There’s no doubt that sometimes animated movies manage to capture so much more in their stories than regular ones. Through bright and colorful animated characters, the movie creators usually tell meaningful stories about love, friendship, family values, feelings, and grief.
Somehow these stories manage to reach the deepest strings of the soul, waking up emotions we didn’t know even existed. Recently released Inside Out 2, the second part of one of Pixar's most emotional stories, is exactly a movie that managed to do so – quite literally, in fact.
And if you already rewatched the first part before going to the cinema to watch the new one, but still feel the need to prolong the feeling you got while watching them both, here are 5 more movies for a perfect evening with your family.
1. Up (2009)
There was no way we could have started with anything but this heartfelt film from Pete Docter.
Somehow these stories manage to reach the deepest strings of the soul, waking up emotions we didn’t know even existed. Recently released Inside Out 2, the second part of one of Pixar's most emotional stories, is exactly a movie that managed to do so – quite literally, in fact.
And if you already rewatched the first part before going to the cinema to watch the new one, but still feel the need to prolong the feeling you got while watching them both, here are 5 more movies for a perfect evening with your family.
1. Up (2009)
There was no way we could have started with anything but this heartfelt film from Pete Docter.
- 6/19/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
The American box office needed a win, and my word, did it get one with "Inside Out 2." The latest film from Pixar had a record-breaking weekend, pulling in nearly $295 million globally and marking the best opening weekend ever for an animated film. That number includes $154.2 million domestically, which means director Kelsey Mann now holds the record for the biggest opening weekend ever for a feature directorial debut. In short, it was a home run for Disney and Pixar. It's also one that comes with an important lesson that could easily be ignored by the powers that be: Pixar needs to invest in original ideas now more than ever.
Given the insanely huge opening weekend, positive reviews, and instantly strong word of mouth from audiences, "Inside Out 2" now has a real shot at becoming the biggest movie of 2024 overall and a likely $1 billion global grosser, assuming it doesn't fall...
Given the insanely huge opening weekend, positive reviews, and instantly strong word of mouth from audiences, "Inside Out 2" now has a real shot at becoming the biggest movie of 2024 overall and a likely $1 billion global grosser, assuming it doesn't fall...
- 6/18/2024
- by Ryan Scott
- Slash Film
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Choosing what to watch — and where to stream it — has never been tougher. Along with Max, Hulu, and Netflix, Disney+ has become another major streaming service with a slew of exclusive new releases to stream, from Star Wars universe entries like The Acolyte and The Mandalorian to Marvel movies to Pixar releases like Turning Red.
get disney plus $7.99
But if you’re trying to choose a new plan,...
Choosing what to watch — and where to stream it — has never been tougher. Along with Max, Hulu, and Netflix, Disney+ has become another major streaming service with a slew of exclusive new releases to stream, from Star Wars universe entries like The Acolyte and The Mandalorian to Marvel movies to Pixar releases like Turning Red.
get disney plus $7.99
But if you’re trying to choose a new plan,...
- 6/18/2024
- by John Lonsdale and Oscar Hartzog
- Rollingstone.com
It was a little touch and go during the first couple of years of the pandemic, but it feels relatively safe to say that Pixar is back. Director Kelsey Mann's "Inside Out 2" hit theaters this past weekend and delivered a massive, most welcome boon to the box office with record-breaking $295 million global opening. It ranks as the biggest global opening ever for an animated film. That number includes an estimated $155 million domestically, which is the second-biggest domestic opening for an animated movie ever behind only 2018's "Incredibles 2" ($182.6 million). It also means that Mann has earned his place in cinema history as the film secured another pretty impressive record over the weekend.
While Mann has been working at Pixar for more than a decade, "Inside Out 2" serves as his feature directorial debut. That being the case, that $155 million number is very important as it means Mann now...
While Mann has been working at Pixar for more than a decade, "Inside Out 2" serves as his feature directorial debut. That being the case, that $155 million number is very important as it means Mann now...
