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Firebrand (2023)
Historically Accurate Undone by its Excessive Gloominess
While the historical accuracy is impressive, the film's excessive gloominess detracts from its overall impact. The dark visuals and ominous score make it hard to connect with Katherine Parr, despite her remarkable story. Jude Law's performance as Henry VIII is the most entertaining part of the film, and Alicia Vikander stoic performance shines as Katherine Parr, delivering nuanced performances. However, the relentless focus on her suffering and the somber tone make it challenging to fully engage with her character. Ultimately, the bleak atmosphere overshadows its strengths, making it difficult to enjoy and connect with Katherine Parr's remarkable story.
Treasure (2024)
Not much to enjoy
There's not that much to enjoy here. The film is dark and grey, and the humor doesn't sit well with the setting. The dialogue comes off as overly forced, serving more to explain context than to develop characters or plot, which feels hamfisted. The overall atmosphere of the movie is dreary, leaving me wishing I had spent my time on a higher-quality project. However, the two performances from Fry and Dunham were good, adding some redeeming value to an otherwise lackluster experience. Their portrayals brought a glimpse of depth and nuance, but unfortunately, it wasn't enough to save the film from its overall mediocrity.
Omoide no Marnie (2014)
A tender exploration of belonging and love, wrapped in a beautiful melancholic melodrama
"When Marnie Was There" is a film that delves into the realm of melodrama, a genre that holds a specific appeal to a particular audience. Directed by Hiromasa Yonebayashi, this adaptation of Joan G. Robinson's novel is a beautiful exploration of personal growth, family ties, and the quest for belonging.
Melodrama, as a genre, has often been a tough sell for me. It leans heavily on emotional intensity and dramatic scenarios, which can sometimes feel over the top. However, Yonebayashi uses these elements effectively to create a poignant narrative that resonates deeply. The story of Anna, a young girl grappling with feelings of isolation and her status as an adoptee, is one that feels incredibly personal and realistic.
Anna's journey is one many can recognize, either in people they know or in themselves. The film captures the rough edges of coming of age and the internal struggles that come with being an adopted child. These themes of familial love, genuine connections, and the quest for identity are handled with care and sensitivity, making Anna's story not just relatable but profoundly moving.
The film also touches on the concept of love transcending generations. The idea that the work and struggles of past generations continue to impact us, whether we are aware of it or not, is beautifully portrayed. This theme of enduring love and the unseen connections that bind us is one of the film's most touching aspects.
One of the film's strengths is its score, with a simple piano melody that complements the story perfectly. The music enhances the emotional depth without overwhelming it, allowing the viewer to fully immerse themselves in Anna's journey.
While the source material is adapted well, the film is not without its flaws. One notable element that felt somewhat ham-fisted was the focus on Anna's anxiety over government subsidies. This aspect of the melodrama felt disproportionately emphasized, especially for an audience that includes adults. It is serious for a child, yes, but the film's portrayal of it as a monumental issue seemed a bit excessive.
Despite this, the emotional elements of "When Marnie Was There" work wonderfully. The story of a friend we all wish we had, the friend we seek, and sometimes find, is enchanting. This film serves as a touching narrative for children and adults alike, offering something to look for in life and identify with.
In conclusion, "When Marnie Was There" is a beautifully crafted film that tells a sweet and emotionally rich story. Its exploration of personal growth, familial love, and the quest for belonging is both touching and thought-provoking. While it has its moments of overemphasis, it remains a compelling film that leaves a lasting impression. An 8 out of 10, it's a film that, despite its flaws, I genuinely appreciate.
Gedo senki (2006)
A Love Letter with Flaws
Some argue that "Tales from Earthsea" only works if you're not a fan of the novels. I argue the opposite. Studio Ghibli and Goro Miyazaki took on a Herculean effort, creating a massive love letter to Ursula K. Le Guin's beloved series. They approached this film as if it were their only chance to make an Earthsea movie, leading to a final product that, while beautiful, suffers from trying to do too much.
The film struggles to find its footing, with many plot points never receiving the resolution they deserve. This results in a narrative that only makes full sense if you're already familiar with the Earthsea series. For fans like myself, this makes the movie work better as an adaptation of "The Farthest Shore." We see characters from other books making appearances, adding to the richness of the experience. However, for those unfamiliar with Earthsea, understanding the importance of the events and characters can be challenging.
A major disappointment is Sparrowhawk, who feels like a corked bottle throughout the movie. The books make it clear just how powerful and wise he is, akin to Gandalf in "The Lord of the Rings." Unfortunately, the film fails to convey this, depriving the audience of a true sense of his greatness.
