
strong-122-478885
Joined Aug 2011
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Instead of being a joyous celebration of the life and artwork of H.R. Giger, the man who (in 1979) had created "Alien" (SyFy's most hideously awesome monster of all)..... "Dark Star" was truly a sad, pathetic, and oppressively suffocating film documenting the final year of Giger's life as he was obviously deteriorating both physically and, especially, mentally.
It was almost horrifying to see that Giger had become so utterly consumed (in an unbalanced way) by his own artwork and that the stifling interior of his home in Switzerland represented that of the inside of a decrepit crypt of a hording pack-rat.
Yes. I do fully respect Giger as being the gifted illustrator who created "Alien" - But this documentary's uncomfortable ambiance gave me the creeps. From start to finish - It had squalor, oppressiveness, and death clearly written all over it.
And, with that - I totally resent director, Belinda Sallin for presenting Giger in the disrespectful way that she did (as a doddering, old kook) in this truly repulsive presentation.
*Note* - In 2014 - Hans Rudolf Giger (70 at the time) died from a fall sustained in the hospital.
It was almost horrifying to see that Giger had become so utterly consumed (in an unbalanced way) by his own artwork and that the stifling interior of his home in Switzerland represented that of the inside of a decrepit crypt of a hording pack-rat.
Yes. I do fully respect Giger as being the gifted illustrator who created "Alien" - But this documentary's uncomfortable ambiance gave me the creeps. From start to finish - It had squalor, oppressiveness, and death clearly written all over it.
And, with that - I totally resent director, Belinda Sallin for presenting Giger in the disrespectful way that she did (as a doddering, old kook) in this truly repulsive presentation.
*Note* - In 2014 - Hans Rudolf Giger (70 at the time) died from a fall sustained in the hospital.
Impressively directed by Pierre Adidge - "Mad Dogs and Englishmen" certainly captures the raw intensity of singer, Joe Cocker as he goes into yet another spastic rendition of some great rock, blues, and soul songs (all recorded before a live audience).
Released in 1970 - This live-concert documentary covers Cocker's tour of the US (from Detroit to San Francisco). And we look on as Cocker gets by with a little help from his friends.
IMO - Joe Cocker (gravel-voice, and all) was a unique performer from his generation.
This music-documentary not only looks at touring and backstage life for Joe, but it also includes performances by Leon Russell and Rita Coolidge, as well.
"Note" - In 2014 - Joe Cocker (70 at the time) died of lung cancer. He had been a heavy smoker all his adult life.
Released in 1970 - This live-concert documentary covers Cocker's tour of the US (from Detroit to San Francisco). And we look on as Cocker gets by with a little help from his friends.
IMO - Joe Cocker (gravel-voice, and all) was a unique performer from his generation.
This music-documentary not only looks at touring and backstage life for Joe, but it also includes performances by Leon Russell and Rita Coolidge, as well.
"Note" - In 2014 - Joe Cocker (70 at the time) died of lung cancer. He had been a heavy smoker all his adult life.
Are you ready for a 1942 Hollywood fairytale about (get this!) an expensively made, formal tailcoat that's been cursed (by its disgruntled cutter) to bring despair and misfortune to anyone who wears it? (Duh!)
Well, that's exactly what "Tales of Manhattan" is all about and its story is presented to the viewer in 5, 25-minute, interlaced segments that certainly make its point loud and clear.
If nothing else - This b&w "WTF!?" comedy/drama was certainly an expensive production and it sure didn't skimp when it came to jumping on the high-fashion bandwagon.
IMO - This disappointing picture was just another lame excuse for 20th Century Fox to star lots of big-name actors in one cockamamie picture (in hopes of reaping in huge profits, no doubt).
My final analysis - Nothing special here.
Well, that's exactly what "Tales of Manhattan" is all about and its story is presented to the viewer in 5, 25-minute, interlaced segments that certainly make its point loud and clear.
If nothing else - This b&w "WTF!?" comedy/drama was certainly an expensive production and it sure didn't skimp when it came to jumping on the high-fashion bandwagon.
IMO - This disappointing picture was just another lame excuse for 20th Century Fox to star lots of big-name actors in one cockamamie picture (in hopes of reaping in huge profits, no doubt).
My final analysis - Nothing special here.