TheBigSick Reviews

Tangerine (2015)

The Electric Heart of Los Angeles: A Review of 'Tangerine'

[21 April 2024]

Sean Baker's 'Tangerine' isn't just a film; it's a jolt of raw, vibrant energy. A Christmas Eve story with a ferocious heart, it shatters filmmaking conventions while delivering a poignant and surprisingly hilarious slice of life from the streets of LA.

Shot entirely on iPhones, the film crackles with visual immediacy. We're not just watching Sin-Dee Rella (Kitana Kiki Rodriguez) and Alexandra (Mya Taylor) tear through Tinseltown on a quest for vengeance and truth - we're right there with them. Every grainy frame, every frantic cut, and every oversaturated color pulsates with the rhythm of their world.

Baker and co-writer Chris Bergoch don't flinch from the grittiness of their characters' lives. Sin-Dee and Alexandra are transgender sex workers navigating a world that's both exploitative and indifferent. Yet, there's no pity to be found here, only blazing humanity. Rodriguez and Taylor deliver performances that are both uproarious and deeply affecting, bringing Sin-Dee's whirlwind fury and Alexandra's quiet strength to life.

'Tangerine' has its rough edges, which is part of its power. It's a film bursting with the joy of discovery and a rebellious spirit. There are scenes of outrageous humor mixed with moments of startling vulnerability. It's this refusal to be neatly categorized that makes 'Tangerine' feel so authentic.

While its technical innovation is impressive, what lingers is the film's big heart. Underneath the brash humor and whirlwind plot lies a story about friendship, loyalty, and the relentless search for love and respect. 'Tangerine' forces us to see the unseen, the marginalized, and find the beauty and resilience in their lives.

'Tangerine' is essential viewing - a bold, boundary-pushing film that proves cinema can be as vibrant and unpredictable as the people it depicts.

The African Queen (1951)

The African Queen: A Steamy Adventure with a Few Snags (8/10)

[1 April 2024]

John Huston's "The African Queen" isn't just a classic, it's a slow burn adventure fueled by powerhouse performances and a journey that throws two opposites together on a rickety boat. Humphrey Bogart embodies Charlie Allnut, a gruff, gin-loving riverboat captain, while Katharine Hepburn is Rose Sayer, a proper missionary sister facing a world turned upside down by WWI.

Their initial clashes are pure gold. Rose's uptight demeanor clashes hilariously with Charlie's boisterous ways. The banter between them crackles, and their forced companionship blossoms into something unexpected. The film expertly weaves humor, danger, and a blossoming romance against the backdrop of the unforgiving African landscape.

Huston doesn't shy away from the harsh realities of their situation. The dangers of the river, from raging rapids to lurking wildlife, are palpable. There's a genuine sense of peril that keeps you invested in their survival.

However, the film isn't without its flaws. The pacing can drag at times, especially in the middle section. And while the special effects hold up considering the era, they might seem a touch dated to modern viewers.

But the true strength of "The African Queen" lies in Bogie and Hepburn. Their chemistry is undeniable, making their characters' transformation all the more rewarding. By the end, you're rooting for this unlikely couple to navigate not just the treacherous river, but also their own changing hearts.

"The African Queen" might not be a perfect film, but it's a captivating one. With its unforgettable leads, thrilling set pieces, and underlying tenderness, it earns a solid 8 out of 10.

My Fair Lady (1964)

Enchanting Eliza: A Review of My Fair Lady (9/10)

[26 March 2024]

"My Fair Lady" is a delightful cinematic confection, brimming with charm and timeless melodies. Rex Harrison delivers a perfectly gruff performance as Professor Higgins, a phonetics expert who takes a gamble on transforming Eliza Doolittle (Audrey Hepburn), a poor flower girl, into a proper lady. Hepburn is luminous, imbuing Eliza with a winning vulnerability that blossoms into strength.

The film's true magic lies in Lerner and Loewe's soaring score. From the playful "Wouldn't It Be Loverly" to the triumphant "I Could Have Danced All Night," each song is a gem, perfectly complementing the narrative. The production design is equally stunning, transporting viewers to the bustling streets of Edwardian London and the elegant ballrooms of high society.

While "My Fair Lady" isn't without its flaws. The social commentary, though present, feels somewhat muted compared to George Bernard Shaw's original play "Pygmalion." However, the film's focus on entertainment shines through.