Despite these criticisms, I still give "Tales from Earthsea" a 7 out of 10. The animation is stellar, capturing the dark fantasy essence of Earthsea while maintaining Studio Ghibli's recognizable style. It's perhaps the least Studio Ghibli-like film of them all, with its violence and dark tones. The voice performances, especially Willem Dafoe as Cob, are astounding.
The story, though messy, is interesting, and the world-building is incredible. There's a strong commentary on nature and man's greed, a typical Studio Ghibli theme. It's a shame the film didn't achieve the seamless finish it deserved because the potential for an incredible adaptation was there.
In conclusion, "Tales from Earthsea" is a flawed but fascinating film. It stumbles over itself and can't quite find what it truly could have been, caught between a bunch of crossroads. Nevertheless, it remains a beautiful, albeit messy, love letter to Earthsea that I appreciate as a fan of the series.
Kumo no mukô, yakusoku no basho (2004)
In a world divided by dreams, only memories can bridge the gap
Makoto Shinkai's "The Place Promised in Our Early Days" is a supremely interesting movie that marks the beginning of his cinematic fascination with time and everlasting bonds. This film clearly draws inspiration from "Neon Genesis Evangelion," particularly in its editing style, which places the audience in a state of purposeful information drought. Whether this is an intentional choice or a byproduct of its 90-minute runtime is up for debate. What is certain is that this film demands more than one viewing to be fully appreciated, and while I might give it a higher rating after another watch, it's unlikely I would rate it lower than an 8.
Shinkai's implication that music serves as a bridge connecting our senses and emotions across different realities, past and future, is a fascinating concept. This idea that music can evoke memories and emotions, linking different moments in time, adds a profound layer to the film's narrative. Shinkai's ability to craft a unique world, compelling characters, and a captivating story within such a short runtime is truly impressive.
The editing style, while unique, can occasionally hinder the audience's immersion in Shinkai's magical storytelling. Unlike "Neon Genesis Evangelion," which benefited from a TV show's extended format and more traditional narrative foundation, this movie dives straight into its complex storytelling. This breakneck pace and lack of conventional storytelling might leave some viewers confused, but this confusion isn't necessarily a flaw. Instead, it invites further pondering and reflection, which can enhance the viewing experience.
In conclusion, "The Place Promised in Our Early Days" is a memorable film that leaves a lasting impression, regardless of one's initial appreciation. Its thought-provoking themes, innovative use of music, and Shinkai's masterful world-building make it a standout piece in his filmography. While its editing style may require some adjustment, it ultimately adds to the film's unique charm. This is a movie that rewards multiple viewings, and its depth and complexity ensure it remains an intriguing watch.
Kokuriko-zaka kara (2011)
A Heartwarming Dance Between Nostalgia and Youthful Complexity
"From Up On Poppy Hill" is a beautiful and wonderful film, a typical offering from Studio Ghibli that exudes the charm and emotional depth we've come to expect from the studio. I rate this film an 8 out of 10. The journey of the two main characters, Umi and Shun, is both interesting and relatable, as it navigates the confusing times of youth in a way that resonates deeply with the audience. The wholesomeness of their story is truly endearing.
What I particularly appreciate about this film is its complex exploration of time. It beautifully illustrates how the past can both bind and liberate us. This dichotomy-where traditions and nostalgia are cherished but can also hold us back-is portrayed with a nuanced understanding that adds a layer of depth to the story. This film shows how the past shapes us and how we can find freedom in embracing and sometimes overcoming it.
However, I must note that the ending feels rather abrupt. While many Studio Ghibli films have sudden conclusions, this one is especially jarring, pulling you out of the magical experience quite roughly. Additionally, the handling of the relationship between Umi and Shun could have been more adept. The revelation that they are not siblings is somewhat glossed over, with the film quickly assuming they will continue their romantic relationship. This transition from thinking of each other as lovers to siblings and back to lovers is a complex emotional journey that the film doesn't fully explore. It feels like a line is crossed that cannot be uncrossed so easily, and this aspect deserved more attention.
Despite these criticisms, it's important to emphasize that "From Up On Poppy Hill" remains a wholesome and endearing film. It's an excellent and undervalued addition to the Studio Ghibli collection. Goro Miyazaki deserves more credit for his work on this movie. The score is another highlight, being both interesting and beautifully composed, adding to the film's overall charm.
In conclusion, "From Up On Poppy Hill" is a film that, despite its flaws, offers a heartwarming and nostalgic experience. It's a testament to the enduring magic of Studio Ghibli, capturing the complexities of youth and the timeless dance between past and present.
