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Invasion Planet Earth (2019)
IMPRESSIVE BRITISH INDIE SCI-FI FILM OVER 10 YEARS IN THE MAKING!!!
Hugely impressed at what was acheived with this micro-budget throwback to the low budget sci-fi films and TV shows of the 70s and 80s. It may seem like an Asylum Films style Independence Day spoof, but don't be fooled.
Refreshingly at the core it is a heartfelt character driven drama, focusing on themes such as loss and mental illness, with realism, believability, and a thoughtful depth; all wrapped up in an enjoyable 90 minute sci-fi movie.
Yes it's not perfect, but for all its faults give me a film like this, made with passion, heart, and soul any day of the week over soulless mega-budget blockbusters.
Films like this is why I love independent films.
Congratulations and Well Done to Director/Writer Simon Cox and everyone involved.
Huset (2016)
There is more depth to it than expected, with some thought provoking elements. Feeling fresh and bringing something different to the horror genre
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Huset (released as The Winter Siege in the UK)
is a really solid Norwegian horror film set in Norway during World War 2. Written, directed, and produced by Reinhert Kiil, who has directed a number of feature films and short films including Juleblod (Christmas Blood). The trailer gives the impression that it is a film within the possession genre, however, even though it has some of those elements it also encompasses other horror genres. In some respects it also has certain aspects that bring to mind in a positive way The Twilight Zone. For the most part it is a successful variation of genre conventions, but its main strength is that it is at the core a film that deals intelligently and thoughtfully with the effects of war on the individual.
The film opens with a stunning yet bleak snow scape vista, leading into a beautiful aerial shot that sets the tone of the film perfectly. The story that follows focuses on two German soldiers and their Norwegian prisoner who come across the titular house. A large part of the film is contained within this house and is pretty much a three hander involving these characters. The acting is superb from all three leads, Frederik von Luttichau, Mats Reinhardt, and Sondre Krogtoft Larsen perfectly depicting each of their respective characters, making them engaging and giving them enough depth so as the audience has an emotional investment in them.
The superb cinematography by John-Erling H. Fredrikson and the production design by the director Reinhert Kiil compliment each other perfectly, flawlessly evoking the era the film is set. The framing of shots brilliantly utilises the widescreen, with great use of camera movement, and the editing by Iris Jenssen Nylaendet and Silje Rekk heightening the atmosphere. The drained coloured look of the film works beautifully, almost feeling like a colourised black and white film, further adding realism to the World War Two setting. The music by Kim Berg and Levi Gawrock Troite (credited as Levi Gawron) together with the sound design in the quieter moments of the film enhances the atmosphere, however at times misplaced overuse of loud sounds and music are relied on to create unneeded jump scares that while not ruining the film do at times detract from the other more effective aspects.
Huset is pretty much successful with what the film-makers seem to have set out to achieve, feeling at times a unique horror because of the setting and time period. There is more depth to it than expected, with some thought provoking elements. Feeling fresh and bringing something different to the horror genre. Even though it is not perfect the positives far outweigh the few negatives.
As I write this review I have watched Huset twice now and would happily watch it again because of its unique engaging feel that I have not come across before.
Horror fans who are after a creepy and atmospheric horror film with some heart and depth will find Huset well worth checking out.
Soulmate (2013)
For those who are looking for a subtle thoughtful horror film with depth and heart Soulmate is highly recommended.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Sadly a film which has very undeservedly gone under the radar.
Soulmate is the award winning 2013 British feature film debut of Belgium film-maker Axelle Carolyn, more well known to many as the former wife and film-making partner of Neil Marshall, director of Dog Soldiers and The Descent. She also played a role in his 2010 film Centurion. Her most recent film, which she created and produced, is the highly acclaimed 2015 anthology film Tales of Halloween. She also contributed to it as the writer and director of the "Grim Grinning Ghost" segment starring Alex Essoe, star of the superb Starry Eyes from 2014. Axelle Carolyn also most recently co-wrote an episode of Netflix Chilling Adventures of Sabrina, Chapter Nine: The Returned Man.
She conceived, wrote, and directed the modern set gothic horror Soulmate, which was produced by Neil Marshall. The film is in part inspired by the stories of M.R. James and the Henry James novella Turn of the Screw, most famously adapted into the 1961 film The Innocents and later the inspiration for the 2001 film The Others starring Nicole Kidman. However, Soulmate brings something slightly different to its inspirations. It is at its core a beautifully melancholic meditation on loss and grief with a superb lead performance by Anna Walton. She is complimented by a brilliant supporting cast of Tom Wisdom, Tanya Myers and the hugely underrated Nick Brimble, star of Robin Hood Prince of Thieves, The Sweeney tv series and films, and The Creature in Roger Corman's Frankenstein Unbound.
The film forgoes jump scares in favor of atmosphere and a slow build, making it feel different to many modern horror films. Along the way there are some unexpected twists and turns with a nuanced ambiguity even as the credits roll. The atmosphere of the film is accentuated by the breathtakingly beautiful bleak cinematography and production design coupled with the perfect use of music and sound.
Sadly for the British release Axelle Carolyn was forced by the BBFC (British Board of Film Classification) to make cuts to the suicide sequence because they felt even as an 18 certificate (hard R rating) there was too much focus on the technique shown and could be imitated. She, rightly so, felt that those cuts romanticized suicide and instead cut out the entire scene from the British version of the film, amounting to two minutes and thirty three seconds. To have her vision compromised because a key scene was cut must have hurt because it feels that this negates the impact of the entire film. Maybe this was the reason one of the best British films of recent years went under the radar and is now an almost forgotten film. The version I saw and reviewed is the uncut version that to this day is unjustly banned in the UK. Jokingly Axelle Carolyn calls it a Video Nastie, which it definitely is not.
