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1883 (2021)
Late to the Party but Glad I Came
I have to say from the outset that I was a hater. I thought there was no way that Taylor Sheridan could capture the magic and intensity of Yellowstone in a new way that won't feel derivative and re-hashed. There's no way that these two country music stars will be able to deliver convincing performances without me thinking "Hey that's Tim McGraw and Faith Hill on my screen" or "that's Sam Elliott's glorious mustache and signature deep voice!" About two years after the fact, here I am, having binged the entire show in about two short days, proven wrong and very glad to have been.
There's an odd tapestry that Taylor Sheridan has been able to weave together of American prose and Frontier poetry in 1883, and the beauty of the land is his thread. The evolution of the story through our wonderful narrator in Elsa is not splashed in the viewer's face through overdone exposition, but instead simply conveyed by her action and reaction to each fresh new horror that this journey throws at our group's feet.
The fact that this young woman is able to still find splendor (apologies to Dolores from Westworld for stealing her phrase) and hope in the face of tragedy by connecting to the earth and the sky I think reflects Sheridan's throughline of the importance of nature and how we are not separate from it, but inextricably linked to this land that we've used, abused, and become ever-farther from. I can't tell you how moving I found the final few episodes and surprised at how I found myself reacting. I look forward to watching 1923 next!
Retrograde (2022)
From Hope to Heartbreak to Despair
I wasn't sure where this documentary would take me when I started watching. Like most Americans, I had a sense that the whole process of ending the US's longest war, from the initial deal struck with the Taliban to leave by the Trump administration to the catastrophic execution of that decision by the Biden administration, was poorly conceived, ill-fated, and ultimately nothing short of a humanitarian disaster. But I didn't really understand the price paid by those there-- by the Afghan forces under Gen. Sadat, by the last vestiges of coalition forces, and primarily by the Afghan people. It's a price they continue to pay, as women continue to be further marginalized to roles essentially consisting of cooks, cleaners, and caretakers and carriers of children.
By default, I have a healthy skepticism of the narratives presented to me by governments, by media, by institutions of journalism. These groups and entities have consistently let those of us who rely on them for truth, honesty, transparency, and hope down in big ways, primarily by prioritizing the interests of those who would enrich them rather than serving the public good. But this documentary, without ever taking a single stance on whether this war was just or not, whether the decision to withdraw was appropriate or not, whether the final days were a travesty, or not, lays bare the horrific human cost that after 20 years of war will have been for nothing and the horrific human cost that for the next 20 years will continue to rob an entire people of their full potential. I say all this with a distinctly Western, secular perspective that many might not think applies to the peoples and culture of Afghanistan, but I challenge anybody to watch the final 15 minutes of this documentary and tell me that the people of Afghanistan will gladly submit to life under Taliban rule as a better alternative to the inter-Taliban period.