Directed by
| Prune Nourry | ||
Writing Credits (in alphabetical order)
| Prune Nourry | ||
| Alastair Siddons | ||
Cast
 |
Prune Nourry | ... | Self |
| Agnès Varda | ... | Self | |
Produced by
| Darren Aronofsky | ... | executive producer |
| Alberto Caruana | ... | line producer: New York |
| Mathilde Incerti | ... | co-producer |
| Angelina Jolie | ... | executive producer |
| Prune Nourry | ... | producer |
| Alastair Siddons | ... | producer |
Cinematography by
| Adrien Bertolle | ||
| Franklin Burger | ||
| Roberto De Angelis | ||
Editing by
| Paul Carlin | ||
| Prune Nourry | ||
Sound Department
| Nikola Chapelle | ... | sound mixer: New York Unit |
| Claire Ellis | ... | dialogue editor |
| George Foulgham | ... | re-recording mixer |
| Chad Orororo | ... | sound effects editor |
| Ciaran Smith | ... | foley engineer |
| Tom Verstappen | ... | assistant re-recording mixer |
Visual Effects by
| Allison Brownmoore | ... | design director |
| Chris Caswell | ... | motion graphics designer |
| Mark Wellband | ... | visual effects producer / visual effects producer: molinare vfx |
Camera and Electrical Department
| Timothée Arene | ... | camera operator: New York Unit |
| Hunter Nolan | ... | drone operator |
| Marisa Velez | ... | additional photography: New York Unit |
| Vincent Weiler | ... | additional camera |
Editorial Department
| Sean McMorris | ... | post-production manager: Molinare |
| Ozlem Siva | ... | digital intermediate coordinator |
| Vanessa Taylor | ... | colorist |
| Laurence Thripp | ... | on-line editor |
Music Department
| Gary Welch | ... | music supervisor |
