Mario Bava considered this the worst of his films. I've not seen his filmography but I do think he's being a bit harsh. "Five Dolls for an August Moon" is certainly a rather thinly disguised reworking of Agatha Christie's "Ten Little Indians", but there's enough to it to make it fun.
The plot centers on a vacation getaway hosted by George Stark (Teodoro Corra') and his wife Jill (Edith Neloni) The guest list is comprised of Professor Jerry Farrell and his wife Trudy (William Berger and Ira von Furstenburg), Nick and Marie Chaney (Maurice Poli and Edwidge Fenech), and Jack and Peggy Davidson (Howard Ross and Helena Ronee). They cast is closed out by the Stark's Houseboy, (Mauro Bosco) and the Game Warden's Daughter Isabell (Justine Gall).
Farrell is looking for a retreat, but George, Nick, and Jack are industrialists trying to buy a brand-new formula for industrial resin at any price. Not only do the three men backstab each other, but there are numerous affairs going on around the island. Marie will sleep with anyone, Farrell's wife is attracted to George's wife and even Nick attempts to seduce Farrell's wife. The retreat gets complicated with the houseboy is murdered. Everyone is suspect. To complicate matters further, the group is cut off from the mainland.
The movie is certainly lacking in the suspense department. The deaths of characters is viewed as a minor hurdle and the victims are grotesquely and humorously hung up like slabs of beef in George's freezer. Also, while some of the deaths are gory, one of the few murders we do see happen is completely bloodless (I'm assuming due to budget restraints).
However, Bava fills the movie with many interesting visuals, the party sequence alone is worth a watch, with zooms of the group taking turns eying each other while Fenech sexily gyrates and George playing up a seemingly sadistic sacrifice of her. The film also plays with expectations by having a character seeming killed, only to reveal it's a joke. Other interesting shots include a fight between George and Nick, with a sculpture of glass balls being uprooted to roll into a tub occupied by a suicide victim, and an interesting shot of Isabell merely swinging. Bava hated the material, but he makes a very watchable film.
Also of note is the endless score by Piero Umiliani. It's jazzy, it's booming, it doesn't seem like it should work, yet it does, and it's great. Indeed, very few portions of the film have no music, but the score never seems inappropriate. The music in the opening party is a standout, and the carnival like piece that plays as the bodies are added to George's freezer is as humorously grotesque as the action on-screen.
The cast is also uniformly excellent. The only actor I was familiar with starting the film was Berger, whom I'd seen opposite Lee Van Cleef in "Sabata". If you're a Berger fan, be warned, he's given star billing and certainly plays a prominent role in the film's first half, but takes a backseat in the second half. Still, he does great with what he has. Edwidge Fenech is pure sexiness as Marie. She's breathtaking. She's playing a sexpot and she does it well Also a standout is Teodoro Corra' as the manipulative George. He's not a very good-intentioned character, but I found myself rooting for him. He's one of the most multi-faceted characters, despite attempts to set him up as an obvious villain, and he's given some of the best costumes, favoring a double-breasted blazer and kerchief. This movie made me an instant fan of him and I'll be looking out for his other films to watch. Also, based on his screen-time, he deserved more prominent billing in my estimation.
Also of note is Maurice Poli, who struck me visually as a foreign Christopher George. Nick's a pretty despicable guy but he's entertaining to watch. Justine Gall is wide-eyed innocence but not quite as Isabell, and Ira von Furstenburg is excellent as Farrel's wife Trudy, who may know more than she's letting on.
Some reviewers have mentioned that one of the killer's victims was impossible for them to have killed. Indeed, it's understandable as the English-language version omits a line where the killer explains how it was done. Also, the film stretches credibility with a sequence where the remaining cast disappears and reappears, but they don't ruin the overall enjoyment of the film.
It's not a perfect film, but I've watched it numerous times and I enjoy it just as much as the first. I now own it, and am happy with the purchase. Even at what he calls his worst, Bava's direction, the cinematography, and a game cast make this one worth a watch. If you love "Ten Little Indians", like I do, it's also certainly worth a watch.