Bad Boys: Ride or Die (2024)
Miami's finest are now its most wanted
"Bad Boys: Ride or Die" is a wild ride from start to finish, but not without its flaws. The fourth installment in the franchise, directed by Adil El Arbi and Bilall Fallah, brings back the beloved duo of Will Smith and Martin Lawrence as Miami detectives Mike Lowrey and Marcus Burnett. Their chemistry is still the highlight, carrying the movie through its more contrived and chaotic moments.
The plot is admittedly a bit all over the place, with Mike and Marcus framed and on the run after the late Captain Howard is implicated in drug-related crimes. They face off against a mysterious mercenary and deal with various personal dramas along the way. While the storyline often feels convoluted and overly stuffed, the action sequences are undeniably fun and engaging, featuring impressive drone shots and explosive set-pieces.
Smith and Lawrence's banter remains sharp, though some jokes fall flat, and the character development sometimes feels shallow. The movie leans heavily on nostalgia and the established dynamic between its leads, which can be both a strength and a limitation.
Overall, "Bad Boys: Ride or Die" is an entertaining summer blockbuster that delivers on action and humor, even if its plot is a bit messy. It's worth watching for fans of the series, especially to see Smith and Lawrence in action again. I'd rate it a 6/10 for its fun factor and the undeniable charm of its leading duo.
Tenkû no shiro Rapyuta (1986)
Masterpiece of Animation and Storytelling
"Castle in the Sky" is not just a film; it's an experience that encapsulates the very essence of what makes Studio Ghibli a timeless treasure in the world of animation. The beautiful animation, with its breathtaking landscapes and intricately designed characters, serves as the perfect canvas for a story that resonates deeply with the human spirit.
The tale is a profound exploration of innocence corrupted by the greed of men, and how the purity of children and the beauty of nature can be tainted by this insatiable desire for power. Watching Pazu and Sheeta's journey, I felt an overwhelming sense of wonder and a desire to be a better person. Their bravery, kindness, and unwavering hope in the face of adversity remind us of the purity and strength that lies within each of us.
The story is more than just an adventure; it's a poignant commentary on the impact of human greed on the world around us. The contrast between the lush, vibrant world of Laputa and the desolate, mechanical reality below highlights the consequences of our actions on the environment and our communities.
Adding to the film's magic is the soul-capturing score by Joe Hisaishi. His music perfectly complements the narrative, enhancing every emotional beat and drawing viewers even deeper into the world of Laputa. The hauntingly beautiful melodies linger long after the movie ends, encapsulating the film's themes of wonder, innocence, and the bittersweet passage of time.
"Castle in the Sky" is a film that stays with you long after the credits roll. It inspires reflection and a renewed sense of responsibility towards the world we live in. It's a reminder that, despite the darkness in the world, there is always hope and the potential for redemption.
This film is a masterpiece, deserving of a perfect score. It beautifully blends stunning animation with a story that is both heartwarming and thought-provoking. "Castle in the Sky" is a testament to the power of storytelling and its ability to inspire us to be better, kinder, and more mindful of the world and people around us.
Gekijôban Haikyû!! Gomi Suteba no Kessen (2024)
Fast Paced and Heartfelt Volleyball
**Haikyuu: The Dumpster Battle**
**Rating: 10/10**
"Haikyuu: The Dumpster Battle" is a masterful addition to the beloved Haikyuu series, earning a well-deserved 10/10. This film brilliantly captures the essence of what makes Haikyuu such a compelling story, deftly balancing intense volleyball action with profound emotional depth.
One of the film's standout features is its impeccable pacing. From start to finish, "Haikyuu: The Dumpster Battle" maintains a gripping momentum, effortlessly drawing the audience into the high-stakes world of competitive volleyball. Despite its limited runtime, the movie successfully connects viewers to the emotional journeys and aspirations of a diverse cast of characters. This is no small feat, and it speaks to the film's expert storytelling and character development.
The dynamic between the two main characters, often likened to a cat-and-mouse game, is both fascinating and heartwarming. One character's relentless enthusiasm for volleyball contrasts sharply with the other's analytical approach, creating a compelling narrative tension. Their interactions are not just entertaining but also deeply wholesome, highlighting themes of friendship, rivalry, and personal growth.
The film's direction and composition of shots are particularly noteworthy. The use of POV shots and other creative camera techniques adds a unique and engaging visual layer to the storytelling. These innovative displays of cinematography draw the audience further into the action, making the volleyball matches more immersive and emotionally charged.
What truly sets "Haikyuu: The Dumpster Battle" apart is its commentary on the love of pursuing a passion and the thrill of hard work, even when success is not guaranteed. The film beautifully illustrates the joy and fulfillment that comes from dedicating oneself to something one loves, regardless of the outcome. This message resonates powerfully, reminding viewers that the journey and effort are often more meaningful than the result.