For those who are looking for a subtle thoughtful horror film with depth and heart Soulmate is highly recommended.
Hopefully in the future we will see more from the extremely talented Axelle Carolyn.
Ms .45 (1981)
Those expecting an exploitation film will be very surprised by its complexity and depth.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Abel Ferrara had by 1980 directed two feature films, The Driller Killer being the most well known of these, also banned as one of the most notorious of the video nasties in the UK in the 1980's. This was followed by Ms .45 released in 1981. A masterpiece containing one of the unsung great performances of all-time. On the surface a seemingly generic rape revenge exploitation film, but actually containing far more depth and complexity than any of the other rape revenge films released in the 1970's and 1980's, such as I Spit on Your Grave. Those expecting an exploitation film will be very surprised by its complexity and depth.
Ms .45 is quite possibly the definitive rape revenge film, setting the template for every film of the genre that came after, its influence still being felt now. Recently inspiring Corale Faragat's 2018 film Revenge.
Ms .45 is considered by some to be a feminist revenge film, but it transcends that. Anchored by an incredible lead performance by Zoe Tamerlis Lund, unbelievably only 17 years old at the time of filming. Abel Ferrara said that as soon as he first met her he knew he had found the right actor, and that it was her auditioning him rather than the other way round. She would further show the depth of her talent by eventually going on to co-write Abel Ferrara's Bad Lieutenant. A film she said was the most personal of those she made.
Ms .45 may have be written by a man and directed by a man but its female perspective according to director Abel Ferrara came from Zoe Lund herself and her portrayal of the lead character Thana. It is as much her film as it is Abel Ferrara and the writer Nicholas St. John. Possibly why she maintained that she felt she directed it.
An almost character study, exploring the effects of traumatic events on a person, inspired by Taxi Driver, Death Wish, and Thriller: A Cruel Picture (They Call Her One Eye). Those inspirations do not even come close to describing it and any synopsis really does not do it justice at all. Sharing the feel of these films, but more so the psychological complexity of Taxi Driver. What makes it more than just an exploitation film is first and foremost Zoe Lund's unbelievably trans-formative, nuanced and extremely captivating performance as the film moves towards its shocking climax. Made all the more impressive as her character is mute and has no internal dialogue as a voice over. Her every expression and gesture conveying all the aspects of her character's feelings and emotions. A sublime performance complimented by some really impressive performances from the supporting cast. Abel Ferrara's direction is superb, aided by the beautiful grimy cinematography, pitch perfect editing, and a very avant-garde musical score. A film absolutely full of nuances that are revealed more with repeated viewings.
There is an added poignancy watching the film knowing that Zoe Lund died at the very young age of 37. Ms .45 is a lasting testament to her talent as a unique and naturally gifted actress. Alongside Bad Lieutenant she left a remarkable and extremely influential legacy.
Ms .45 is a film that nearly 40 years after its original release is still as powerful and disturbing as it ever was.
Prevenge (2016)
A multi-layered film that feels different on a second viewing, far more sad and melancholic than the black comedy it felt first time around.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
This is the superb debut feature film from first time director Alice Lowe, co-writer and star of Ben Wheatley's Sightseers. Most will recognize her from her most recent role in the Netflix interactive feature film "Black Mirror: Bandersnatch". Not only did she write and direct Prevenge but she also played the lead character when, believe it or not, she was 8 months pregnant.
This is without a doubt a film that most women who have been through pregnancy and child birth will relate to, although hopefully not the killing aspect!
A multi-layered film that feels different on a second viewing, far more sad and melancholic than the black comedy it felt first time around. Knowing what is to unfold Alice Lowe's beautifully nuanced performance can be appreciated far more, adding to the depth. An actor who can say more with a look or expression than with long monologues.
A film that can be viewed several different ways depending on what the individual wants to take from it. There is a perfect balance of the serious and comedic aspects with some genuinely disturbing moments. Fans of the slasher genre, which in some aspects this is, will definitely not be disappointed with the very inventive set pieces and kills, with one bringing to mind Dario Argento.
Alice Lowe is supported by a brilliant cast of some of the best actors in the UK including Kate Dickie (Red Road, Prometheus) Jo Hartley (This is England, Inbred), Kayvan Novak (Four Lions), and Dan Renton Skinner (The Ghoul), to name but a few. However it is without a doubt her film, the focus of the film being entirely from her character's point of view. An almost character study that at times brings to mind Taxi Driver, with Alice Lowe in some aspects of her performance bringing an almost Robert DeNiro like intensity to her portrayal of a woman who is being told to kill by her unborn baby's voice in her head. There is a perfect melding together of sound music and visuals (recalling at times Bladerunner) that brilliantly puts the audience in the mind of the character and perfectly reflects her psyche. One standout sequence involved Alice Lowe and the crew filming and interacting with the people on the streets on Halloween night, with among one of the bests shots in the entire film being totally improvised.
A revenge film unlike any other that beautifully and very realistically deals with loss and trying to come to terms with it, but most of all how pregnancy psychologically affects a woman.
For those looking for something different within the horror genre, with more depth than it may appear to have, it is very highly recommended.
