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A Compelling History Lesson
3 September 2009
The adaptation of Naomi Klein's book 'The Shock Doctrine' seems to have been quite convoluted. First Alfonso Cuarón and his brother teamed up with Klein to make a 6 minute short film almost as a way of advertising the book.

This is just a taster for the larger issue at hand. Whitecross and Winterbottom's feature-length documentary is a journey into the meat of the matter. Each of the snippets from Cuarón's film are expanded and the story is told over a grand, even epic, scale. This is the story of an economist called Milton Friedman and his idea. Perhaps not just an idea, given the remarkable effect of Friedman's 'idea' it just doesn't seem like a big enough word, but it will have to do. The idea is one that sounds attractive, it is beguiling in its simplicity and more than that, it offers the chance of a kind of utopia - it is the notion of the 'Free Market'. Klein's book, and this film, describe how Friedman's ideas on Free Market economics went from being a marginalised backwater of economic theory to being the reasoning behind so many international events in recent years. It is the story of how deregulated trading isn't a Utopian saviour but a dangerous and unpredictable beast powerful enough to bring a country to its knees.

The argument is drawn clearly and with enough evidence to be compelling; from the military coups in Chile and Argentina through the right wing governments of Thatcher and Reagan, a stop off with Boris Yeltsin and the collapse of the Soviet Union and ending with our current embroilment in Iraq – Naomi Klein has drawn a path connecting all these events to the economic ideas of Milton Friedman. At points the power of the message is a little overwhelming, it made me angry to see the atrocities committed in the service of enacting national changes. To see the rich get rich and the poor, well the poor get eaten up by the system. It is horrible and brilliant. Sickening and yet so very clever, so smart as to be almost admirable – but that doesn't make it right.

They are preaching to the converted with me, but I urge you to seek out this film. Find it and watch it and understand some of the underlying ideas that run our lives on a day to day and nation to nation basis. A word of warning though, you might get angry.
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Solid if unspectacular...
10 March 2009
Assault on Precinct 13 has some pretty cool, if not big, boots to fill. And I thought it filled them pretty damn well. The film strips away most unnecessary exposition and ploughs straight into the action. There is an admirable lack of sentimentality about the characters and about the way in which they are picked off. The casting is key in this film and whilst Gabriel Byrne is under-used (and subsequently looks uninterested) it's nice to see familiar faces like Brian Dennehy and Drea De Matteo (Adriana from The Sopranos) get substantial roles. The action rolls along at a fair lick and despite a small lull about an hour in the tension is kept up. Special mention goes to Laurence Fishburne who seems to grow in stature through the course of the film.

www.chrisvscinema.com
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9/10
Disturbing and Magnificent
19 July 2005
It is this film which tells me more about Australia than any other.

Shown this film by Australian film scholar Cath Ellis i was captivated from start to finish. It is this film which does not flinch from the heart of Australian masculinity. There is no romanticism as with that found in Gallipoli or Newsfront.

We are slowly drawn into the disintegrating world of a hapless teacher who is trapped in the Australian interior. This isn't the Australian dream of the new frontier, this is a vision of Hell.

By the finale you will be swearing (as many Australian students apparently do when confronted with this film) that it cannot be that bad, the rampant hyper masculinity on display is too much and too wantonly violent. Hmmm.

The film is notorious for scenes of a Kangaroo being brutally murdered by a pack of drunken men engaging in an uncontrollably escalating series of dares. It is one of the most damning scenes about the pillage of Australia you could ever see. But like a train wreck you cannot avert your eyes.

On a cheekily upbeat note, look out for Donald Pleasance who seems to be enjoying the whole thing far too much. It looks like they were paying him in beer...
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Nightbreed (1990)
8/10
Arresting and unique
18 July 2005
I experienced Nightbreed for the first time on television a year ago and i was pleasantly surprised with the results.

Clive Barker is said to have revitalised horror with Hellraiser but this is a film that effectively stalled his cinema career somewhat. What an unfortunate thing to happen because, like the inhabitants of Midian, this film seems to be misunderstood.

Barker has created a cross-breed of genre staples in this story - it begins as a traditional horror film but soon becomes a fable regarding mans inhumanity to man. Evoking sympathy for the devil is tough at the best of times but when the characters are as visually demonic as they are in this film it becomes nigh on impossible (cue the child!). The practically Klan-like human insurgence (pitchforks and holy wrath!) at the films conclusion becomes doubly upsetting in the face of what has gone before. As a parable of ethnic tension and white supremacy this film can be quite evocative.

I pity those who will not see the film from this angle and think of it as Barker's fantastical indulgence gone too far. We have a genuine forgotten gem here and the sooner the studio and Mr Barker make nice and devote some time to it - the better.
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10/10
Beautifully misunderstood...
20 April 2005
Antonioni really showed some 'cojones' when he had this movie made. He went to America working under a contract from the most lavish studio (MGM) and he made the most damning portrait of American society i've ever seen. Having seen LA first hand this is the most accurate portrayal of the crowded, overheated and impersonal city. If only Antonioni had met Bill Hicks...

The subsequent burial by the studio is understandable, after such a whopping investment and dismal return. It is sad that people don't get to see this film any more as i believe Antonioni has been proved right. Here he predicts the end of the hippie/civil rights movement in the politics of America. Everyone is much more interested in what goes into their pockets and the relentless expansion of living space into the inhospitable (yet beautiful) desert and beyond. How i would love to see interest in this film re-kindled and a lavish DVD release.

I beseech people to watch Zabriskie Point with an open mind and an open heart. We have a genuinely unique film commenting on a turning point in the history of the most powerful nation on the planet, and we have forgotten about it.

An unexpected gem.
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