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Reviews
Kamikaze (2016)
6 minutes in and I'm looking for the escape key!
Right from the start the characters exhibit as much emotion as a cardboard box. the fight scene at the beginning was choreographed by Donald Duck and it doesn't get any better. The only reason I watched it and continued to watch it was for the beautiful scenery of Newport. I don't have much else to say about this movie, I expect its not easy putting a movie together but this seemed to lack a lot of things maybe it was the directors day off, I mean how many MI6 agents do you see driving an old Renault Megane Convertible.
And you have to love the exotic Newport accent...lol. But on a serious note AVOID this movie like the plague, bad accents, bad scenery, bad acting, terrible props, fighting scenes reminiscent of the old John Wayne cowboy fight scenes, the one in the back of the car is a classic. If you persevere with this movie then you will have a good laugh although it will have been unintentional
GOOD LUCK
Sinister (2012)
A glitch as there always is in these horror movies
Don't get me wrong, I gave it a nine, because its brilliant, but with all the goings on at night-time, why did the noise never wake his wife???? other than that glitch, be prepared for a great shocking twisting movie that surpasses the great as far
as suspense and gut wrenching horror,
the snuff movies contain enough horror for another set of six movies. Ethan Hawke is brilliant in this I think his first move into horror, a brilliant twist at the end, you don't see it coming.
Lighting in the Oswalt home, where most of the action takes place, is appropriately subdued and rife with interplays of light and shadow. Hawke is often seen in silhouette, masking dark corners hiding secrets, literally. Terrifying night scenes beg the question, "Why are you going up into the attic?" Christopher Young's original score blends perfectly with needle-drop songs from some of the filmmakers' favorite indie bands. In a typical production, where third party songs will be inserted, the actors work to a temp track -- music that plays in the background until the company can obtain licensing for the tunes they want for the finished product, usually unknown (although often hoped for) during filming, that are then added to the soundtrack in post- production. With "Sinister," Derrickson and his team were able to purchase the rights prior to shooting so the cast members performed to a playback of the songs that would actually be used in the final cut. It does make a difference, especially when seasoned professionals like Hawke are "acting" in sync with the same music the audience hears in those scenes. It creates a symbiotic ambiance that links viewer to actor.