumstances.
Additionally, the film's supporting cast adds to its appeal. The portrayal of one character, a close friend of the protagonist, brings humor and depth to the story. This character's unwavering support of the protagonist's journey with telekinesis is heartwarming and adds another layer to the film's exploration of friendship and acceptance. The witty and humorous dialogue throughout the film keeps the audience engaged and entertained.
In conclusion, "Gray Matters" may have received a lower rating than it deserves, but it shouldn't be dismissed based solely on that. It's a film that successfully combines strong performances, skillful direction, and a unique take on the challenges of possessing telekinetic powers. While the rushed ending is a minor setback, the overall experience of watching this movie is a delightful one. "Gray Matters" is a reminder that sometimes, in the world of cinema, hidden gems can be found in unexpected places, and it's worth giving them a chance to shine.
Freddy (2022)
Riveting Thriller Marred by an Unrealistic Plot Device
It certainly had the potential to captivate audiences with its suspenseful storytelling and intense performances. However, the film's glaring plot hole, where the solution to an abusive relationship is depicted as resorting to murder rather than seeking legal help, regrettably undermines the overall experience, leaving viewers perplexed and disappointed.
The movie unfolds with a promising premise, delving into the complex dynamics of an abusive relationship. The lead actors deliver commendable performances, effectively portraying the emotions and challenges faced by their characters. The film's atmosphere is appropriately tense, building anticipation and keeping viewers on the edge of their seats throughout.
However, the decision to present murder as the only resolution to the abusive relationship is not only morally questionable but also fails to reflect reality. By promoting such an unrealistic and harmful solution, the movie detracts from the crucial message it could have conveyed about seeking legal aid, support systems, or other realistic avenues to escape domestic abuse.
It's regrettable because "Freddy" had the potential to explore the harrowing reality of domestic abuse and shed light on the various ways individuals can break free from such situations. By opting for a plot device that undermines this opportunity, the film inadvertently downplays the seriousness of the issue and perpetuates an ill-advised notion.
Despite this major flaw, it is worth acknowledging the technical aspects of the film. The cinematography is well executed, contributing to the movie's overall atmosphere of suspense. The background score effectively complements the scenes, enhancing the tension and augmenting the viewing experience.
In conclusion, "Freddy" offers a compelling thriller with strong performances, but its decision to present murder as the sole solution to an abusive relationship is an absurd plot hole that significantly detracts from the film's overall quality and message. As an audience, it's disappointing to witness missed opportunities to address important social issues responsibly. Ultimately, the movie's unrealistic narrative choice undermines its potential impact and leaves viewers questioning its artistic integrity.
The Next Three Days (2010)
A Gripping Thriller Illuminating Injustice
Captivating thriller that not only keeps you on the edge of your seat with its fast pace and gripping story but also sheds light on the harrowing reality of wrongful incarceration and unsolved cases. Directed by Paul Haggis, this film explores the lengths a desperate man will go to prove his wife's innocence and reunite their family.
Russell Crowe delivers a compelling performance as John Brennan, a devoted husband whose life is turned upside down when his wife, Lara (played by Elizabeth Banks), is wrongfully accused of murder. Fueled by love and unwavering determination, John embarks on a relentless quest to find a way to set her free. The movie masterfully captures the emotional turmoil and desperation that drive John's every action, making him a relatable and sympathetic character.
The film's fast pace keeps the tension high throughout, leaving little room for respite. As John delves deeper into the criminal underworld and seeks the help of an enigmatic ex-convict (played by Liam Neeson), the stakes rise exponentially, creating an atmosphere of constant suspense. The narrative twists and turns, expertly woven together, make it impossible to predict the outcome, ensuring the viewer remains engaged until the very end.
One of the most thought-provoking aspects of "The Next Three Days" is its exploration of the flaws within the justice system. It highlights the alarming truth that innocent people are sometimes imprisoned, and that certain cases remain unsolved, leaving behind a trail of shattered lives. By confronting these issues, the film sparks important conversations about the limitations and injustices within our legal framework, urging us to question and seek reforms.
