The director (2014’s “Little Hope Was Arson”) can lay it on thick with the comic scene setups and James Bond-like soundtrack. Then again, this underlines the silliness of Rodney Hyden’s odyssey.
The problem is that for all the ways this story is entertaining as a magazine article or Dateline segment, it’s an awkwardly bloated bore when Love makes the affable, naïve Hyden not just his key interviewee but also his reenactment star.