- 6/17/2024
- by Ryan Scott
- Slash Film
Despite the emotional turmoil of growing up, it would seem little Riley of the Inside Out flicks is living her best life. She’s certainly bringing a much needed win to Pixar Animation Studios. After what has undeniably been a rough post-covid era for the house of Woody, Buzz, Coco, and so many other beloved animated characters, the return of Amy Poehler’s Joy had no sadness in sight when Inside Out 2 opened to $155 million this past weekend.
Debuting to the second best animated opening day of all-time with $62 million—behind only another Pixar sequel, 2018’s Incredibles 2—the film went on to gross the second best weekend ever in animation, again behind Pixar’s Brad Bird-directed superhero sequel. This debut is also above last year’s animated juggernaut, The Super Mario Bros. Movie. It’s in fact the best opening of any movie since Barbie last July.
The...
Debuting to the second best animated opening day of all-time with $62 million—behind only another Pixar sequel, 2018’s Incredibles 2—the film went on to gross the second best weekend ever in animation, again behind Pixar’s Brad Bird-directed superhero sequel. This debut is also above last year’s animated juggernaut, The Super Mario Bros. Movie. It’s in fact the best opening of any movie since Barbie last July.
The...
- 6/17/2024
- by David Crow
- Den of Geek
Pixar's relationship with the box office has been an emotional rollercoaster ever since the start of the Pandemic. First there was fear, as the beloved animation studio's Soul, Luca, and Turning Red all found themselves releasing exclusively on Disney+ with no theatrical release amidst lockdown. Next there was anxiety, as 2022 cinema comeback Lightyear crawled to an underwhelming $226 million global cume. And then some joy, finally, as Elemental found its box office legs and took nearly $500 million worldwide last year. And now, with the release of Inside Out 2, Pixar have become the Envy of their peers once again as their hotly anticipated sequel has enjoyed a record-breaking opening weekend.
Per Box Office Mojo, director Kelsey Mann's follow-up to Pete Docter's 2016 fan favourite smashed all box office expectations over the weekend, cruising to a cool $155 million taken in North America and a dizzying $295 million total worldwide. Not only...
Per Box Office Mojo, director Kelsey Mann's follow-up to Pete Docter's 2016 fan favourite smashed all box office expectations over the weekend, cruising to a cool $155 million taken in North America and a dizzying $295 million total worldwide. Not only...
- 6/17/2024
- by Jordan King
- Empire - Movies
Inside Out 2 was a litmus test for Pixar and it delivered, grossing a monster $155m estimated bow in North America for the highest opening of the year to date and the second highest three-day launch of all time by an animated film.
After a mighty $140m yield from international markets resulting in a $295m global debut, industry executives will be in a buoyant mood this week at CineEurope. Screen will post a full international report on Monday.
The latest escapades of Joy and her cohorts of core emotions inside the mind of the now adolescent Riley scored the highest...
After a mighty $140m yield from international markets resulting in a $295m global debut, industry executives will be in a buoyant mood this week at CineEurope. Screen will post a full international report on Monday.
The latest escapades of Joy and her cohorts of core emotions inside the mind of the now adolescent Riley scored the highest...
- 6/16/2024
- ScreenDaily
Move over Anxiety, there’s a new dominant emotion at the box office: Joy!
Disney and Pixar’s expressive animated sequel “Inside Out 2” scored a mighty $155 million in its first weekend of release, overtaking “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year. It’s also the first movie since last July’s “Barbie” ($162 million) to debut above $100 million. Heading into the weekend, the follow-up film to 2015’s cerebral hit “Inside Out” was projected to collect $80 million to $90 million.
The second “Inside Out 2” also connected at the international box office with $140 million, enough to surpass “Frozen 2” ($135 million) as the biggest overseas animated opening of all time. Turnout was especially strong across Latin America, where it landed the second-biggest opening of all time behind Disney’s Marvel epic “Avengers: Endgame.” Globally, the movie has grossed $295 million to notch...