This is a classic for a reason. With its iconic performances, unforgettable music, and timeless story, "My Fair Lady" is a guaranteed crowd-pleaser. It's a film that will stay with you long after the credits roll, leaving you humming a tune and yearning for a touch of Eliza's transformation magic.

Highly recommended, especially for fans of musicals and romantic comedies.

My Left Foot (1989)

A Triumph of the Human Spirit: A Review of "My Left Foot"

[16 March 2024]

"My Left Foot" isn't your typical inspirational story. It's a powerful and unflinching look at the life of Christy Brown (played by a phenomenal Daniel Day-Lewis), an Irish artist and writer born with cerebral palsy. Confined to a world he can only experience through his limited mobility, Christy's only point of control is his left foot.

The film doesn't shy away from the harsh realities of Christy's condition. We see his frustrations, his dependence, and the toll it takes on his family, particularly his strong-willed mother (played by the Oscar-winning Brenda Fricker). Yet, there's an undercurrent of humor and resilience that shines through.

Director Jim Sheridan masterfully crafts a narrative that avoids sentimentality. Christy is a complex character, capable of great tenderness and intelligence, but also prone to anger and outbursts. This complexity makes him all the more real and his achievements all the more remarkable.

"My Left Foot" is a film that will stay with you long after the credits roll. It's a testament to the human spirit's ability to overcome seemingly insurmountable obstacles. Day-Lewis's transformative performance is a masterclass in acting, and the film's supporting cast is equally brilliant.

Perfect Days (2023)

Perfect Days: A Tranquil Look at Simple Joys (7/10)

[10 March 2024]

"Perfect Days" is a meditative film that follows Hirayama, a Tokyo toilet cleaner content with his routine life. Played with quiet nuance by Koji Yakusho (winner of Best Actor at Cannes for this role), Hirayama finds joy in the small things: photographing trees, listening to music, and spending time lost in a good book.

The film's greatest strength is its portrayal of finding happiness in the ordinary. Director creates a calming atmosphere, focusing on the beauty of everyday rituals and the meticulous care Hirayama takes in his work. Cinematography by Franz Lustig is particularly impressive, finding elegance in the seemingly mundane, be it the way light falls on a public restroom or the quiet contemplation on Hirayama's face.

However, "Perfect Days" may test some viewers' patience. The slow pace and minimalist story can feel uneventful at times. While some will find beauty in its subtlety, others might crave more narrative depth or dramatic conflict.

Ultimately, "Perfect Days" is a film best suited for those seeking a contemplative experience. Yakusho's performance is a masterclass in quiet charisma, and the film offers a gentle reminder to appreciate the simple joys in life. But if you're looking for a fast-paced or emotionally gripping story, this might not be the film for you.

Recommendation: For those seeking a calming, character-driven film that celebrates the beauty of routine.

Dune: Part Two (2024)

Dune: Part Two - A Grand Spectacle Builds to a Thrilling Conclusion (8/10)

[10 March 2024]

Denis Villeneuve's return to Arrakis with "Dune: Part Two" is a visually stunning and narratively satisfying conclusion to his epic adaptation of Frank Herbert's sci-fi masterpiece. While the film might not quite reach the heights of its predecessor in terms of sheer novelty, it delivers on the promise of a grand space opera filled with political intrigue, ecological themes, and pulse-pounding action.

Building on the Foundation

Picking up right where the first film left off, "Dune: Part Two" throws us back into the heart of Paul Atreides' (Timothée Chalamet) journey. The emotional core established in the first film continues to resonate, with Chalamet delivering a powerful performance as Paul grapples with his destiny and the burden of leadership. New additions to the cast, particularly Florence Pugh as Princess Irulan, add fresh layers to the complex political web that Villeneuve has meticulously woven.

A Feast for the Senses

The film's true strength lies in its technical mastery. The vast deserts of Arrakis come alive once more, this time with a focus on the Fremen culture and their desert stronghold. The action sequences, particularly the sandworm battles, are breathtaking in their scale and intensity. Hans Zimmer's score continues to be a highlight, further immersing the audience in the film's unique soundscape.

A Worthy Conclusion

While the film stays true to the spirit of Herbert's novel, it does take some creative liberties in condensing the narrative for the screen. This might leave some purists wanting more, but overall, Villeneuve manages to deliver a satisfying conclusion that ties up the major plot threads and leaves audiences pondering the film's deeper themes.

The Final Verdict

"Dune: Part Two" is a worthy successor to the first film. It might not quite reach a perfect 10, but with its exceptional visuals, strong performances, and thrilling action sequences, it solidifies Villeneuve's vision as a landmark achievement in sci-fi filmmaking. This is a must-see for fans of the first film and anyone who enjoys epic, thought-provoking science fiction.