Honeymoon (2014)
A unique take on an often filmed concept, each generation having their own version of the film reflecting the era they were made.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
This is the directorial debut of Leigh Janiak, who co-wrote the very well written screenplay. Since Honeymoon she has gone on to direct two episodes of Scream: The TV series, has two films now in production, and is also working on a sequel to the 90s classic The Craft. She is also the wife of Ross Duffer co-creator of Stranger Things.
Honeymoon is elevated by the performances of its two main actors. Rose Leslie, known for her role as Ygritte in Game of Thrones, and Harry Treadaway, who many will recognize as Victor Frankenstein from the TV series Penny Dreadful. A unique take on an often filmed concept, each generation having their own version of the film reflecting the era they were made. The first being released in the late 1950s. To say much more will ruin the effect of what follows as the film unfolds, because it is a film that is best watched with little or no prior knowledge.
For the most part it is character driven. It follows a newly wed couple as the title suggests on their honeymoon. The film begins as what seems a pretty generic romantic comedy set-up, but that is very much purposeful. This is so as to ground the unfolding events and make the audience engage with the characters. Gradually as the story unfolds it becomes far more of a psychological horror. The entire film is almost a two-hander, with Rose Leslie and Harry Treadaway giving very impressive and convincing performances from the very first scenes to the last.
The combination of cinematography, sound, music and assured direction helps to add to the building tension and dread throughout the film. For those with eagle eyes there are references to many genre films, but they are very subtle.
On the strength of Honeymoon Leigh Janiak is a name to remember and I am very intrigued to see her future projects.
Chilling Adventures of Sabrina (2018)
ABSOLUTELY SPOILER FREE review of Season One.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Like many outside of the U.S. I was only ever aware of Sabrina The Teenage Witch through the TV series that ran from 1996 to 2003. I had no idea she actually started life in Archie's Comics as what was initially planned as a one shot strip that was created by George Gladir and Dan DeCarlo. Her first appearance was in Archie's Madhouse issue #22 in October 1962, She then went on to appear in all 106 issues of Archie's TV Laugh Out from 1969 to 1986 and then her own comic book series from 1971 to 1983. Whereas the original TV series was based on the earlier comic books the Netflix series is based on the 2014 and 2015 comic books written by Roberto Aguirre-Sacasa, who also developed the series and is an executive producer. The title of this revamped Sabrina says it all really, Chilling Adventures of Sabrina.
The series sits firmly within the horror genre. A coming of age story that is far more darker than the sitcom nature of Sabrina the Teenage Witch. The two series really could not be more different. A slow burn character driven horror series, in part inspired by films such as The Exorcist and Rosemary's Baby. Referencing them and others, for instance Suspiria, A Nightmare on Elm Street, The Fog, the Dr Phibes films, Macbeth, and The Crucible. There were also 150 Clive Barker paintings used in the series. So as you can see just from those references and the inclusion of the paintings there really is very strong horror elements within the series.
However, these horror elements are perfectly juxtaposed with the humor, and at times very dark humor. The horror aspects and themes the series deals with are at times far more adult than expected from what could be perceived as "just a teen show." Sabrina is a teenager so there are the expected teen elements, at times bringing to mind Buffy the Vampire Slayer. Happily it never feels as if it is trying to emulate Joss Whedon's series. Surprisingly the story arcs are never stretched out needlessly like some series fall into the trap of. Each episode is for the most part almost stand alone with many wrapping up some story elements by the episodes end. However, there is a continuing story arc throughout the entire season. Although a slightly weak point of the season was the Christmas special episode. While it was as good as the rest of the season and worked really well on its own merits it was slightly disappointing that it did not follow through with some aspects of the season finale. Hopefully this will be addressed with Season 2.
Kiernan Shipka as Sabrina was a superb choice, bringing just what is needed to every facet of the character. She is brilliantly supported by Miranda Otto and Lucy Davis as Sabrina's aunts Zelda and Hilda, wonderfully playing off of one another, a perfect double act. Superbly depicting, with at times beautiful nuances, their relationship with each other, Sabrina, and Sabrina's cousin Ambrose. Lucy Davis' sublime ability of being able to go from serious to humor and vice versa in the same shot, or even sentence of dialogue, is perfectly utilized, with Miranda Otto superbly depicting a soft heart beneath the hard exterior. Michelle Gomez, who was used far better than she ever was in Doctor Who as Missy, and Richard Coyle are the standouts among the supporting cast.
Chance Perdomo as Ambrose, Jaz Sinclair and Lachlan Watson as Sabrina's best friends, Ross Lynch as her boyfriend, and Tati Gabrielle as the leader of a trio of witches perfectly round out the main cast. Every actor is absolutely faultless, with all of them delivering pitch perfect performances, making it feel as if they have played the characters far longer than just the one season.
Each of the aspects from the writing to the direction, to the beautiful Gothic influenced production design and superb cinematography add up to making Chilling Adventures of Sabrina feel modern yet also with a feel of the 1950s and 1960s. The series is creepy, scary, at times disturbing, contrasted with some fun aspects.
For those that have not been tempted to watch Chilling Adventures of Sabrina there is honestly without a doubt a lot to satisfy horror fans and those who are looking for an intelligent and thoughtful depiction of teenagers going into adulthood.
Season Two is without a doubt one of my most anticipated seasons of any series in 2019
Cat Girl (1957)
A genuinely creepy, scary, and disturbing psychological horror film.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
This is without a doubt Barbara Shelley's best film. She is quite rightly known as "The First Leading Lady of British Horror", and so obviously has a great love of the horror films she appeared in and the fans.