The film's realism is enhanced by its well-rounded supporting cast, including standout performances by Olivia Wilde as John's loyal friend and Brian Dennehy as his father. The chemistry between the actors brings an added layer of authenticity to the story, making it easier for viewers to emotionally invest in the characters' plights.
Although "The Next Three Days" delivers an enthralling narrative, it may not appeal to those seeking a light-hearted escape. The movie delves deep into darker themes, immersing the audience in the morally gray areas of the criminal justice system. It prompts introspection and invites viewers to question the boundaries of their own ethical compass.
In conclusion, "The Next Three Days" is a gripping thriller that skillfully balances a fast-paced plot with a profound examination of wrongful incarceration and unsolved cases. With strong performances and a thought-provoking storyline, it will leave you contemplating the flaws and complexities of the justice system long after the credits roll.
The Day the Earth Stood Still (2008)
Jaden Smith's Cosmic Catastrophe: The Day the Earth Stood Still and Begged for Destruction
From the moment the alien encounters young Jaden Smith's character, it becomes clear that Earth's survival hangs by a thread. You see, this alien, possessing advanced knowledge and technological prowess, realizes that after a brief encounter with Jaden, any shred of hope for humanity crumbles like a house of cards. Who could blame the poor alien?
Keanu Reeves, our otherworldly visitor, does his best to save Earth from imminent doom. However, he couldn't anticipate the formidable force that is Jaden's enigmatic charm. The alien's mission transforms from a noble attempt to preserve life on Earth to an all-consuming desire to obliterate it, just to spare the universe from the cosmic catastrophe that is Jaden Smith's presence.
Watching the alien's internal struggle is like witnessing a cosmic stand-up comedy routine. The more Jaden Smith speaks, the closer the alien gets to pressing the self-destruct button. It's a battle of wills, with Keanu Reeves attempting to broker peace while shielding the universe from Jaden's inexplicable ability to drive sentient beings to madness.
The filmmakers deserve credit for their bold choice to cast Jaden Smith, as it inadvertently creates a unique blend of comedy and existential crisis. At times, you'll find yourself questioning whether the alien's ruthless intentions are truly unwarranted.
"The Day the Earth Stood Still" is a rare gem that transcends mere science fiction, plunging headfirst into the realm of unintentional hilarity. You'll laugh, you'll ponder the absurdity of it all, and perhaps you'll even empathize with the alien's desperate plea for a universe free from Jaden Smith's cosmic influence.
So grab your popcorn and prepare for an adventure like no other. Just remember, if you ever find yourself face to face with Jaden Smith, pray that the world's fate doesn't rest in your hands. Godspeed, brave moviegoers!
Midnight Special (2016)
A Promising Concept Hindered by Unanswered Questions
Midnight Special, directed by Jeff Nichols, is a thought-provoking science fiction film that offers a unique and intriguing concept. It delves into the story of a young boy with extraordinary powers, born to human parents, who finds himself pursued by both the government and a religious cult. While the film initially captivates with its premise, it unfortunately falls short in delivering satisfactory explanations for its central mysteries, leaving the audience with a sense of frustration and unfulfilled potential.
At its core, Midnight Special raises compelling questions about the nature of faith, the power of belief, and the potential for the extraordinary within the ordinary. The film's opening scenes immediately grab attention as we witness the boy, Alton, demonstrate his supernatural abilities, such as emitting powerful light from his eyes. These abilities, along with his extraordinary origin, serve as the catalyst for a tense and suspenseful journey, with his father, Roy, determined to protect him at all costs.
The performances in Midnight Special are commendable, with Michael Shannon delivering a nuanced portrayal of Roy, a desperate father torn between protecting his son and understanding the significance of his powers. Joel Edgerton as Roy's loyal friend Lucas also brings depth to his character, offering a sense of moral grounding amidst the chaos. Additionally, the young actor Jaeden Martell portrays Alton with a quiet intensity that draws sympathy and intrigue.