Terms of Endearment (1983)

Terms of Endearment: A Bittersweet Journey Lacking Depth (6/10)

[7 March 2024]

"Terms of Endearment" boasts strong performances and a poignant exploration of a complex mother-daughter relationship. Shirley MacLaine and Debra Winger shine as Aurora Greenway and Emma Horton, respectively, two headstrong women who clash constantly yet undeniably love each other. Their dynamic is the film's heart, and their witty banter and emotional outbursts feel authentic.

However, the narrative struggles to balance its comedic and dramatic elements. While the film elicits genuine laughter at times, it occasionally dips into melodramatic territory, particularly towards the conclusion. The supporting characters, despite being well-acted, fail to leave a lasting impression, and the plot unfolds somewhat predictably.

Ultimately, "Terms of Endearment" is a watchable film with powerful central performances. However, its uneven tone and lack of narrative depth prevent it from reaching its full potential. If you're seeking a character-driven drama with a healthy dose of humor, this film might resonate with you. But for those expecting a profound and emotionally resonant experience, it might fall short.

The Forty-Year-Old Version (2020)

A Raw and Resonant Debut: "The Forty-Year-Old Version" Scores Big (9/10)

[7 March 2024]

Writer, director, and star Radha Blank explodes onto the scene with "The Forty-Year-Old Version," a semi-autobiographical film that's equal parts funny, poignant, and deeply personal.

Blank plays Radha, a down-on-her-luck playwright struggling to find her voice and her footing as she approaches 40. Facing mounting bills and dwindling opportunities in the theater world, Radha takes an unexpected turn and reinvents herself as rapper RadhaMUSPrime.

The film seamlessly blends the worlds of hip-hop and theater, showcasing the challenges and triumphs of artistic expression in both. Blank's sharp wit and unflinching honesty shine through in the dialogue, creating characters that are both relatable and complex.

Shot in beautiful black and white with bursts of color, the film's visual storytelling is as captivating as its narrative. The use of documentary-style interviews with characters from Radha's neighborhood adds a layer of authenticity and immediacy to the story.

While the film tackles themes of aging, artistic integrity, and societal pressures, it never feels preachy or heavy-handed. Instead, it offers a refreshingly honest and humorous look at the complexities of life and the pursuit of one's dreams.

"The Forty-Year-Old Version" is a must-see for anyone who has ever felt lost, unfulfilled, or simply in need of a good laugh. It's a reminder that it's never too late to find your voice and chase your passions, no matter your age or background.

The Wonderful Story of Henry Sugar (2023)

Anderson's Whimsy Hits a Snag in "The Wonderful Story of Henry Sugar"

[16 February 2024]

Wes Anderson's adaptations of Roald Dahl have had their loyalists and their skeptics. While 'Fantastic Mr. Fox' resonated with many, 'The Wonderful Story of Henry Sugar' sadly proves that the pairing isn't always a recipe for automatic brilliance.

Firstly, the film's relentless quirkiness outstrips its purpose. Dahl's story - one of greed, transformation, and a hint of dark magic - already possesses a peculiar energy. Yet, Anderson pushes it towards the absurd. Characters speak in flat, rapid-fire dialogue aimed more at delivering whimsical one-liners than conveying authentic emotion. It all feels painfully stagey, and any genuine sentiment gets buried under a thick layer of artificiality.

The casting, usually a strong point, also flounders. Ralph Fiennes as Henry Sugar delivers an uncharacteristically hollow performance. Even stalwarts like Ben Kingsley and Dev Patel seem stifled by the stylized nature of the script. Anderson's heavy-handed directorial approach leaves barely any room for an actor's own spark to shine through.

While Anderson's signature symmetrical set pieces are eye-catching, they add little to the narrative besides visual flair. Unlike in his stronger works, here the visuals distract rather than serve the story.

Ultimately, "The Wonderful Story of Henry Sugar" is a case of style over substance. The film is technically proficient but emotionally vacant. Dahl's penchant for darkness and underlying meaning gets muted by a hyper-focus on quirky mannerisms and stylized visuals, leaving viewers perplexed instead of charmed. Unless you're an unwavering Anderson devotee, you might be better off re-reading Dahl's original tale for a far more satisfying experience.