"When I first started doing Hammer (films) all the so-called classic actors looked down on horror films. There is a great thrill for me having done Hammer (films) and being known. All the other things I did nobody remembers those, but the horror films I'm very grateful to them because they built me a fan base and I'm very touched that people will come and ask for my autograph." - Barbara Shelley
I initially came across this almost forgotten British horror film, that deserves to be called a classic, about 10 years ago on the UK Horror channel, and it instantly became one of my favorite films. Many horror fans will be well aware of Val Lewton and Jacques Tourner's 1942 masterpiece Cat People, and that it was remade by Paul Schrader in 1982. However, the majority of horror fans will maybe not be aware of this unofficial remake released in 1957. Sadly it has been overshadowed by the far more high profile Hammer Films of the era, their first horror film Curse of Frankenstein was actually released in the same year.
Cat Girl stars Barbara Shelley in her debut lead role in a feature film after she spent a few years in Italy in supporting roles. She returned to England when she felt she was only ever going to play lesser supporting roles. This was to be a great move as it led to her starring in Cat Girl and a number of classic British horror films, such as The Gorgon (1964), Dracula Prince of Darkness (1966), Rasputin The Mad Monk (1966), Quatermass and the Pit (1967), and her most famous film Village of the Damned (1960). However, Cat Girl is quite possibly her crowning glory. A remake that does justice to the original film and its sequel Curse of the Cat People, yet has a completely different feel to those films and does something different with the source material. Feeling as different as Paul Schrader's 1982 version of Cat People does to the original and the sequel.
Cat Girl is an almost psychological character study that at its core explores mental illness, with Barbara Shelley in a career best, giving one of the unsung great screen performances. She perfectly depicted the gradual psychological breakdown of her character who is possibly a victim of a family curse. What the film does beautifully is balance this standard horror trope with a serious and intelligent exploration of mental illness. As with the original films there are no special effects, instead the actors performances, primarily a scene stealing Barbara Shelley, along with the incredible cinematography and production design create the atmosphere of dread and horror. At times it has more of a gothic horror feel and look that shares more in common with James Whale's Frankenstein films, particularly Bride of Frankenstein, possibly an homage by the film-makers. Cat Girl is far more graphic than Cat People and Curse of the Cat People ever could be due to the strict Hays Code censorship, containing some extreme scenes for a film released in 1957. However, the majority of Cat Girl is still very much implied and has a similar ambiguity to Cat People.
It is unfair to even try to compare Cat Girl to Cat People, because how can a masterpiece ever be bettered. Cat Girl comes pretty damn close though. As with the original film it is a master-class in low budget film-making and a film that really does deserve to be as well known as the more famous versions.
For horror fans who are looking for a thoughtful and intelligent classic horror film Cat Girl is very highly recommended.
A genuinely creepy, scary, and disturbing psychological horror film.
The Heretics (2017)
Definitely one film all horror fans who want something more than just a jump scare should see
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
The Heretics is a really impressive award winning Canadian film directed by Chad Archibald. Who also wrote the story, and whose previous films include The Drownsman, Ejecta, and Bite.
The subject of cults has been depicted in horror films countless times before. The Heretics does bring something different to this horror sub-genre, among other things by touching on psychological aspects. The film has twists, turns and surprises that keeps the film engaging and makes it feel different to many other films of its kind.
There is some quite unexpected depth to the film, and this is due to the performances of the cast. The standouts being the three leads, Nini Kiri who portrays the lead character (star of the TV series The Handmaid's Tale), Joja Cadence, and Ry Barrett.
The sparing use of practical and CGI effects never overwhelms the story or characters as they tend to do in many horror films nowadays. The film-makers create a really effective atmosphere of dread, and at times mixing reality and nightmares so as to put the viewer in the confused mind set of the characters. Some sequences staying in the mind long after the film has ended.
There is a really effective use of sound, cinematography, and editing. However what would have enhanced the atmosphere of the film would have been a more gritty grindhouse feel and look. Unfortunately at times the film-makers also fall into the trap of using loud music and sounds to generate scares, which threatens the effective atmosphere they built up by being far more subtle in their approach. This does not harm the film as a whole. It is unpredictable, right up until the very end, with engaging characters that have enough depth so the audience cares about their fate.
The Heretics is one of the better horror films I have seen in the last few years, and is definitely one film all horror fans who want something more than just a jump scare should see.
Final Girl (2015)
A genre bending film.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
This gem of a film initially came to my attention because of Abigail Breslin being the lead. Anyone who knows me will know that one of my favourite films is the unjustly underrated Maggie from 2015, in which she co-starred alongside Arnold Schwarzenegger.
Abigail Breslin despite being only in her 20s has been acting for nearly 20 years. Her first feature film role was in M. Night Shaymalan's Signs way back in 2002. She then went on to appear in the highly acclaimed Little Miss Sunshine, Oscar nominated for her scene stealing performance. However, she is more widely known by horror fans for Zombieland and the series Scream Queens.
The final girl, as horror fans will know, refers to the last female survivor of most slasher films. The title Final Girl intentionally wrong foots the audience, being a film that is quite a bit different from that which its title suggests, feeling unique and very unpredictable. It combines elements of the slasher genre, along with La Femme Nikkita, and The Most Dangerous Game in the World. The film-makers take the expected genre tropes of these films, yet gives them an unexpected spin. Although it does use some slasher conventions there is very little blood and gore. The story itself is told in a linear form, whereas the feeling is a non-linear narrative would have added more of a mystery to the events as they unfolded.
While it does have some faults, Final Girl is a really solid debut feature film from photographer Tyler Shields that overcomes these faults. The really impressive aspect is look of the film, so obviously from the eye of a photographer. However, while at times stunning to look at the film would have benefited from a more grittier feel.
