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A superb start - very much looking forward to more!
31 May 2017
Well done for a first episode. It wasn't perfect and did have its faults, but the casting is superb despite, perhaps, being a little inconsistent in terms of family lines (as a personal desire, it'd be nice to have consistency there for immediate families). But the actors and actresses themselves, do a great job capturing their character perspectives, particularly when one takes into consideration the plot, time period, and what would have been their ages. They also did fairly well with the writing they were given, which was lacking at times, but that, of course, wasn't their faults.

And for all of those making claims that this "turns Shakespeare on its head," or that it's pushing "political correctness" or pushing unnecessary diversity, such are knee jerk reactions from uneducated individuals who cry about authenticity, but usually have no problem with the fact that women are acting in the productions, even though authenticity would mean men playing the women's parts; it's selective outrage that's usually R.W.S.-based.

Please don't let negative reviews that have no legitimate criticisms of the show itself persuade you from watching it, especially if you're like me and have a personal interest in Shakespeare anyway which has pushed you to do your proper due diligence, leading to the truth of yes, there being Black people around at the time (as if Othello didn't make that obvious, anyway). For those still not convinced and in need of visuals, a page online titled, "People of Color in European Art History" (the pg is: medievalpoc) proves it, too.

Besides, let's be honest, if nothing else, it's a great breath of fresh air from what we usually see with such renditions. In Leo DiCaprio's version of R+J, for example, it was nice to see Harold Perrineau, Vondie Curtis-Hall, etc, but the production was still pretty boring in terms of lead character casting, and bland in terms of their performances. It is nice to see TV branching out to cover more period pieces, and as far as diversity goes, I hope things like this continue, as they promote what is a more genuine sense of authenticity and truth, ignoring what is popular belief about the time period in question.

So... based on the first episode, at least, I hope the show's given room to grow into another season or more, allowing it to continue improving and continuing to surprise me. Much like one of my fav shows, "Reign," I have a feeling this, too, will end up blossoming into a wonderful show if it's given a chance/time to.
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The Discovery (I) (2017)
A good try, but didn't hit the target
31 March 2017
Warning: Spoilers
I don't think I spoiled the plot for anyone, but just in case - spoiler warning.

In my opinion, the premise of this movie was a great one. Though I could have done without idea of a love story being pushed in the description, I felt that the plot made for a perfect psychological thriller, or just a perfect horror movie, if nothing else; though since the root of the concept the story ends up hinging on is pretty horrifying when the fuller implications of such are thought through, and especially when compared to the comforting finality of my own personal religion's afterlife, perhaps it did end up being a horror movie of sorts, for me, lol.

I was genuinely surprised by the direction the story took, despite the fact that, to agree with the other reviewer, it does end up boiling down to an over-sweet love story. I mean, the plot explains why such a strange pairing with such improbable coincidences bringing them together, would take place, but still, I think it's a shame that a story that was interesting on its own, had to suffer by being made the afterthought of such a shallow love story. ESotSM did it better, and actually had a reason for romance to be the root of it.

Nevertheless, though the movie tried to be prolific and profound, it was neither. Interestingly presented concept (and a phenomenally crafted opening scene), sure, but overall, it's an afterlife concept that's far from new and overused in other movies on the subject that try, but are unsuccessful at putting a new spin on an old religious idea.

So in the end, other critics were unfortunately correct in saying that the premise was good, but that little else was. A saving grace is that at least the production quality was there, however, which put it on par, in my opinion, with the likes of Melancholia, The Eternal Sunshine of the Spotless Mind, Bokeh, etc.

Worth a watch, sure, but don't expect much out of it when you do.
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