ZOO ZERO isn't as hard to decipher as most reviews claim. It's obvious France has been overrun with rabies, and most of the population has been infected. The country looks like it's in ruins, so some kind of apocalyptic fate is at hand. We follow nightclub singer Ava (Played by Catherine Jourdan of THE GIRL ON A MOTORCYCLE (1968) fame) who performs in a club called Noah's Ark, as patrons in animal masks watch her sing a song about an interspecies affair. Stuffed animals decorate the club, and this whole opening sequence brings both CAFÉ FLESH and LIQUID SKY (both 1982) to mind. Before long, Ava is running through the city, howling like an animal, obviously convinced she's a lion or perhaps is actually turning into one (a mention of evolution on a radio broadcast had me convinced people were turning back into animals, but by the end I think they were all just going insane from the rabies). She's looking for a strange man who came to see her sing (Yave, played by Kinski, who also runs the local zoo) and she's eventually picked up in a limo by her dwarf manager and his weirdo driver, who likes to give history lessons as a ventriloquist with a bad looking Donald Duck puppet (if you're not getting excited right now you probably don't like bizarro cinema). As the three drive around, we encounter all kinds of off the wall characters before Ava finally meets up with Yave and they head to the zoo, where they eventually let all the animals loose, I'm guessing to help them reclaim the world we humans have taken from them.
Any way you slice it, ZOO ZERO is a very interesting film, gorgeously shot by the great Bruno Nuytten, who, among his impressive body of work is the mighty POSSESSION (1981). There's also a weird sub-story about Ava being part of a family of ogres (don't ask) in a hilarious sequence were Yvonne (played by famous Italian actress Alida Valli) screams and gives maniacal looks at the cast. So, yeah, if you're into out-there cinema you might want to seek this one out (it's available on YouTube and on DVD, but it easily deserves the Criterion treatment). Add a plus here for Kinski, dressed in a tux and constantly smoking and sipping champagne, speaking only through a keyboard-operated voice projector, making him sound like a 1950s robot.
3 out of 4 found this helpful.
Was this review helpful? Sign in to vote.
Permalink
Tell Your Friends