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MidiHorrorReviews
I review and discuss all films of a primarily horror, thriller, sci fi and pop culture nature.
I work with mainstream and independent films, shorts and feature length, music videos and novels.
My reviews reveal no spoilers, unless unavoidable (which is rare), and I attend pop culture and film festivals and screening events in Australia.
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Reviews
Fall River (2021)
By episode two I Iost interest
I have little compassion for the criminals seeking so called justice!
This documentary is bias and just blatant in its portrayal of the victims. Half the people interviewed felt more like locals giving their two cents.
The criminals seeking retrial dont generally deserve it. They weren't good people and Robin Murphy especially still shows her character as a cold and deceitful witch.
The film is poorly constructed. I hated the way they told the story and the choices of some of the people they interviewed.
I feel bad for only the victims , who were disregarded in some ways. Disrespected by naysayers and local story tellers. Not at all given their dignity (in the case of their portrayal in this tedious 4 hrs ).
I'm not naive I get that they were involved in prostitution , but these were people's daughters, sisters, et. So this just boiled my blood somewhat .
Awful show. Don't support such awful bias on a very controversial case. Someone needs to make a REAL documentary film on the cases and facts.
Occupation (2018)
Something a little different from downunder
Many here are slating this film rather harshly and unjustly.
And from reading some of their comments, I have to say it seems obvious some people are clueless on what consists of an actual BAD sci fi film! And ultimately how crappy some Australian films have been in the past!
Australiens was a BAD Australian sci fi film.
Tarnation was a BAD Australian horror film.
Yet I found Occupation to be a fun romp, of a familiar nostalgic 80's vibe.
Yes the aliens are somewhat stereotypical once their badass helmets come off. However Luke Sparke has proven in the past with his Aussie thriller Red Billabong, that he grounds his creatures in his features within physical reality.
So yes, naturally the common known rendering of an aliens image is going to be his first choice.
The helmets are very cool. A simple yet stylish, almost warrior like appearance, creates a fearsome image when these beings land and ultimately begin their massacre of humankind.
This is the film's main message. The threat to humanity from others. The need to battle to survive.
Sparke does approach this with great class through his ensemble cast and the characters they each portray.
Through everyday folks like you and I, who band together as a resistance team to fight back, we see the small take on the large.
The weakened defend themselves against the strong. And that is where this story finds its heart.
A small community in country Australia filled with everyday working folks trying to battle an intergalactic assault.
With a dramatic quality similar to Tomorrow, When the War Began and the action sci fi edge of older films like Red Dawn, Occupation paves it's own path to an intriguing conclusion set to divide viewers.
However I implore you to remember a sequel is already in the works, so much left somewhat up in the air will be extended upon in the next instalment.
Marvelous Mandy (2016)
A diamond in the rough
Let's start by saying this review won't have spoilers in it , as I always believe you cannot be subjective if you don't view a film in its entirety. For me this film was a clever intertwining of unfortunate dullard single dad Harvey's life with that of false and psychotic 'Mandy' Simpkins , a children's author. It is the well placed casting of Harvey, played by Johnathan Stottman , that engages the viewer most. Stottman conveys a convincing performance as the adorable and bumblingly perfectly endearing single father, who is coping admirably as he tries to raise his daughter Clementine (played exceptionally well by Kenna Hardin). We also meet 'Mandy' , played by Paula Marcenaro Solinger, the seemingly sweet author of the Marvelous Mandy children's books. Mandy appears a beautiful and happy go lucky character but as the film progresses we delve deeper in her fractured psyche and learn the truth of who really is MANDY. Solinger delivers , throughout the film, the complex blend of crazy and complex along with the sweet with the sour. Director Chase Dudley and Writer Brentt Slabchuck work well together to tell this tale of love gone wrong. Though Slabchuck's writing we meet each character and feel more in tune with who they each are as the story evolves. Through Dudley's direction the characters come alive and draw us into this dangerous story of love gone wrong. As the story evolves we see some minor flaws with the production - purely a clear indication of financial limitations- but the story shines through and I myself was desperate to see how Harvey would uncover the truth and end Mandy's evil reign of succubus proportions. This is a solid film and ,with minor adjustments, could become a popular for Harvey's endearing quality alone (how he was written, directed and acted was perfect for the role).