Poor Things (2023)

Poorly Executed Things: A Review of "Poor Things"

[29 January 2024]

Poorly Executed Things: A Review of "Poor Things" While "Poor Things" boasts a promising premise - a Victorian Frankenstein story with a feminist twist - its execution leaves much to be desired. Here's why:

Narrative Stumbles: 1. Uneven pacing: The film whipsaws between slapstick humor and dark, unsettling themes, leaving the audience in narrative whiplash. Some scenes feel rushed, while others linger tediously.

2. Unbalanced characters: Bella, the resurrected protagonist, is fascinating in concept, but her character development is erratic. Supporting characters, like the scientist and the lawyer, are caricatures with little depth.

3. Questionable plot choices: The film's attempt to blend social commentary with grotesque humor backfires, leaving viewers unsure whether to laugh or cringe.

Technical Flaws: 1. Overindulgent CGI: The film relies heavily on CGI, often to the detriment of the story. The Frankensteinian creations, while visually striking, feel detached from the emotional core of the narrative.

2. Uneven tone: The film's stylistic choices are inconsistent, with garish costumes and sets clashing with the gritty Victorian setting. The score, too, oscillates between whimsy and discord, adding to the overall sense of disjointedness.

Missed Opportunities: 1. Feminist potential squandered: The film's initial promise of exploring Victorian gender roles and female agency evaporates in the face of shock value and grotesqueness. Bella's empowerment feels unearned and overshadowed by the film's fixation on the sensational.

2. Historical context ignored: The film's steampunk setting feels like a gimmick, with little exploration of the social and political realities of the Victorian era. The potential for a thoughtful critique of class and gender dynamics is wasted in favor of cheap thrills.

Overall: "Poor Things" is a visually arresting, but ultimately incoherent and unsatisfying film. Its promising premise is undermined by narrative and technical flaws, leaving the audience with a sense of disappointment rather than enlightenment. While some may find its dark humor and bizarre visuals entertaining, the film's failure to deliver on its deeper themes leaves a lasting impression of missed potential.

The Zone of Interest (2023)

A Cinematic Wasteland: "The Zone of Interest" Earns a Well-Deserved Zero

[29 January 2024]

"The Zone of Interest" isn't just a bad film; it's an endurance test. This pretentious slog is a prime example of style over substance, focusing on hollow aesthetics while completely neglecting the basic elements of storytelling.

The film offers nothing of substance. It's devoid of tension, conflict, or any semblance of a compelling narrative. The characters are flat, their motivations murky, and the dialogue is vapid. Frankly, I wouldn't be surprised if someone fell asleep during the screening - I certainly fought the urge myself.

If you're looking for a thought-provoking, engaging film, steer clear of "The Zone of Interest." This cinematic disaster is an insult to audiences and a waste of precious time.

American Fiction (2023)

American Fiction: A Sharply Witted Satire with Stumbling Feet

[16 January 2024]

Cord Jefferson's "American Fiction" takes a bold swing at the literary world's exploitation of Black narratives, with Jeffrey Wright delivering a sardonic performance as a disillusioned professor who embarks on a daring, albeit ethically questionable, experiment. The film's sharp wit dissects the commodification of Black stories, but the execution occasionally falters, leaving us with a 7 out of 10 experience.

Wright shines as Thelonius "Monk" Ellison, a writer frustrated by the industry's fixation on poverty porn and trauma narratives. To make his point, Monk pens a satirical novel brimming with exaggerated tropes, expecting it to be rightfully rejected. But, to his cynical delight, the book becomes a literary sensation, praised for its "authenticity" by a clueless white establishment.

The film's strength lies in its biting commentary. Jefferson cleverly critiques the hypocrisy of a system that profits from Black suffering while offering little genuine representation. The humor is dark and acerbic, forcing us to confront uncomfortable truths about the cultural consumption of Blackness.

However, "American Fiction" stumbles in its pacing and plot development. The supporting characters, particularly Monk's brother and his maid, feel underdeveloped and their storylines distract from the central narrative. Additionally, the film's ending, while thematically fitting, feels somewhat rushed and unsatisfying.

Despite these shortcomings, "American Fiction" is a thought-provoking and darkly hilarious film. Wright's performance is a masterclass in understated cynicism, and the film's exploration of racial dynamics in the literary world remains relevant and crucial. If you're looking for a film that challenges your assumptions and makes you laugh at the absurdity of it all, "American Fiction" is worth a watch, with the caveat that you might be left wanting a little more.