The real strength of the film lies with the cast. Abigail Breslin, Wes Bentley of The Hunger Games and American Beauty, and Alexander Ludwig, more widely known for the TV series The Vikings and The Hunger Games, being the standouts. However, a little more depth to the characters would have made the film as a whole as engaging as the performances.
The Final Girl is a hugely enjoyable film with some depth to its themes. At times it feels like it is spoofing the genres of film it references, but made by fans of those genres. At 80 minutes long it rattles along and is never boring.
For those looking for something that is a little different and unpredictable you could do far worse.
Red White & Blue (2010)
A masterful psychological horror film as only Simon Rumley could make. The tropes and clichés associated with horror films are deconstructed like no other.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Simon Rumley"s skill as a film-maker ranks alongside the film-making greats, one of the best ever to come out of the UK. He has been making films for over 20 years and yet many have maybe never heard of him. Hopefully that is about to change with the release of his latest film Once Upon A Time In London and what is expected to be a very different true life criminal underworld genre film.
I was lucky enough to discover him a number of years ago when his 2006 psychological horror film The Living and the Dead was screened on the Horror Channel To say it blew me away is an understatement, a truly unique horror film whose approach to exploring mental illness is distinctive and uncompromising.
Red White and Blue is his follow up released in 2010, a British made film set in the US. A masterful psychological horror film as only Simon Rumley could make. The tropes and clichés associated with horror films are deconstructed like no other, turning what at first appears to be a character driven drama inspired by Larry Clark and Richard Linklater into among one of the most disturbing and gut wrenching films in recent years.
Simon Rumley in many of his films uses horror techniques and tropes to depict the psychology of the characters, and that is what he does so brilliantly in Red White and Blue. Subverting the expectations of traditional horror and in the process becoming a unique horror film.
A purposefully slow build film with genuinely unpredictable twists and turns, leading to scenes that linger in the mind long after the film has ended, yet never once feeling like an exploitation film. The way in which the story slowly unfolds and the characters are explored brings to mind in certain aspects Stephen King. Time is taken to set up the story and in so doing giving a depth to the main characters that is rarely found in many horror films, making the events as they unfold far more powerful and disturbing. It is almost an hour into the running time before the horror elements begin to be introduced, which gradually become uncompromising and extremely brutal, and will not be quickly forgotten.
Honestly to say much more would be to give away big spoilers as it is a film that is best watched with little or no prior knowledge. A synopsis, if any elaboration is needed, may well sound as if Red White and Blue is generic, but it is definitely not at all, none of Simon Rumley's films are.
The three central characters are played by Noah Taylor, Amanda Fuller, and Marc Center, all giving extraordinary and nuanced performances. Amanda Fuller has appeared in a number of Simon Rumley's films, the latest being 2016's superb Nicholas Roeg inspired psychological character study Fashionista, which is available on VOD and well worth watching. Although they are the leads in Red White and Blue the other characters are pretty much as central to the story as they are. The whole cast is outstanding throughout, everyone giving superb pitch perfect performances, as is always the case with Simon Rumley's films.
Red White and Blue is brilliantly written and directed by Simon Rumley, dealing realistically and honestly with the subjects and themes. Each character is humanised with no judgement passed on them, and in doing so shows that even good people can do terrible things. Complimenting the writing, directing, and acting is the first rate supporting cast and crew. The superb cinematography by Milton Cam, with purposeful framing of every shot making full use of Josh Crist's outstanding production design. From the most perfect use of the widescreen image since John Carpenter's Halloween to extreme close up shots the focus of the characters is never lost, substance over style. The slow build dread and feel of the film is heightened by the exceptional and nuanced sound design. Robert Hall's brilliant editing accentuates every aspect of the film. The remarkable film-making is topped off with a sublime avant-garde musical score by Richard Chester coupled with bursts of rock music.
Red White and Blue is a master-class in film-making and a genuinely unique, extremely disturbing character study horror film. To be honest it may not be for all horror fans, but for those who are looking for something different they will be rewarded with a horror film unlike any they have ever seen, and one I really cannot recommend enough.
The Ranger (2018)
A must see for horror fans, and especially slasher film fans looking for something different from the usual tropes and cliches associated with the genre.
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
I initially became aware of The Ranger because of the extremely talented actress Chloe Levine, who I first saw in the excellent 2017 horror film The Transfiguration and then in a small but standout role in the sublime Netflix series The OA These roles had me eagerly anticipating what she would do next. To say I was excited to hear she was to be the lead in a new horror film also written, directed, and produced by women, and a "Punk Rock Slasher film" at that, is a huge understatement.
The Ranger is the debut feature film directed by Jenn Wexler, co-written with Giaco Furino, and co-edited with Abbey Killheffer. Jenn Wexler has previously written and directed two short films and also produced numerous other films for Larry Fessenden's Glass Eye Pix. Among these films are Darling, Like Me (one of the best and most overlooked films of 2018), and Larry Fessenden's latest film Depraved. Her co-producer is Heather Buckley who has produced countless video documentaries for DVD and blu ray, The Ranger is her first feature film as a producer. Starring alongside Chloe Levine in the titular role of the ranger is Jeremy Holm, star of House of Cards and Mr. Robot Also in a small but pivotal role is genre legend Larry Fessenden, a big supporter of independent film-makers via Glass Eye Pix which he formed in 1985.