However, the film's downfall lies in its inability to provide satisfying answers to its central mysteries. The most glaring omission revolves around the origins of Alton's powers and how he came to be born to human parents. While the film hints at an extraterrestrial connection, it fails to provide a concrete explanation, leaving the audience grappling with unanswered questions and an unsatisfactory resolution.
Furthermore, the government's relentless pursuit of Alton and the involvement of a religious cult add layers of intrigue, but these storylines ultimately suffer from a lack of depth and development. The motivations of the government agency and the cult remain enigmatic, and their significance to Alton's existence is never fully explored. The film tantalizes with glimpses of a larger conspiracy, but it ultimately fails to tie these threads together, leaving viewers with a sense of confusion and disappointment.
Despite its shortcomings, Midnight Special does possess redeeming qualities. The film's cinematography effectively captures a sense of otherworldliness, with stunning visuals that juxtapose the ordinary with the extraordinary. The use of lighting and color creates an ethereal atmosphere that enhances the film's mystical themes.
In addition, the director's ability to create tension and build suspense is commendable. The chase sequences are gripping, and the emotional stakes are palpable as Roy and his companions navigate a dangerous world to protect Alton. The film's pacing keeps the audience engaged, even in the absence of clear answers, but ultimately falls short due to the lack of resolution.
In conclusion, Midnight Special presents an intriguing concept that initially captures the imagination. It raises compelling questions about faith, belief, and the extraordinary potential within humanity. The performances are solid, and the visual aesthetics enhance the film's mystical atmosphere. However, the film falters due to its failure to provide satisfactory explanations for its central mysteries. The lack of clarity surrounding Alton's powers and origin, as well as the underdeveloped subplots involving the government and the cult, leave the audience feeling unsatisfied. Despite its promising elements, Midnight Special falls short of its potential, earning a rating of 6 out of 10 stars.
Upstream Color (2013)
Boring and pretentious
"Upstream Color" is a film that attempts to explore deep themes and provoke introspection, but unfortunately falls short of delivering a compelling and coherent experience. Director Shane Carruth's ambitious vision becomes overshadowed by excessive confusion and a lack of narrative clarity, leaving audiences perplexed and detached throughout the viewing experience.
One of the film's major flaws lies in its deliberate insistence on confusion for the sake of confusion. While a degree of ambiguity can be intriguing, "Upstream Color" takes it to an extreme that results in an alienating effect. The non-linear narrative structure, fragmented storytelling, and symbolic imagery all contribute to the viewer's struggle to piece together a cohesive understanding of the plot and characters. Rather than engaging the audience's intellect, the film often ends up frustrating and distancing them.
Moreover, the characters themselves lack depth and fail to establish a strong emotional connection. Although Amy Seimetz and Shane Carruth deliver competent performances, the script provides limited opportunities for them to truly shine. Their relationship is underdeveloped, lacking the necessary chemistry and emotional resonance to make their connection genuinely compelling. As a result, it becomes difficult to invest in their journey or care about their ultimate outcome.
The film's abstract exploration of identity, control, and human interconnectedness is undoubtedly intriguing in theory. However, the execution leaves much to be desired. The incorporation of a mysterious worm and its life cycle adds an unnecessary layer of complexity without sufficient explanation or meaningful payoff. The film's reliance on symbolism and metaphor, while potentially thought-provoking, becomes convoluted and pretentious in its execution.
Technically, "Upstream Color" exhibits some strong points. The cinematography is visually striking, capturing beautiful images and creating an atmosphere of intrigue. The sound design also stands out, effectively enhancing the sensory experience and immersing the audience in the film's world. However, these technical aspects cannot compensate for the film's fundamental flaws in storytelling and coherence.
In conclusion, "Upstream Color" is a disappointing and frustrating cinematic experience. Its excessive confusion and lack of narrative clarity hinder its potential to engage and resonate with audiences. While the film's ambition and thematic exploration are commendable, they ultimately get lost in a sea of unnecessary complexity and disconnected storytelling. Regrettably, despite its technical strengths, "Upstream Color" falls short of delivering a satisfying and enjoyable viewing experience.