Monster (2023)

A Labyrinth Unveiled: A Review of Kore-eda's "Monster"

[9 January 2024]

Hirokazu Kore-eda's "Monster" doesn't roar, it creeps. It begins with a familiar premise: a concerned mother, a troubled son, and a school incident sparking whispers and suspicion. But within this seemingly ordinary frame, Kore-eda paints a masterpiece of intrigue, where secrets unfurl like layers of an onion, surprising us at every turn.

The screenplay is a masterclass in misdirection. Just when you think you've grasped the narrative, it shifts beneath your feet. Characters shed their skins, revealing hidden motivations and vulnerabilities. Each revelation feels organic, not a forced twist, but a natural progression of the intricately woven story.

And what a story it is! Kore-eda weaves together seemingly disparate threads - a bully facing his own demons, a teacher haunted by the past, a single mother's relentless quest for truth - and braids them into a tapestry of empathy and suspense. He forces us to confront our own biases, to question perceptions, and to acknowledge the monsters that lurk not just in shadows, but within ourselves.

The film's true strength lies in its characters. Kore-eda infuses even the most peripheral players with depth and nuance. He avoids easy binaries, portraying "monsters" with heartbreaking vulnerability and heroes with their own shades of darkness. The young actors, in particular, deliver performances that are both raw and poignant, capturing the complexities of childhood with astonishing authenticity.

The film's beauty lies not in grand spectacle, but in intimate moments. A whispered confession under a starlit sky, a shared meal that cracks open unspoken truths, a child's tears revealing unspoken pain - these are the scenes that linger long after the credits roll.

"Monster" is not a film that screams for your attention; it draws you in slowly, patiently, whispering its secrets in the quiet space between scenes. It's a film that rewards slow savoring, one that invites multiple viewings to fully appreciate its layered complexity.

If you're looking for a film that will keep you guessing until the very end, challenge your assumptions, and leave you pondering the depths of human nature long after the lights dim, then "Monster" is a must-see. It's a testament to Kore-eda's masterful storytelling, a labyrinthine tale that reveals not just the monsters we fear, but the humanity that binds us all.

Bridget Jones's Diary (2001)

a modern version of Pride and Prejudice

[25 November 2023]

Bridget Jones's Diary is a delightful film adaptation of Helen Fielding's popular novel of the same name. The film stars Renée Zellweger as Bridget Jones, a single, thirty-something woman who documents her life in her diary.

Zellweger is perfectly cast as Bridget, capturing her character's charm, insecurities, and humor. Colin Firth is also excellent as Mark Darcy, Bridget's love interest. Firth brings the same stoic charm to the role that he did to his performance as Mr. Darcy in the BBC adaptation of Pride and Prejudice.

The film is a faithful adaptation of the novel, capturing the spirit of Fielding's writing and the humor of Bridget's diary entries. The film is also well-directed by Sharon Maguire, who manages to capture the feel of a contemporary romantic comedy while still staying true to the novel's setting and tone.

Bridget Jones's Diary is a heartwarming and hilarious film that is sure to please fans of romantic comedies. The film is also a celebration of self-acceptance and the importance of finding love in the most unexpected places.

The Holdovers (2023)

a cinematic treasure

[20 November 2023]

Set against the tranquil backdrop of a New England prep school during the Christmas break, "The Holdovers" is a poignant and heartwarming film that explores the power of human connection and the transformative impact of unexpected friendships. The film revolves around three individuals from different walks of life, each grappling with their own personal struggles, who find solace and companionship in each other's company.

Director Alexander Payne masterfully weaves together these three characters' stories, creating a tapestry of human emotions that resonate deeply with the audience. Payne's signature blend of humor and pathos shines through, capturing the complexities of human relationships and the delicate balance between self-preservation and vulnerability.

The film's ending, which I won't spoil here, is both surprising and deeply satisfying, providing a fitting resolution to the characters' journeys of self-discovery and connection. It's a testament to Payne's ability to craft stories that linger long after the credits roll, leaving you reflecting on the transformative power of human connection and the enduring resilience of the human spirit.

Overall, "The Holdovers" is a cinematic treasure, a heartwarming and poignant tale of unexpected connections, second chances, and the enduring bonds of friendship. With its stellar performances, insightful direction, and captivating narrative, it's a film that will stay with you long after the final scene.

Anatomy of a Fall (2023)

A Gripping Thriller with Stellar Performances

[29 October 2023]

Triet does a masterful job of building suspense and creating a sense of dread throughout the film. The film culminates in a powerful and satisfying conclusion.

