The trailer really doesn't do justice to Corrin's performance in the series. Her quick--and necessary--transformation from coy and vapid teenager to a scorned, used and resentful powerhouse, what?, in the matter of one scene was breathtaking. Her isolation and pity from the rest of the Royal family created the nightmare that eventually is played out in full display for the public. Her mother-in-law's passive participation in creating all she suffered is both sorrowful and cruel. And the comeuppance that's down the road was more than justified. The fact that Prince Charles is still living and portrayed as the victim he really isn't must be more punishment than is really necessary. But if you're going to make a mini-series of this Royal family, this particular very unhappy chapter--for everyone--can't be ignored. Or...if ignored, it presents an incomplete picture of the fair criticism where such unconditional privilege leads. Emma Corrin knocks this one out of the ballpark.