The Ranger is a breath of fresh air to the slasher genre that genuinely brings something different to the horror genre, capturing perfectly the energy and feel that is associated with punk rock music. Its main inspirations being films such as Halloween, Return of the Living Dead, and Class of 1984. A slasher film in the truest definition, not a splatter or gore film as many tend to be. However there is enough blood, gore, and splatter to satisfy those expecting it. Justifiably so it has garnered rave reviews and awards from festival screenings throughout 2018.
As with the very best slasher films time is taken to introduce and let the audience engage with the main characters, in so doing giving greater impact to the latter part of the film. Amongst the dramatic elements there is also a vein of black humour throughout the film, laugh out loud at times, that compliments the horror aspects.
The cinematography by James Siewert (Like Me and Depraved), coupled with the production design by Rebekah Brown, and editing are combined perfectly to beautifully accentuate the punk aesthetic of the film, yet also takes full advantage of the park setting of the film. Although at times it could have maybe benefited from having a far more grittier look to heighten the atmosphere of the horror aspects. The visuals are brilliantly complemented by the superb use of original music composed by Wade MacNeil and Andrew Gordon Macpherson, and a pumping punk rock soundtrack.
Chloe Levine really does build on her early promise in The Transfiguration with a beautifully nuanced performance that is definitely not the typical female character associated with slasher films. Her character is clearly inspired by Buffy the Vampire Slayer, Sarah Connor, Ellen Ripley, and other more complex female characters within the horror genre. Jeremy Holm is superb with an equally nuanced performance as the titular ranger of the title, bringing unexpected aspects to a unique villain. The excellent writing helps both of them to bring far more depth and complexity to their respective characters than is found in many slasher films. What sets The Ranger apart from many slasher and horror films is the blurring of the lines between protagonist and antagonist that gives an ambiguity to the characters and certain aspects of the film. Rightly so both characters are equally the central focus of the narratives of the film. Any film-maker is always on to a winner with quality actors like them, and Jenn Wexler utilises them perfectly.
Chloe Levine and Jeremy Holm are complimented by a really solid supporting cast who give great performances throughout, although their characters are not as fully fleshed out as they maybe could have been. However, throughout the film it is obvious the entire cast took the material seriously, but also had fun with it. The feeling that comes across in the finished film is how much they relished playing their characters while shooting the film.
The Ranger is a slasher film with serious aspects that at times is fun, with enough depth to engage the audience. A very successful and different approach to the slasher film. Among one of the freshest slasher films to come along in recent years.
At 77 minutes long (a reference to 1977, the year of the second wave of punk rock) it rattles along at a perfect pace, capturing the feel of a punk rock album.
A must see for horror fans, and especially slasher film fans looking for something different from the usual tropes and cliches associated with the genre.
Jenn Wexler and Heather Buckley are a welcome breath of fresh air to the horror genre. Both of them really are names to remember because it is clear from The Ranger that they are so obviously passionate about horror films and want to bring something different to the genre.
I really cannot recommend The Ranger enough and I am extremely excited to see what Jenn Wexler and Heather Buckley do next.
One thing is for sure, it will definitely be something horror fans have not seen before.
Hellboy (2019)
A fun laugh out loud at times, blood, gore and splatter filled 2 hours.
My review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Back in 2004 we were introduced to Hellboy, the cinematic adaptation of the comic books and character created by Mike Mignola, brought to the screen by Guillermo Del Toro and played by Ron Perlman. The sequel Hellboy 2: The Golden Army followed in 2008. Since then fans have been hoping for Hellboy 3 to finish off the planned trilogy. Ron Perlman over the years on many occasions publicly saying he wanted to make a third film. Unfortunately for him and fans that never happened.
Now in 2019 we have a third Hellboy film that is a sequel of sorts and a remake. Mike Mignola this time being more heavily involved, co-writing the screenplay, and directed by Neil Marshall (Dog Soldiers, The Descent).
Having now seen Hellboy 2019 I feel early reviews have been on the whole slightly unfairly negative. How can any film-maker produce a film that can compare to the original films. It is perhaps hard for some to not compare it to the original films, but is also unfair to. No one could ever match the unique visionary genius of Guillermo Del Toro. To be fair Hellboy 2019 does not try to emulate the style and vision of his film and characters. Instead it is far more a b-movie horror tinged creature feature, blood, gore, and splatter film.
And there is copious amounts of fun filled overblown CGI Bloody Carnage!
From the very first shot and voiceover it is clear this is going to be a very different less family friendly Hellboy. It does not have the depth of the original films but there is just enough with the character of Hellboy and his Dad to engage the audience and give some emotional edge at times. David Harbour was very brave to step in the shoes of Ron Perlman, but he plays Hellboy brilliantly with the material he has to work with. Ian McShane plays Hellboy's Dad far differently than John Hurt, and is fantastic as always. His scenes with Hellboy are some of the character highlights of the film. Milla Jovovich is superb hamming it up as the villain. Stephen Graham gives a fun performance as one of the creatures with his thick Liverpool accent being put to hilarious use, see if you can spot which one. Sasha Lane plays off of David Habour beautifully. The whole cast so obviously had great fun.
At the end of the day Hellboy 2019 could have been better with more depth and the supporting characters being more fully rounded out. However, as a fun b-movie it is never ever boring and rattles along, and is a promising start to a franchise.
My gauge of how much I enjoy a blockbuster film is if I want to see it again and to see sequels made. With Hellboy 2019 I can confidently say yes to both.
A fun laugh out loud at times, blood, gore and splatter filled 2 hours.
IT'S FUN AND BLOODY AS HELL!