Lady in White (1988)
Absolutely Amazing
This film only came on my radar about a month ago and is an emotional experience, from the beginning. The narration at the start is like a comforting blanket wrapped around us and telling us all will be okay, but the story we are about to hear may be tumultuous. We hear the soothing soft voice of an older Frankie (Frank LaLoggia narrates this himself), as he explains how his innocent childhood (tragic but loved) is changed in an instant by one night in a cloakroom. Lukas Haas (Witness,Inception, The Tripper) was the child Frankie - and he has come a long way since. He is sweet, kind, sometimes niave and just a normal kid coming to terms with his mothers death and bullies (who he thinks of as friends). With his big doe eyes and easy appeal, Haas has us convinced on screen with each breath. Whether the scene is comedic, serious, sad or scary , we are engrossed with his every movement. Frankie's family is a close and , although insane (like all families), loving bunch of eccentric characters. There is Geno (Frankie's brother played by Jason Presson from films like Gremlins 2 and Explorers), his dad 'Al' / Angelo (played by Alex Rocco from Batman:Year One,The Entity),his grandmother 'Mama' (played by Renata Vanni from A Patch of Blue, and many television roles) and 'Papa' (played by Angelo Bertolini from Wrong is Right and Homer and Eddie). This collection of vintage and newer actors at the time, meshed so well together you felt like one of this crazed but affectionate migrant family. Watching Mama and Papa bicker over simple things , breaks the icy plot with some well rounded cheeky humour -and this ultimately helps the film avoid becoming depressing or overly darkened. We are also introduced to uncle Phil (a friend of Al's played by Len Cariou -from most recently the TV show Blue Bloods ,as well as Spotlight, 1408, Secret Window, About Schmidt) and uncle Tony (played by Jack Andreozzi from Hit List, Mother and numerous TV roles). Both men have the kindness and tenderness for their roles. They comfort Al in his time of need, joking round and acting as most blokes would. They care for Al's sons like real blood related uncles. However one harbours a dark secret. When Len Cariou releases his characters crazed frantic side in one particular scene, I admit, I was a tad shaken. He is manic, frothingly aggressive and executes one of the most scary moments in a film (in my opinion) ever. I was chilled and could feel the hairs on my arms as they stood up! The trio at the forefront of this film is Melissa and Anne Montgomery and the infamous LADY IN WHITE. Melissa is played by Joelle Jacobi (known primarily for this role and has seemingly left the limelight in 1990- a few searches proved fruitless to yield further information) and gives a convincing and ,at times, harrowing portrayal of Melissa's demise. Her mother Anne is played by Karen Powell (like Joelle she seemingly did quite little prior to Lady in White and has only one credit since). Of course it is soon revealed that many believe that it is Anne's soul they see mysteriously venturing around the cliff side and the cottage nearby, but we realize it is in fact Amanda (Anne's sister, who is alive) haunting around the area , wanting answers for the losses of her beloved sister and niece. Katherine Helmond (best known on TV as Mona in Who's the Boss -for a chunk of my childhood- and as Jessica Tate in Soap, she also had roles in films like The Legend of Lizzie Borden, The Hindenburg, Family Plot, Brazil, and even voiced Lizzie in Disney's Cars / Cars 2). Helmond delivers perhaps one of the most endearing , but even at times creepiest, performances on screen. At first we fear Amanda when we see her in the cottage, but when she rescues Frankie and emotionally delivers her tale of woe and heart break, we love her. Her fragile, cracking, tear choked voice as she delivered the words "What is the good of living, when all that you love is gone?" nearly made me cry (having lost my mother nearly 2 years ago, it resonated harshly with me) proving the power behind her performance. Frank LaLoggia assembled the finest actors for each role, each delivering the right dash of humour, sorrow, innocence, aggression, and whatever else is needed throughout the film. His writing is well constructed and encourages our minds to feverishly observe all of the characters within the film. We are constantly guessing who is genuine or perhaps who is merely a lie? The racial undertones that some (as I have read) find overkill, is actually spot on. In 1962 the USA was gripped with the racial divide and Willowpoint Falls (granted fictional) was to be no different. The scenes with Mr and Mrs Williams , whether in the church or courthouse , are as valid as any other and to quote the Sheriff in the film "He's the perfect scapegoat, he's black!" Sadly this sentiment was wide spread in that time. LaLoggia taps into the era and provides us visual stimulation in its simplicity - be it in road signs, clothing, toys (all great reflections on the prop dressers and set designers). Our ears are given a sensation of their own with the haunting, jovial and even at times whimsical scoring of this film (Frank LaLoggia again leads the way with this aspect of the film). We are whirled through the emotional roller coaster of frightening undertones of the film. It is very easy to see why the cast(Lukas even won one), and Frank LaLoggia all gathered award nominations in 1989, despite a low box office return (which I cannot understand) and how this film gathered places in many peoples hearts. I just wish it had been a staple of my childhood.