Paris, Texas (1984)
Paris, Texas: A Slow Burn or a Sentence to Movie Jail?
This may be the most boring movie everr, but fear not, because this movie can still serve a purpose - as punishment for crime!
Can't you just see it now? "You've been caught jaywalking. Your sentence? A one-hour viewing of 'Paris, Texas.' It's like the ultimate form of torture - forget waterboarding, just make the prisoners sit through a slow-paced arthouse film.
But hey, let's not be too harsh on this movie. After all, it did win the Palme d'Or at Cannes, which is kind of a big deal. Maybe our dear viewer just isn't sophisticated enough to appreciate its subtleties. Or maybe they fell asleep during the first five minutes and missed the entire plot.
In all seriousness though, "Paris, Texas" is a film that takes its time to tell its story. It's not for everyone, but for those who are willing to sit through its deliberate pacing, there are rewards to be had. The cinematography is gorgeous, with sweeping shots of the desert landscapes and bustling cityscapes. And the soundtrack by Ry Cooder is simply sublime - it's the kind of music that makes you want to close your eyes and let your mind wander.
But let's get back to the punishment aspect of this review, because that's where the real fun is. We can just imagine a dystopian future where the justice system has been replaced by a "movie jail." You commit a crime, you get sent to a cell with a TV and a DVD player, and all they have to watch is "Paris, Texas" on repeat.
Waves (2019)
Super slow and boring
From the opening credits to the closing scenes, the movie moved at an unbearably slow pace. Shults tried to build tension and emotion, but the result was an overly prolonged and monotonous first half of the movie. The story revolves around the Williams family, a middle-class African-American family living in South Florida. The movie is divided into two parts, with the first half focusing on Tyler Williams (Kelvin Harrison Jr.), a high school wrestler who is pressured by his father (Sterling K. Brown) to be the best at all costs.
The first half of the film is unnecessarily long, with scenes that seem to drag on and on without any real payoff.
The second half of the movie shifts focus to Emily Williams (Taylor Russell), Tyler's younger sister, as she tries to cope with the aftermath of her brother's actions. Emily's character is underdeveloped, and her storyline feels rushed and unconvincing.
One of the biggest problems with Waves is that the movie tries too hard to be emotionally manipulative. Shults uses a lot of techniques to try to create tension and drama, but it all feels forced and over-the-top. The use of music, slow-motion, and other cinematic tricks is heavy-handed and distracts from the story's real substance.
It's hard to understand why some viewers on IMDb gave this movie high ratings. The movie's pacing is excruciatingly slow, and the characters are not given enough depth to make them interesting or relatable. The writing is bad, and the direction is pretentious, trying too hard to be an indie film.
The film's one saving grace is its cinematography. The visuals are stunning, with gorgeous shots of the Florida coastline and the underwater sequences. However, good cinematography alone does not make a great movie.
In conclusion, Waves is a slow, tedious, and pretentious movie. It tries too hard to manipulate the viewer's emotions and fails to deliver a coherent and engaging story. Kelvin Harrison Jr.'s performance is commendable, but it's not enough to save the movie. If you're looking for a drama that will keep you engaged and entertained, this is not the movie for you.
Generation Wealth (2018)
Could have been so much better
Lauren Greenfield had so much good material that this could have been one of the best documentaries about the subject if only she:
- Focus on the subject matter: The film's main theme is wealth and its impact on society, so the director should focus on exploring this topic in depth, rather than incorporating personal anecdotes.
- Balance personal anecdotes with interviews and expert opinions: While personal experiences can be powerful, they should be balanced with interviews with experts and those affected by wealth. This will provide a more well-rounded and nuanced understanding of the topic.
- Include more data and statistics: Including data and statistics on wealth and income inequality will provide a clearer understanding of the issue and its impact on society.
- Present a diversity of perspectives: The film should present a diversity of perspectives on wealth and its impact, including those from different socioeconomic backgrounds and cultures.