One of the things that makes Anatomy of a Fall so compelling is its ambiguity. The film never gives us a definitive answer to the question of whether or not Sandra is guilty. Instead, Triet focuses on the psychological effects of the murder investigation on Sandra and her family.

Messi, the dog, gives a surprisingly nuanced and emotionally resonant performance. Messi is able to convey a wide range of emotions, from joy to sadness to fear.

Killers of the Flower Moon (2023)

Miscast and Overlong

[23 October 2023]

The film is ultimately hampered by its miscasting and excessive length.

Leonardo DiCaprio and Robert De Niro are both undeniably talented actors, but they are simply too old to play their respective roles. DiCaprio is 47 years old, but he is supposed to be playing a man in his early 30s. De Niro is 79 years old, and he is supposed to be playing a man in his early 60s. The age difference is distracting and makes it difficult to believe in their characters.

The film's runtime of 206 minutes is also excessive. The story could have easily been told in 2.5 hours or less. The film's slow pace and meandering plot make it feel much longer than it actually is.

Barbie (I) (2023)

A Surprisingly Entertaining and Funny Film

[7 August 2023]

Greta Gerwig's live-action Barbie is a surprisingly entertaining and funny film that will appeal to both kids and adults.

The film is full of jokes and laugh-out-loud moments, and Ryan Gosling is a scene-stealer as Ken. He has eight abs, of course, but he also gives a surprisingly good performance. The film has a positive message about self-acceptance. Barbie learns that she doesn't have to be perfect to be loved and accepted.

The film does have some flaws. The plot is a bit predictable, and the film could have been a bit shorter. However, the flaws are minor, and Barbie is ultimately a lot of fun. It's a great film for kids and adults alike, and it's sure to be a hit with fans of the iconic doll.

Oppenheimer (I) (2023)

Overlong and Overcomplicated

[28 July 2023]

0 out of 10 stars

Christopher Nolan's Oppenheimer is a bloated, overwrought, and ultimately unsatisfying film. The film is three hours long, but it feels even longer, thanks to Nolan's penchant for unnecessary scenes and characters. The supporting characters are all flat and one-dimensional, and they don't have enough time to develop.

The sound and music are also too loud, overused, and noisy. Some of the illusory scenes are too glaring and disturbing. The film is also visually confusing, with Nolan's trademark use of shaky cameras and quick cuts.

The only bright spot in the film is Matt Damon's performance as General Leslie Groves. Damon gives a nuanced and complex performance, but he's not enough to save the film.

Overall, Oppenheimer is a mess. It's a long, confusing, and ultimately unsatisfying film. Nolan is an overrated director, and he often tells a simple story in a complicated and overlong manner. And he does it again in this film.

Additional Thoughts:

I was also disappointed by the film's portrayal of the atomic bomb. The film doesn't really explore the moral implications of the bomb, and it doesn't really show the devastation that it caused.

I also found the film's ending to be unsatisfying. The film ends with Oppenheimer having a breakdown, but it's not clear what he's learned from his experience.

Overall, I would not recommend Oppenheimer to anyone. It's a long, confusing, and ultimately unsatisfying film.

Mission: Impossible - Dead Reckoning Part One (2023)

overstuffed and convoluted

[14 July 2023]

Mission: Impossible - Dead Reckoning Part One is the seventh installment in the long-running action franchise, and it's a mixed bag. On the one hand, the film features some of the most jaw-dropping stunts and action sequences the series has ever seen. Tom Cruise is clearly still in top form, and he's surrounded by a talented cast that includes Rebecca Ferguson, Simon Pegg, Ving Rhames, and Hayley Atwell.

On the other hand, the film is also overstuffed and convoluted. There are too many characters, and the plot is often hard to follow. The film also suffers from a lack of stakes. We know that Ethan Hunt will be fine, no matter what happens, because there's already a sequel in the works.

However, the action scene of training dropping a cliff is very good. It's a tense and exciting sequence that shows off Cruise's incredible athleticism and the film's impressive production values. The scene is also well-choreographed and shot, and it's one of the highlights of the film.

Overall, Mission: Impossible - Dead Reckoning Part One is an entertaining film, but it's not the best in the series. The action is top-notch, but the film is too long and convoluted. And the lack of stakes makes it hard to get truly invested in the story.

Here are some of the pros and cons of the film:

Pros:

Incredible stunts and action sequences

Tom Cruise is still in top form

Talented cast

Good action scene of training dropping a cliff

Cons:

Too many characters

Convoluted plot

Lack of stakes

Overall, I would give Mission: Impossible - Dead Reckoning Part One a 3 out of 5 stars. It's an entertaining film, but it's not the best in the series. If you're a fan of the franchise, you'll probably enjoy it, but if you're not, you might want to wait for it to come out on streaming.