What Jack Built (2015)
Wow!
Synopsis- What is that thing Jack is building in his cellar? How could such a device be used? Perhaps it has something to do with that creature out in the woods...
Review-
Now I still don't know who Jack built it for, but I know what it was that he built! And I must say I just wanted more!!! With no dialogue, this film is driven with amazing acting by its one and only star Timothy J Cox (the amazing lead previously who played Tim in Dark Romance). Through his actions, facial expressions and body language alone, we are drawn into Jack's life and able to become anxious of what he is doing. I loved the score!! Its haunting grating tubular sounds mixing with a synthetic electro vibe, just sets the mood with sheer perfection. We feel the heightened fear and anxiety, we sense the fluidity of the movement on camera, and we fear the thing that is coming. The setting was awesome. Simple, effective and fit every aspect of the story in very little. The forest was gorgeous. Lush vegetation and the perfect location for this story to evolve. Natural beauty taking on a character of its own. I cannot fault this. I am eager to see this perhaps evolve further (or just their future films) and am loving the evolution of what they've created!
The Remains (2016)
A Fun Romp into some Old School Atmosphere
Thomas Della Bella brings us this film length extension of his short film Open House. Sadly I was unable to find any copies of Open House so I cannot go into much detail on the short, but I can see the vision that went into The Remains. For his first feature length venture, Della Bella truly delivers. We are given an impressive juggling of drama, tension and thrills throughout the 85 minute film and exposed to some familiar thriller/ horror genre traits. We hear the atmospheric sounds, we see the moving of the doorknob slowly, we quiver slightly with anticipation as each scene builds, and we muse over the development of the back story. All of these are clearly old school techniques and normal expected executions (within a horror film), but rarely do we see them executed so well in modern films ( with exceptions of the likes of The Witch and Crimson Peak). Della Bella uses the familiar, to breed the fear in his viewers. He draws them in using the scenes with the children and their father and then sets up the perfect spiral into the dark world they're inhabiting. So many elements in this film, become characters in their own right. The huge creepy dollhouse, that breeds an unease from its dark space at the end of the hallway. The occult photographs, that urge us to question the interactions with spirits in the home in other times. And the ugly old doll, that projects a sense of dread whenever we see little Victoria holding it. With a blending of atmosphere, reminiscent of a hint of Guillermo Del Toro, and some simple but well executed moments, that remind us of the work of James Wan and Leigh Whannell, I think Della Bella has left his imprint firmly in the horror world. Personally I can't wait to see what follows this and observe his growth as both a writer and director. The casting in The Remains is well selected. Todd Lowe plays our grieving father John (best known as Terry Bellefleur in TV's True Blood). He is saddened, heartbroken, vulnerable and weakened by recent months. We know hes barely able to process his sorrow for his wife, we see it each time he has to talk to someone else and explain what has happened. Yet it is also apparent that his children are now his life! He will protect them from anything and proves such on screen sublimely. Brooke Butler (from All Cheerleaders Die and The Sand) is Izzy, the hellbent on rebelling eldest daughter and wayward teen. We feel annoyed at her at times, but understand she is grieving differently and acting out to mask her own pain. The younger two children are Victoria (played by Hannah Nordberg - best known as Josslyn Jacks on General Hospital) and Aiden (played by Dash Williams - who has appeared as many characters on Jimmy Kimmel). Both children have the regular childlike moments (teasing each other, being playful and just acting like themselves) and the possessed creepy side down well. The blank stares, the hollow looks, the ghastly emptiness. I was taken in by their performances. As I read some of the (now I know unfair) IMDb reviews on this film, I admit I was truly skeptical about watching it. However I have never let anyone elses thoughts dictate my viewings and went with my gut instincts and I will definitely be hunting this down on DVD when I can. Great work all!