Disney and Pixar’s expressive animated sequel “Inside Out 2” scored a mighty $155 million in its first weekend of release, overtaking “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year. It’s also the first movie since last July’s “Barbie” ($162 million) to debut above $100 million. Heading into the weekend, the follow-up film to 2015’s cerebral hit “Inside Out” was projected to collect $80 million to $90 million.
The second “Inside Out 2” also connected at the international box office with $140 million, enough to surpass “Frozen 2” ($135 million) as the biggest overseas animated opening of all time. Turnout was especially strong across Latin America, where it landed the second-biggest opening of all time behind Disney’s Marvel epic “Avengers: Endgame.” Globally, the movie has grossed $295 million to notch...
- 6/16/2024
- by Rebecca Rubin
- Variety Film + TV
Don’t be afraid to catch feelings. Disney and Pixar’s “Inside Out 2” just scored the biggest box office opening day of the year so far, earning a spectacular $62 million across Friday and preview screenings from 4,440 locations. It will have no trouble blasting past the $82.5 million debut earned by “Dune: Part Two” to overtake it as the biggest domestic opening of 2024. It’ll also be the first release to notch a nine-figure domestic opening in nearly 11 months — the last one to get above $100 million was “Barbie” last summer.
It’s a welcome bounce back for Pixar Animation Studios, which has struggled at the box office in recent years after Disney sent films like “Turning Red,” “Soul” and “Luca” directly to Disney+ during the Covid pandemic, a decision that Pixar head (and the director of the original “Inside Out”) Pete Docter says “trained” audiences to watch the studio’s features on streaming.
It’s a welcome bounce back for Pixar Animation Studios, which has struggled at the box office in recent years after Disney sent films like “Turning Red,” “Soul” and “Luca” directly to Disney+ during the Covid pandemic, a decision that Pixar head (and the director of the original “Inside Out”) Pete Docter says “trained” audiences to watch the studio’s features on streaming.
- 6/15/2024
- by J. Kim Murphy
- Variety Film + TV
Editor’s Note: this list was originally published in June 2023. It has since been updated to include Pixar’s latest output.
When you ask someone about their favorite Pixar film, the answer usually says less about the movie than it does about the person. The legendary animation studio has remained at the top of its game for years because of how its films use their big high-concept ideas to explore fundamental truths. A comedy about talking toys becomes a story about friendship and growing up; a kid’s movie about fish becomes an emotional tale of fatherhood; a film about a rat that likes to cook becomes a sneakily profound story about the nature of art and inspiration. The movies become very personal to each viewer, especially for those who’ve grown up with Pixar’s work and have seen its releases serve as milestones in their lives.
That said,...
When you ask someone about their favorite Pixar film, the answer usually says less about the movie than it does about the person. The legendary animation studio has remained at the top of its game for years because of how its films use their big high-concept ideas to explore fundamental truths. A comedy about talking toys becomes a story about friendship and growing up; a kid’s movie about fish becomes an emotional tale of fatherhood; a film about a rat that likes to cook becomes a sneakily profound story about the nature of art and inspiration. The movies become very personal to each viewer, especially for those who’ve grown up with Pixar’s work and have seen its releases serve as milestones in their lives.
That said,...
- 6/14/2024
- by Wilson Chapman
- Indiewire
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Pixar Animation often brings in some of the best voice talent in the business for the animated features, even if it's just for bit parts. For example, the original "Inside Out" featured the voices of Frank Oz and Dave Goelz as a pair of bickering subconscious guards inside Riley's mind. Oz is probably best known for bringing life to Yoda in the "Star Wars" saga, but he was also behind beloved Muppets like Fozzie Bear and Miss Piggy, as well as "Sesame Street" characters like Grover and Bert. Meanwhile, Goelz is known for playing Gonzo and Dr. Bunsen Honeydew in various Muppets productions over the years. Both of them return with small parts as Mind Cops in "Inside Out 2," and if director Kelsey Mann had his way, there would have been one more legendary contribution to "Sesame Street" and the Muppets making an appearance.