American Guinea Pig: The Song of Solomon (2017)
Fans of the series, exorcism/possession films, low budget independent horror films, and of course blood and gore films will not be disappointed
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
The American Guinea Pig series of films, produced by Unearthed Films, are an homage to the hugely controversial Japanese Guinea Pig films of the 1980s and 1990s, a series of extreme horror films that pushed boundaries with their graphic depictions of brutality, violence, blood, and gore, leading them to being banned in many countries to this day. Unearthed Films distributed the films in the US in the early 2000s, then when the use of the Guinea Pig name was made illegal in Japan they purchased the rights to the name. The first film produced in the American Guinea Pig series was "Bouquet of Blood and Gore" this was followed up by "Bloodshock". The third film in the series "The Song of Solomon" is produced, written, and directed by Stephen Biro, co-founder and CEO of Unearthed Films. The first of the series to have far more of a story and narrative structure. An exorcism/possession film as only Unearthed films could produce.
Stephen Biro's solid writing and directing is complimented by film-makers who so obviously have a passion for extreme horror as he does, all wanting to do something different with the exorcism/possession genre. They certainly have with The Song of Solomon, a low budget film that is far more accomplished than many mainstream studio horror films of recent years. Even more impressive is that it was produced on a very small fraction of the budgets of those films. The film-makers understand how to combine sound, music, visuals, and editing to good effect to create an effective atmosphere, not falling back on cheap jump scares as many horror films tend to do nowadays. For the most part there is an unnerving feeling of mounting dread and tension throughout the entire film, interspersed with shocking scenes of extreme blood and gore. These effects are all achieved through hugely impressive practical effects by Marcus Koch of Oddtopsy FX (We Are Still Here) and Jerami Cruise of TOETAG EFX (Tales of Halloween, Murder Set Pieces) that never overwhelm the other aspects of the film, although for those who are familiar with Unearthed Films, and are watching for those blood and gore scenes they will definitely not be disappointed.
By making The Song of Solomon a part of the American Guinea Pig series it somewhat hinders expectations because the resulting film is far more than just a blood and gore film. However, the series is exactly as the Japanese originals were, becoming far more story and character based with the latter films. Regardless of how accurate the actual exorcism ritual scenes are, a great amount of research was undertaken to ensure those scenes were in fact as realistic as they could be. In the context of the film they are extremely effective, with a lot of the credit going to JESSICA CAMERON as Mary the victim of possession, the standout performance of the entire film. Her portrayal is committed, fearless, and most of all disturbing. Moving effortlessly from innocent to being genuinely unnerving, and very convincing. Almost at times making it feel as if there is a demon inside her. Taking into account that she has gone on record as saying she feels she is not the best of actors. Here she without a doubt proved herself wrong. However, more of an introduction in the initial set up of the film to Mary and her family rather than the film picking up the story after she has been possessed would have added more of an emotional impact to her performance and so accentuated the horrors that unfold as the film progressed, especially the opening scenes, but Jessica Cameron did enough in the few early scenes to invest enough depth into her character to give the film an emotional edge.
There are some unexpected twists and turns with the story and characters, especially in the depictions of the priests, particularly Gene Palubicki in his first major film role, who also composed some of the superb music for the film. David E. McMahon is very impressive, having maybe one of the most controversial scenes in the film. Jim Van Bebber is also very effective when the extreme scenes of the exorcism kick in.
The film has some faults, a far grittier look and feel with stronger acting at times would have heightened the impact of the film. Although it is extremely impressive what was achieved on a very low budget, with the skill of the film-makers and particularly Jessica Cameron's performance balancing out the weaker elements of the film.
The Song of Solomon for the most part is an assured film and pretty much did what a horror film should do. Creepy, unsettling, and disturbing, added to that is of course the gut wrenching blood and gore that is to be expected from an American Guinea Pig film.
Fans of the series, exorcism/possession films, low budget independent horror films, and of course blood and gore films will not be disappointed.
Purgatory Road (2017)
More challenging than many generic mainstream horror films
My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:
Purgatory Road is co-written, produced and directed by Australian film-maker Mark Savage who has been making films for over 30 years, some being produced in the US as this was.
The story is a road movie of sorts, involving a priest and his brother "carrying out the work of god." A very assured character driven horror film, solidly written by Tom Parnell and Mark Savage, that explores religion, faith, and the psychological effects of a traumatic event. The atmospheric prologue sets the tone perfectly, with the film being unpredictable, containing genuinely surprising twists and turns, and moments of jet black humour.
The real standouts of the film are the three leads played by Gary Cairns II, Luke Albright, and Trista Robinson. All are extremely convincing in their respective roles, bringing depth and complexity to them, so making their characters and the film as a whole engaging. Some of the supporting cast are not as strong actors, but the really impressive lead performances more than compensate for this.
The cinematography by Andrew Giannetta is superb, making full use of the brilliant production design by Dustin Brantley, creating a foreboding and at times nightmare dreamlike feel. This is accentuated by the excellent use of original music by Glen Gabriel combined with the sound by Eric David Miller that brings an ominous atmosphere of dread throughout the film.
Even though there are moments of violence, blood and gore it is not as extreme as has come to be expected from Unearthed Films. There is less emphasis on the extreme aspects, so making the focus of the film slightly more cerebral, a direction Unearthed Films seem to be moving more towards with some of their recent releases. This will maybe make it a far more accessible film and could bring it to a wider audience of horror fans.
Purgatory Road is actually the first film I have seen of Mark Savage and also the three leads, it really makes me eager to want to watch more of their films.