There is never a dull moment in "Haikyuu: The Dumpster Battle." The film is packed with exhilarating volleyball matches, heartfelt character interactions, and moments of introspection that make it a truly enriching experience. It is a testament to the enduring appeal of Haikyuu and a must-watch for both long-time fans and newcomers alike.
The Dead Don't Hurt (2023)
An Ambitious Entry to a Historic Genre
In his directorial debut, Viggo Mortensen presents "The Dead Don't Hurt," a visually stunning and ambitious project that marks an impressive start for the actor-turned-director. Mortensen's non-linear storytelling is an audacious choice that largely pays off, weaving a complex narrative that keeps the audience engaged and demands their full attention. Set against the expansive vistas of California, the film's cinematography is nothing short of breathtaking, capturing the stark beauty and harshness of the landscape with a keen eye.
The performances in "The Dead Don't Hurt" are universally strong, with each actor bringing depth and nuance to their roles.
The film explores the idea that those left to feel the pain of existence are, paradoxically, the most alive. This theme is handled with sensitivity and insight, showcasing Mortensen's potential as a thoughtful filmmaker.
One of the film's strengths is its refusal to hold the audience's hand. Mortensen trusts viewers to piece together the story themselves, a refreshing approach that elevates the film's intellectual engagement.
This intentional ambiguity forces the audience to stay alert and invested, a testament to Mortensen's confidence in his storytelling abilities.
However, the film is not without its flaws. The non-linear structure, while innovative, can at times be jarring, disrupting the narrative flow and leaving viewers momentarily disoriented.
Additionally, the film's handling of gender roles raises some concerns. The lone female character's arc, involving assault and impregnation, feels underdeveloped and problematic. While it is clear Mortensen did not intend to trivialize these themes, his lack of directorial experience shows in the way this subplot is handled. It underscores the need for a more nuanced and respectful portrayal of women, especially in a setting as complex as the old, hard West.
Despite these shortcomings, "The Dead Don't Hurt" is a commendable first effort from Mortensen. It showcases his potential as a director with a unique vision and a willingness to tackle ambitious projects. With time and experience, Mortensen is sure to refine his craft, and it will be exciting to see how his directorial voice evolves in future works. This film is a promising start, hinting at the great potential that lies ahead for Mortensen in the director's chair.
Back to Black (2024)
Back to Black Fails to Capture Amy Winehouse's True Essence, Succumbing to Sensationalism and Historical Inaccuracies
"Back to Black," the latest biopic on Amy Winehouse, sadly misses the mark. The film, which attempts to chronicle the rise and fall of one of music's most iconic voices, feels disjointed and uneven. Despite a phenomenal performance by Marisa Abela, who embodies Amy with striking accuracy, the film fails to do justice to the artist's complex life.
The portrayal of Amy's husband, Blake Fielder-Civil, is particularly troubling. The film inexplicably paints him in a sympathetic light, glossing over his detrimental influence on Amy. This revisionist approach feels not only misleading but also disrespectful to Amy's memory. It's as if the film is trying to rewrite history in a way that absolves the very people who contributed to her downfall.
The pacing is erratic, with scenes jumping abruptly from one significant event to another without sufficient depth or context. This haphazard storytelling makes it hard to connect with Amy's journey on a meaningful level. It feels more like a string of tabloid headlines than a thoughtful biographical narrative.
While the film focuses heavily on Amy's struggles with addiction, it does so at the expense of exploring her musical genius. The relentless emphasis on her darkest moments reduces her to a tragic figure, overshadowing her incredible talent and the profound impact of her music. The film inadvertently mirrors the exploitative media coverage that haunted Amy throughout her life.
Moreover, the script fails to capture the real Amy Winehouse. It neglects to delve into her personality, her creative process, and the genuine connections she had with the people around her. Instead, it presents a one-dimensional portrayal that feels more like a caricature than a tribute.
Marisa Abela's performance is a beacon in an otherwise flawed film. She brings a semblance of authenticity to her role, capturing Amy's unique mannerisms and stage presence. However, even her impressive portrayal cannot salvage the film from its misguided narrative and shallow execution.
In the end, "Back to Black" is a missed opportunity. It squanders the chance to honor Amy Winehouse's legacy with a thoughtful and respectful portrayal. Instead, it offers a sensationalized and superficial depiction that will leave fans disheartened and those unfamiliar with her story misinformed. For a film about such a vibrant and talented artist, "Back to Black" feels disappointingly lifeless.
Mama Bears (2022)
The World is better with Mama Bears in it
It's a wonderful work, a wonderful art. If the populace, all at once, watched this film together, then the world would instantly be made better, kinder.