The Poughkeepsie Tapes (2007)
Amazingly realistic film.
Firstly, I must point out that this film had me second guessing the backstory research (that I had done previously) throughout! Some of the clips from this series found footage 'tapes'-that we are exposed to- are reminiscent of scenes from snuff films and appear so vividly realistic; that it became hard to distinguish when the narrative was being genuinely scary rather than real ( I will say this film is NOT a true story, but speculation is that it has some moments that resemble actual cases). It is through these raw realistic portrayals and crime show documentary style techniques, that we are drawn into the film with both awe and repulsion. We recoil at some hideous moments, terrified of the fate of the person we are viewing. We gasp as people are bound,gagged, tortured and then slain in front of our eyes. This is a film on par with Cannibal Holocaust or even the original release of The Blair Witch project, for it's believable portrayals and twisted take on the horrifying insight into a criminal's psyche. Like a studious serial killer who is etched forever in our memory (like the evolution of Hannibal Lector in the films The Silence of the Lambs, Red Dragon and Hannibal), we learn how intelligent The Water Street Butcher (as he is dubbed by investigators) is and how creatively he has developed his techniques, his executions and ultimately his power over his victims.Our killer uses his crimes to set up a series of red herrings for the police, which ultimately help him to evade capture. One particular victim develops a love so fascinating for her captor that it makes us shudder at her unnerving desire to continue to please her "Master". We learn of how she has slowly been tortured, dominated and submerged within his world, to the point of developing symptoms of Stockholm Syndrome and thus furthering her twisted attraction to her captor (more so due to his perpetual dominance over her for several years and an inability to break free from it once her ordeal is over). Through the interviews with the victims families, forensic specialists and differing levels within law enforcement and their equally involved legal guides, we learn more about the details for these crimes and the hellish nightmare like levels of depravity our killer delves into. The use of the documentary style, the camera/video techniques, the dialogue (which is wonderfully realistic) and the casting -all unknown and believable in their roles from each angle of the film have all created this very pragmatic and factually realistic film that is a superb, if not unnerving watch in parts. My only fault is the limited release of The Poughkeepsie Tapes. It did appear at some festivals with the Dowdle brothers in 2007 upon release, but since has been pulled from the actual release (despite cinematic advertising) and not been released either cinematically or on home media to this date! It's been 9 years and further developments on why are torn between issues with distributor MGM and the possibility the films likeness was too realistic and possibly touched on some actual real life crimes of a similar nature.
The truth.....we may never know.
Charlie's Farm (2014)
A Contender For Any Horror Film Fan
Okay well FINALLY I have seen the most anticipated film of 2014 (twice now).
First let me say Christopher Sun has created a great, sometimes comical, addition to the horror genre (much akin to the Hatchet films and with a flair of the Texas Chainsaw Massacre ones).
The majority of the characters are natural and flow well throughout the film, making us feel like a familiar acquaintance is on the screen - especially in Jason (Dean Kirkright) and Donkey (Sam Coward). The choice of these two guys to play the general Aussie blokes and the scripts language, were a match made in heaven as they conversed on screen like two old friends, bantering back and forth.
The only criticism I have is in regards to some of the dialogue is that at times (in the beginning)some over repeating of a word or phrase - I noted primarily the over use of Natasha (Tara Reid's character) and the word 'weird' in a small portion of the film.
Kudos to Mark (Cyprion) Smythe who provided the well selected ,evenly paced music and melodies for the score. Each piece was well proportionate to the scene , offering light fun to ominous tones......GREAT JOB!
I must congratulate Steve Boyle for his fantastic special effects , which i won't delve to deep into as i prefer to avoid spoilers ( Steve let's just say the scene with Moseley was stellar , i was hooked on the effects from that moment on!!).
And also for Samantha Lyttle .....wow! Those make up effects were great , especially the creepy skin on young Charlie ....I was repulsed!
For the cast itself , i will list each with a simple critique.
Tara Reid -(Sharknado 1 and 2) as Nat / Natasha once the pace picked up the acting improved , i found it a tad lacking at the start and wooden, but as the action picked up she truly shone and her performance was comfortable and enjoyable.