The plot centers on a vacation getaway hosted by George Stark (Teodoro Corra') and his wife Jill (Edith Neloni) The guest list is comprised of Professor Jerry Farrell and his wife Trudy (William Berger and Ira von Furstenburg), Nick and Marie Chaney (Maurice Poli and Edwidge Fenech), and Jack and Peggy Davidson (Howard Ross and Helena Ronee). They cast is closed out by the Stark's Houseboy, (Mauro Bosco) and the Game Warden's Daughter Isabell (Justine Gall).
Farrell is looking for a retreat, but George, Nick, and Jack are industrialists trying to buy a brand-new formula for industrial resin at any price. Not only do the three men backstab each other, but there are numerous affairs going on around the island. Marie will sleep with anyone, Farrell's wife is attracted to George's wife and even Nick attempts to seduce Farrell's wife. The retreat gets complicated with the houseboy is murdered. Everyone is suspect. To complicate matters further, the group is cut off from the mainland.
The movie is certainly lacking in the suspense department. The deaths of characters is viewed as a minor hurdle and the victims are grotesquely and humorously hung up like slabs of beef in George's freezer. Also, while some of the deaths are gory, one of the few murders we do see happen is completely bloodless (I'm assuming due to budget restraints).
However, Bava fills the movie with many interesting visuals, the party sequence alone is worth a watch, with zooms of the group taking turns eying each other while Fenech sexily gyrates and George playing up a seemingly sadistic sacrifice of her. The film also plays with expectations by having a character seeming killed, only to reveal it's a joke. Other interesting shots include a fight between George and Nick, with a sculpture of glass balls being uprooted to roll into a tub occupied by a suicide victim, and an interesting shot of Isabell merely swinging. Bava hated the material, but he makes a very watchable film.
Also of note is the endless score by Piero Umiliani. It's jazzy, it's booming, it doesn't seem like it should work, yet it does, and it's great. Indeed, very few portions of the film have no music, but the score never seems inappropriate. The music in the opening party is a standout, and the carnival like piece that plays as the bodies are added to George's freezer is as humorously grotesque as the action on-screen.
The cast is also uniformly excellent. The only actor I was familiar with starting the film was Berger, whom I'd seen opposite Lee Van Cleef in "Sabata". If you're a Berger fan, be warned, he's given star billing and certainly plays a prominent role in the film's first half, but takes a backseat in the second half. Still, he does great with what he has. Edwidge Fenech is pure sexiness as Marie. She's breathtaking. She's playing a sexpot and she does it well Also a standout is Teodoro Corra' as the manipulative George. He's not a very good-intentioned character, but I found myself rooting for him. He's one of the most multi-faceted characters, despite attempts to set him up as an obvious villain, and he's given some of the best costumes, favoring a double-breasted blazer and kerchief. This movie made me an instant fan of him and I'll be looking out for his other films to watch. Also, based on his screen-time, he deserved more prominent billing in my estimation.
Also of note is Maurice Poli, who struck me visually as a foreign Christopher George. Nick's a pretty despicable guy but he's entertaining to watch. Justine Gall is wide-eyed innocence but not quite as Isabell, and Ira von Furstenburg is excellent as Farrel's wife Trudy, who may know more than she's letting on.
Some reviewers have mentioned that one of the killer's victims was impossible for them to have killed. Indeed, it's understandable as the English-language version omits a line where the killer explains how it was done. Also, the film stretches credibility with a sequence where the remaining cast disappears and reappears, but they don't ruin the overall enjoyment of the film.
It's not a perfect film, but I've watched it numerous times and I enjoy it just as much as the first. I now own it, and am happy with the purchase. Even at what he calls his worst, Bava's direction, the cinematography, and a game cast make this one worth a watch. If you love "Ten Little Indians", like I do, it's also certainly worth a watch.
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