I stumbled across this movie and for the most part thought it was pretty compelling.
The characters seemed quite well-developed, the story moved along at a decent pace, the plot seemed to thicken at an appropriate pace. That is until the major twist occurred.
Once it is apparent that Sam (Bill Pullman) and Elizabeth (Julia Ormond) are the real killers, the rest of the film is utterly pointless. The sex/strangulation scene is completely gratuitous and unnecessary. It would have been a far more effective ending to witness the realisation of the cops in the car with Elizabeth that she and Sam were the murderers and then see the credits roll. To sate the obvious blood lust of the writer, Jack and Bobbi could even have been shot prior to this, along with the police chief.
Mind you, I am personally of the opinion that the concept of the evil protagonists in this genre triumphing has become as tired as the happy-endings that these type of films were borne to replace.
Why do modern movie makers consider it so corny for movies of this ilk to leave the viewer feeling any sense of justice? Leaving aside any moral objections to that scenario (which I freely admit to having) hasn't the bad guy driving off into the sunset been done to death now?
Anti-climactic. Especially as we stayed up until 3am for the climax.
The characters seemed quite well-developed, the story moved along at a decent pace, the plot seemed to thicken at an appropriate pace. That is until the major twist occurred.
Once it is apparent that Sam (Bill Pullman) and Elizabeth (Julia Ormond) are the real killers, the rest of the film is utterly pointless. The sex/strangulation scene is completely gratuitous and unnecessary. It would have been a far more effective ending to witness the realisation of the cops in the car with Elizabeth that she and Sam were the murderers and then see the credits roll. To sate the obvious blood lust of the writer, Jack and Bobbi could even have been shot prior to this, along with the police chief.
Mind you, I am personally of the opinion that the concept of the evil protagonists in this genre triumphing has become as tired as the happy-endings that these type of films were borne to replace.
Why do modern movie makers consider it so corny for movies of this ilk to leave the viewer feeling any sense of justice? Leaving aside any moral objections to that scenario (which I freely admit to having) hasn't the bad guy driving off into the sunset been done to death now?
Anti-climactic. Especially as we stayed up until 3am for the climax.
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