Dean Kirkright - (6 Plots , various short films such as the Smellin Brothers Torn) Dean was (alongside Sam Coward) my standout for this film as Jason . His character came off as genuine for me ( a real Aussie guy just goofing off), he was captivating and in certain scenes i felt he led the other cast members wonderfully.
Allira Jacques - (Chris Sun's Daddy's Little Girl) as Mel she too was a tad forced to start with but evolved and became more impressive as the film rolled on (like her prior Chris Sun performance).
Sam Coward -( this little known Aussie actor will be appearing in Chris sun's next project Boar) Firstly I apologize Sam, it was because of your character "Donkey" that i had to re-watch this film - having spent the first half being asked by those viewing with me if you were Kenny (I am sure you get the Aussie reference?). So when i re-watched i was surprised by how much i actually loved your portrayal of the downright depraved but hilarious "Donkey" (aptly named so, as revealed in the film) and was equally surprised by his demise.
Bill Moseley - (Texas Chainsaw Massacre 2 , House of 1000 Corpses/ Devils Rejects ) My favourite actor in this cast (his scenes were so enjoyable to watch) Bill calmly delivered every line ,as John Wilson (Charlie's Father)with the same aplomb as he did for Rob Zombie as Otis Firefly . The character was rich and Bill made it convincing and was able to show the intelligence and the insanity of his character with ease.
Kane Hodder - (Jason X, Hatchet 1/2/3 - also was stunt coordinator on this film) Kane plays his usual beefy bloke character (Tony 'The Hit-man" Stewart), but with a convincingly soft caring side as he travels to find the pack of fools who have ventured to Charlie's Farm . It was nice to see him as an anti villain for once and i love how Chris Sun did this with our masculine and beloved horror icon.
Nathan Jones- ( Mad Max: Fury Road ,The Condemned) Nathan is GREAT ....skulking and producing neanderthal grunts and groans as our villain CHARLIE. He performs the action scenes amazingly and to be honest ....i was a little unnerved watching him .
Honourable mentions must go to ......
Trudi Ross- (again an up and comer ) Was amazing as Charlie's mother Merideth. The vulgarity ,repulsiveness and aggression was delivered so well i felt she would fit easily into one of Helena Bonham Carter's whacky roles . She was the epitome of the protective mother and psychopath rolled into one.
Cameron Caulfield - (The Inbetweeners 2) Cameron ....well done for creeping the hell outta me kid! As the young Charlie, complete with freaky skin disease and rocking back and forth on a rocking horse. Honestly, it has never looked so sinister ! GREAT WORK!!
Throughout the film we meet more impressive characters .....from the hippy dippy backpacker Alyssa (Genna Hayes) and her 'Ginger Wolverine' boyfriend Gordon (David Beamish) - who were fabulously cast - to the equally important old timer Blue ( played by Bob Mossett), who issues the stereotypical warning of "piss off back where you came from".
Some great one liners infiltrate this film and i feel i should leave this review on a high by using one ......as Jason says prior to their arrival on Charlie's Farm .....
" BE CAREFUL, BE GOOD TO YOUR MOTHER , WEAR A RUBBER AND GO THIS WAY".
Daddy's Little Girl (2014)
Aussie Emotions Run Rampant
Daddy's Little Girl is an Australian film (2012) written and directed by Chris Sun .
Review -
Firstly let me say , don't judge this film based on the scathing reviews some had for it on IMDb. I feel sometimes people don't immerse themselves in a film properly and pick simplistic flaws , rather than view its beauty. My only real complaint would be the fact there was NO physical evidence of the killer ? We know in this day and age there is always some minute piece of DNA these days . Its a flaw yes , but not one that drives the film.