Joy Ride (2023)

a complete waste of time

[10 July 2023]

Joy Ride (2023) is a raunchy and crude road comedy film directed by Adele Lim and starring Ashley Park, Sherry Cola, Stephanie Hsu, and Sabrina Wu. The film follows four friends -- Audrey (Park), Lolo (Cola), Deadeye (Wu), and Kat (Hsu) -- as they travel across Asia in search of one of their birth mothers.

The film is a complete and utter mess. The humor is juvenile and offensive, the characters are unlikable and underdeveloped, and the plot is nonsensical. The film also has a serious problem with tone, veering wildly between crude comedy and serious drama.

The film's only saving grace is its cast, who do their best to make the material work. However, even their efforts are not enough to salvage this train wreck of a film.

Overall,Joy Ride is a terrible film that is not worth watching. I give it 1 star out of 10.

Here are some of the specific problems with the film:

The humor is juvenile and offensive. The film relies on cheap sex jokes and stereotypes, and it never seems to understand what is funny.

The characters are unlikable and underdeveloped. The four friends are all one-dimensional stereotypes, and they are never given any real depth or development.

The plot is nonsensical. The film's story is completely unbelievable, and it makes no sense.

The film has a serious problem with tone. The film veers wildly between crude comedy and serious drama, and it never seems to find a consistent tone.

If you're looking for a good comedy, I would recommend watching something else. Joy Ride is a complete waste of time.

The Beasts (2022)

suspenseful and atmospheric

[8 July 2023]

The Beasts (2022) is a Spanish-French thriller film directed by Rodrigo Sorogoyen and starring Denis Ménochet, Marina Foïs, and Luis Zahera. The film follows a French couple who move to a remote village in Galicia, Spain. However, their arrival sparks conflict with the local community, and a series of escalating events leads to violence and tragedy.

The film is a slow-burning but suspenseful character study that explores the themes of isolation, xenophobia, and violence. Sorogoyen builds tension through long, unbroken takes and a minimalist score, creating a sense of unease that is only heightened by the film's remote setting. The performances from the cast are all excellent, with Ménochet giving a particularly memorable turn as the volatile and unpredictable Antoine.

The Beasts is not an easy film to watch, but it is a rewarding one. It is a film that will stay with you long after you have seen it, and it is sure to provoke thought and discussion. If you are a fan of slow-burning thrillers with strong character development, then The Beasts is definitely worth checking out.

Here are some of the things that critics have praised about the film:

The film's suspenseful and atmospheric direction

The strong performances from the cast, particularly Denis Ménochet

The film's exploration of the themes of isolation, xenophobia, and violence

The film's refusal to offer easy answers

Here are some of the things that critics have criticized about the film:

The film's slow pace

The film's violent content

The film's ambiguous ending

Overall, The Beasts is a well-made and thought-provoking thriller that is sure to please fans of the genre. It is a film that is not afraid to tackle difficult subjects, and it does so with a maturity and intelligence that is rare in films of this type. If you are looking for a suspenseful and challenging film to watch, then The Beasts is definitely worth checking out.

Full Time (2021)

realistic and unflinching

[4 July 2023]

Full Time (2021) is a French drama film directed by Éric Gravel and starring Laure Calamy. The film follows Julie, a single mother who works multiple jobs to make ends meet. When a national transit strike disrupts her daily routine, Julie is forced to make difficult choices about her work and family life.

The film is a tightly-paced character study that offers a realistic and unflinching look at the challenges faced by working mothers. Julie is a sympathetic and relatable protagonist, and Calamy gives a tour-de-force performance. The film's supporting cast is also excellent, with standout performances from Anne Suarez and Olivia Côte.

Gravel's direction is assured and confident. He uses long takes and handheld camerawork to create a sense of urgency and immediacy. The film's cinematography is also impressive, capturing the beauty of Paris while also highlighting the city's harsh realities.

Full Time is a powerful and timely film that is sure to resonate with anyone who has ever struggled to balance work and family life. It is a must-see for fans of social realism and female-driven cinema.