Pixar Animation often brings in some of the best voice talent in the business for the animated features, even if it's just for bit parts. For example, the original "Inside Out" featured the voices of Frank Oz and Dave Goelz as a pair of bickering subconscious guards inside Riley's mind. Oz is probably best known for bringing life to Yoda in the "Star Wars" saga, but he was also behind beloved Muppets like Fozzie Bear and Miss Piggy, as well as "Sesame Street" characters like Grover and Bert. Meanwhile, Goelz is known for playing Gonzo and Dr. Bunsen Honeydew in various Muppets productions over the years. Both of them return with small parts as Mind Cops in "Inside Out 2," and if director Kelsey Mann had his way, there would have been one more legendary contribution to "Sesame Street" and the Muppets making an appearance.
- 6/14/2024
- by Ethan Anderton
- Slash Film
Move out of the way, Sadness: “Inside Out 2” just scored the biggest box office previews of 2024.
Disney and Pixar’s latest animated outing grossed $13 million in Thursday previews domestically, plus $22.3 million internationally. The family-friendly sequel is projected to launch between $80 million and $90 million this weekend.
A debut on the higher end would give “Inside Out 2” the biggest opening of the year. Warner Bros. currently holds the top two spots of 2024 with “Dune: Part Two” at $82.5 million and “Godzilla x Kong: The New Empire” at $80 million.
For reference, “Inside Out 2’s” $13 million in domestic box office previews outpaced last year’s “The Little Mermaid” ($10.3 million), “Minions: The Rise of Gru” ($10.8 million) and “Toy Story 4” ($12 million). It falls a bit short of recent animated superhero sequels like “Spider-Man: Across the Spider-Verse” ($17.4 million) and “Incredibles 2” ($18.5 million).
Outside of the U.S. and Canada, “Inside Out 2” did particularly well in Mexico,...
Disney and Pixar’s latest animated outing grossed $13 million in Thursday previews domestically, plus $22.3 million internationally. The family-friendly sequel is projected to launch between $80 million and $90 million this weekend.
A debut on the higher end would give “Inside Out 2” the biggest opening of the year. Warner Bros. currently holds the top two spots of 2024 with “Dune: Part Two” at $82.5 million and “Godzilla x Kong: The New Empire” at $80 million.
For reference, “Inside Out 2’s” $13 million in domestic box office previews outpaced last year’s “The Little Mermaid” ($10.3 million), “Minions: The Rise of Gru” ($10.8 million) and “Toy Story 4” ($12 million). It falls a bit short of recent animated superhero sequels like “Spider-Man: Across the Spider-Verse” ($17.4 million) and “Incredibles 2” ($18.5 million).
Outside of the U.S. and Canada, “Inside Out 2” did particularly well in Mexico,...
- 6/14/2024
- by Ethan Shanfeld and Jordan Moreau
- Variety Film + TV
Pixar is relying on Inside Out 2 to dig them it of a creative rut – but is it even in one in the first place?
Pete Docter, the director behind some of Pixar’s most beloved hits is excited for the animation studio’s future. Not, though, for the reasons you might expect.
“I’ve been at Pixar for 33 years, and I don’t think we’ve ever been in a period of more turmoil and uncertainty than right now, which is kind of exciting,” the chief creative officer told Entertainment Weekly. It’s hard at first to disagree: Pixar arguably hasn’t had an industry-approved “hit” since Toy Story 4.
All hopes, then, are pinned on Inside Out 2. The studio’s first dyed-in-the-wool sequel since 2019, the follow-up to one of the most acclaimed animated films of the 21st century has already gotten stellar reviews. It’s tracking towards one of,...
Pete Docter, the director behind some of Pixar’s most beloved hits is excited for the animation studio’s future. Not, though, for the reasons you might expect.