This film makes its point clear - you don't mess with anyone's child ! A parents revenge is more powerful than ANYONE else's ! Chris Sun has made this poignantly clear in this film. Through his use of an impressive fresh Aussie cast , hauntingly emotive beautiful music , fantastic visual locations and a well written and cleverly executed script ; Chris has been able to entice the viewer in and keep them hooked for the length of the film (and i admit ,pen in hand as usual , i found it hard to take notes during certain scenes - beach , funeral ,some of the torture- for review purposes). Six year old Georgia is played by Billi Baker ; an adorable little girl full of love , giggles and spirit like any child of that age. With her hauntingly blue eyes and fair hair , she was a clear choice for the role and displays such in her performance. Derek is played by Michael Thomson . As a doting dad , we see his love and affection for Georgia ; as he trudges through the rigmarole of balancing time with his daughter , work , social life , and battling with his ex over mundane issues (as do most separated / divorced parents). In an instant we see this lovable ,lively man ; become a hollow shell , hiding from the world and drowning in sorrow following the death of his daughter. His spark is only reignited when he exacts his revenge on his daughter's killer , in a variety of inventive (and well informed) ways. Colin (Derek's business partner and friend) is played by Sean Gannon . He tries to play therapist to his friend and at times is seen as a strong supportive character in the film. Tommy (Derek's brother) is played by Christian Redford . In the beginning he's just a loutish , goofy young man ; who believes the world is his oyster. At times he comes off a simple slacker , but as we learn in the film "there is more than meets the eye". Allira Jaques is Stacey (Georgia's mother and Derek's ex) . She plays the sole parent , struggling to prove she can do things for herself just perfectly. She is raw , reactive and inconsolable at the right moments. Last for a big mention is Darrell Plumridge as Detective Michael Harris . As our law enforcer trying desperately to solve a case with little to no leads , he ambles through the film , somewhat desperately trying to comfort Derek and also do his duty. Music in the film includes some impressive piano scores . A hauntingly ethereal piece is played when Georgia's body is discovered at the beach . The use of an emotional operatic piece during the funeral scene , adds to the distress and tugs at your heart to the verge of tears. Throughout the film these piano themed pieces are used (primarily during dream / memory sequences with Georgia) and are executed at perfect moments. The Sunshine Coast backdrops are a true thing of beauty (even a Sydney resident like i can admit that) . The location choices were superb . From the leafy street Georgia goes missing from ( i feel perhaps channel tens 'secrets and lies' copied you there Chris ) , the beach her body is discovered on (on the perfectly dull and graying day) , and even simple house locations. Being a parent I felt for this plot , it reached inside me and pulled at my reactive core. How would you react to this situation? If the police dragged their ass for 6 months , trying to solve your child's murder , would you take a form of vigilante justice ? I think an honest answer (for all parents) ...is YES!! This film preys on that awful dark feeling , which hides deep within us all, and pulls it forward into a bitter ugly limelight. It engages and engrosses you , in a sordid world of torture and leaves only a strange joy , when it's all over. This film on its own is amazing . A visually stimulating , emotional roller-coaster of sorrow , evil and vengeance. I won't discuss too in-depth about the plot itself , how it unfolds or who the killer is (which is apparent early on) . You know i don't like to spoil things and prefer for you to judge it for yourselves. I will however add that the torture itself is of a class of its own . The only pleasure to be deduced from the torture scenes ,should be one based on a purely emotional response to the evolution of the storyline. I would lastly like to thanks Chris Sun for NOT over indulging the viewer with an image during the discovery of Georgia's body . Less is best and you took that road well ....a lot of others would've used it to steer the anger , you did not . Tasteful and respectful to your viewers! Well don't Chris , I can't wait to see " Charlie's Farm" when that comes out soon !!
Cliff Lake (2010)
My first foray into the short film world :)
I will open by admitting honestly i am not a huge fan of the short film ,but yet have a desire to go to Tropfest each year -cant explain it but i am interested just not a fan-....so when i received a message on my face book review page -Midi's Horror Review PAGE- to view a short film by budding film makers BadFritter i felt i would do so with an open mind .
I am very glad i did ....i have watched some awful films in my life and was convinced i would probably end up viewing some bizarre piece which was either too art-house -even though i like them- or just of poor quality.
To be honest Badfritter films i must say thank you ....i feel enlightened for opening my mind.
The script leaves it quite open to be developed further but the basic premise was inviting and intriguing to me .I actually enjoyed it thoroughly ,all 14mins of it, and will happily view your films in the future if they will be of such caliber.
My only criticism is i don't like shaky cameras and at times it occurred that way -no fault on you guys i assume you have minor funds and are seeking financial aid to build up on your resources-......i will add i hate films like Cloverfield that rely on handy cams shaking everywhere so its nothing personal . Its my own preference thats all.
The link to their face book page is available on my page ,for anyone who would like to join in and watch this small production .I also implore you to support these guys and join their page ,because god knows.....we need new meat with some form of originality out there in horror land .