Here are some of the things that critics have said about the film:

"A gripping and suspenseful film that will stay with you long after the credits have rolled." - The Guardian

"A powerful and moving film that offers a rare glimpse into the lives of working mothers." - The New York Times

"A must-see for anyone who has ever felt the pressure of juggling work and family." - Variety

If you're looking for a film that will challenge you, move you, and stay with you long after you've seen it, then I highly recommend Full Time.

The Chorus (2004)

predictable, heartwarming, and inspiring

[3 July 2023]

The Chorus (Les Choristes) is a 2004 French musical drama film directed by Christophe Barratier. The film tells the story of Clément Mathieu, a new music teacher at a boarding school for troubled boys in post-war France. Mathieu uses music to help the boys express themselves and to build relationships with each other and with him. The film stars Gérard Jugnot, François Berléand, Jean-Baptiste Maunier, and Maxence Perrin.

The Chorus was a critical and commercial success, grossing over $83 million worldwide. It was nominated for two Academy Awards, including Best Foreign Language Film, and won three César Awards, including Best Original Score. The film has been praised for its heartwarming story, its beautiful music, and its strong performances.

The film's story is predictable, but it is also heartwarming and inspiring. Mathieu is a kind and compassionate teacher who genuinely cares about his students. He sees the potential in them, even when they don't see it in themselves. He uses music to help them express themselves and to build relationships with each other. The film shows how music can be a powerful force for good, and how it can help people to overcome their challenges.

The film's music is also beautiful. The songs are well-written and performed, and they help to create a sense of hope and optimism. The film's score, composed by Bruno Coulais, is also excellent. It is both haunting and uplifting, and it perfectly complements the film's story.

The film's performances are also strong. Gérard Jugnot is excellent as Mathieu. He brings a warmth and compassion to the role that makes him instantly likable. The young actors who play the boys are also very good. They bring a sense of authenticity to their roles, and they make the audience care about them.

Overall, The Chorus is a heartwarming and inspiring film. It is a story about the power of music to change lives. The film's story, music, and performances are all excellent, and they make The Chorus a film that is sure to stay with you long after you have seen it.

Here are some of the critics' reviews of the film:

"A feel-good movie that's also surprisingly moving." - Roger Ebert, Chicago Sun-Times

"A heartwarming and inspiring film about the power of music." - Peter Travers, Rolling Stone

"A beautiful and uplifting film that will stay with you long after you've seen it." - Richard Roeper, Chicago Tribune

If you are looking for a heartwarming and inspiring film, then I highly recommend The Chorus. It is a film that will stay with you long after you have seen it.

Chicken Run (2000)

funny, heartwarming, and visually stunning

[2 July 2023]

Chicken Run is a 2000 British-American stop-motion animated comedy film directed by Nick Park and Peter Lord. The film stars the voices of Mel Gibson, Julia Sawalha, Miranda Richardson, Timothy Spall, and Tony Haygarth. It tells the story of a group of chickens who plan to escape from their farm after the arrival of a flamboyant American rooster who promises to teach them to fly.

Chicken Run was a critical and commercial success, grossing over $227 million worldwide. The film was praised for its humor, its visual style, and its heartwarming story.

Here are some of the things that make Chicken Run a great film:

The humor is sharp and witty. The film is full of laugh-out-loud moments, but it also has a sweetness and charm that makes it appealing to audiences of all ages.

The visual style is stunning. The film is stop-motion animation, but it is so well-done that it looks like live-action. The characters are expressive and the environments are beautifully detailed.

The story is heartwarming and inspiring. Chicken Run is a story about friendship, courage, and the power of hope. It is a film that will stay with you long after you have seen it.

If you are looking for a funny, heartwarming, and visually stunning animated film, then I highly recommend Chicken Run. It is a film that will entertain and inspire audiences of all ages.

Here are some additional thoughts on the film:

The film is a clever homage to the classic war film The Great Escape. The chickens' plan to escape from the farm is full of suspense and excitement, and it is clear that the filmmakers had a lot of fun putting it together.

The film's voice cast is excellent. Mel Gibson is hilarious as the flamboyant rooster Rocky, and Julia Sawalha gives a touching performance as the lead chicken Ginger. The supporting cast is also great, with standout performances from Miranda Richardson, Timothy Spall, and Tony Haygarth.

The film's music is also excellent. The score by Harry Gregson-Williams is both suspenseful and heartwarming, and the songs by Carly Simon are catchy and memorable.

Overall, Chicken Run is a fantastic animated film that is sure to entertain audiences of all ages. It is a funny, heartwarming, and visually stunning film that is full of suspense, excitement, and hope. If you haven't seen it yet, I highly recommend checking it out.