For those looking for a horror film that is more challenging than many generic mainstream horror films Purgatory Road is highly recommended and a good place to start if you have never seen an Unearthed Films release.
Bieber Generation (2018)
A heartfelt, fascinating, and eye opening exploration of fandoms and the real people behind the stereotypical images many have of fans in general.
My review for Mr Geeky:
I just want to start by saying that I really cannot stress enough that Bieber Generation is definitely not aimed at only Justin Bieber fans. It is a heartfelt, fascinating, and eye opening exploration of fandoms and the real people behind the stereotypical images many have of fans in general.
In reality Justin Bieber fans range from pre-teens to teenagers to middle aged adults and beyond. Male and female alike. Blowing away all preconceptions of what a Justin Bieber fan is right from the very first few moments of the film.
I can honestly say, hand on heart, that I could have sat through far more than the 67 minutes running time of the film. My heart was touched by those interviewed and the stories of what they have been through in their lives. Their shared passion helping some of them through some really difficult and dark times in their lives.
The film itself is mostly structured as talking heads interviews with the fans. With no narration. Why make it any other way. Who could tell the fans' stories better than themselves. The camera and phone footage by the fans themselves is edited together beautifully and seamlessly incorporated alongside the interviews and footage shot specifically for this film.
The primary focus of the film is the fans and their interviews. With no interviewers heard asking questions. Letting the fans tell their own stories. There is a minimal use of original music composed specifically for the film that is used perfectly. Unsurprisingly there are no Justin Bieber songs. The reason being is that as this is a low budget independent production and the cost to use his songs would be far outside what the makers could afford.
Just listening to everyone's story and why they are a fan makes it abundantly clear that there is far more to all fandoms than many may realise. Hearing everyone's story of how and why they became and are a Justin Bieber fan was touching, heart warming, and heartbreaking in some cases. Many fans actually becoming best friends and even a family of sorts through their shared passion. Some even becoming instant friends upon meeting as strangers for the very first time. Not unsurprisingly many of them have grown up with Justin Bieber. As youngsters many have grown up with him into young adults and some, as he is, are now in their 20s. All the while still being passionate fans.
I really cannot imagine anyone not being touched by the stories of the experiences some of the fans have been through. From being bullied, harassed, and looked down upon just for being Justin Bieber fans, or as they call themselves and are known as Beliebers. From going through life threatening accidents and illnesses to the loss of family members. The community of fans genuinely caring for each other and always being there for each other. Especially in difficult times. Which I have witnessed first hand myself in other fandoms. Having also made some really good friends myself through fandoms. Connecting through our shared passions. So that does not surprise me at all.
I honestly do not know a great deal about Justin Bieber as an artist or as a person. Only what the media chooses to focus on. As the film shows the media at times manipulates stories to show him in the worst possible light. The film also shows that much of these stories do not seem to be true and also that the media exaggerates the stereotypes of fans in a negative way. Unfortunately, as has always been the case, bad news and negativity are seen by media companies to sell and make far more money than good news and positivity does.
After having watched Bieber Generation my preconceptions and opinion of Justin Bieber as a person, formed from the negative media, has changed. The film shows that he regularly donates to charities and in so doing he has inspired his fans to do the same and donate not just money but their time to others too.
The film also shows that he really does seem to appreciate, genuinely care for, and respect his fans. Going out of his way to interact with them through social media and in person. Making them feel better about themselves when they are down. Encouraging and inspiring them in different aspects of their lives. Offering advice. Picking them up during dark times in their lives.
He even went so far as playing a private show for a fan in hospital after she had an accident because she could not get to the live show and the meet & greet she had tickets for. In one of my favourite scenes of the film he is seen "hanging out" doing an informal Q&A with a group of fans. Talking to them almost like he is a friend. I cannot imagine many celebrities as famous as he is making that sort of effort for their fans. For me the little things he does for his fans is very telling as to what he is really like as a person.
I do not think that anyone can deny after seeing Bieber Generation that he inspires many people to be a positive influence in the world. Through himself as a person growing from a youngster to a teenager to an adult. With all his life experiences. Good and bad. Making mistakes as everyone does. But also with his songs and lyrics. Inspiring his fans to do charity work, helping others, and just being respectful and caring of others. In one sequence Indonesian fans are shown handing out food to strangers on the street. The world needs more giving like that which is inspired by Justin Bieber.
It is really refreshing that the makers of Bieber Generation choose to focus on the positive aspects of Justin Bieber and the inspiration he obviously is to his fans. Aspects that the media seem to refuse to acknowledge. Instead the media go out of their way to depict him as a far worse person than this film shows him to actually be.
I really cannot recommend this touching, heart warming, and brilliantly made documentary film enough.
And I cannot stress again enough that honestly Bieber Generation is definitely not a film that is just aimed specifically at Justin Bieber fans. It is first and foremost an exploration of fandoms and the positive effect they have not only on the individual, but on the world too.
Boudoir (2014)
This is a brilliant short film
This is a brilliant short film. In the short running time there is a lot of implied back story. It reminded Me in certain shots of the Italian Giallo films of the 1970s. The use of red definitely brought to mind Argento. It also has elements of Michael Powell's classic Peeping Tom. Watching it a second time I appreciated everything about the film more, especially Dominique Swain's performance. The cinematography was superb. Writing was excellent. The direction was brilliant. It stands up to comparison with a lot of bigger budget films, such as American Mary (which is one of My favourite films). It is a brilliant example of how to get the most from the short film format. Gina Lee Ronhovde is certainly one to watch and I hope She has every success in the future. Which on this showing she deserves. Well done to everyone involved