“I’ve been at Pixar for 33 years, and I don’t think we’ve ever been in a period of more turmoil and uncertainty than right now, which is kind of exciting,” the chief creative officer told Entertainment Weekly. It’s hard at first to disagree: Pixar arguably hasn’t had an industry-approved “hit” since Toy Story 4.
All hopes, then, are pinned on Inside Out 2. The studio’s first dyed-in-the-wool sequel since 2019, the follow-up to one of the most acclaimed animated films of the 21st century has already gotten stellar reviews. It’s tracking towards one of,...
- 6/14/2024
- by James Harvey
- Film Stories
Well, now we’re in “prime” Summer movie season mode as one of the big “crowd-pleasing” studios drops its 28th feature film into the multiplexes this weekend. Oh, and it is truly animated with eye-popping visuals and splendid imaginative designs. And after the animal stars dominating the cartoon landscape this year with Kung Fu Panda and Garfield, we’re focusing on a human being, Well, mostly what’s going on in this teenager’s head, so we’re revisiting a set of creatures based on emotions and meeting a bunch of new “feelings”. Of course, I’m speaking of Pixar, who have decided to produce a sequel to a much-admired Oscar-winning 2015 “dramedy/fantasy”, after several interesting original flicks like Soul, Turning Red, and Elemental (so don’t think they’re just exploiting their “IP”). Yes, it’s been nine years, but animation can “tweak” time, so it’s only been...
- 6/14/2024
- by Jim Batts
- WeAreMovieGeeks.com
There was a time when Pixar could do no wrong. As a result, everyone was shocked when Toy Story spin-off Lightyear underperformed, though that did come after former Disney CEO Bob Chapek made the controversial decision to dump titles like Luca, Soul, and Turning Red on Disney+ during the pandemic.
Elemental struggled at the box office last year (even if it managed to shake off "flop" status once its theatrical run concluded) and all eyes are on Inside Out 2 to now "save" Pixar.
The sequel is currently eyeing a $135 million global debut and early reviews could help it exceed expectations at the box office.
As we write this, the Inside Out follow-up sits at 92% on Rotten Tomatoes with 114 reviews counted. According to the Critics Consensus, "Spicing things up with the wrinkle of teenage angst, Inside Out 2 clears the head and warms the heart by living up to its predecessor's emotional intelligence.
Elemental struggled at the box office last year (even if it managed to shake off "flop" status once its theatrical run concluded) and all eyes are on Inside Out 2 to now "save" Pixar.
The sequel is currently eyeing a $135 million global debut and early reviews could help it exceed expectations at the box office.
As we write this, the Inside Out follow-up sits at 92% on Rotten Tomatoes with 114 reviews counted. According to the Critics Consensus, "Spicing things up with the wrinkle of teenage angst, Inside Out 2 clears the head and warms the heart by living up to its predecessor's emotional intelligence.
- 6/13/2024
- ComicBookMovie.com
As footage from DreamWorks Animation’s fall feature The Wild Robot screened at the Annecy Animation Festival in France this week, big laughs — and later, audible sniffling — could be heard throughout the packed auditorium. With a passionate standing ovation immediately breaking out after the final scene, the audience reaction was a vote of confidence for the project that features the voice talents of Lupita Nyong’o and Pedro Pascal and hails from director Chris Sanders.
Two days from now, Pixar’s Inside Out 2 — the sequel to the $850 million-grossing 2015 film — screens at Annecy on the same day it hit theaters nationwide. Box office tracking see it poised for a solid box office bow potentially north of $80 million, with The Hollywood Reporter’s review calling the film “a home run.”
It’s all part of a week bringing some much-needed rays of hope to the world of animation, a space that has been battered by layoffs,...
Two days from now, Pixar’s Inside Out 2 — the sequel to the $850 million-grossing 2015 film — screens at Annecy on the same day it hit theaters nationwide. Box office tracking see it poised for a solid box office bow potentially north of $80 million, with The Hollywood Reporter’s review calling the film “a home run.”
It’s all part of a week bringing some much-needed rays of hope to the world of animation, a space that has been battered by layoffs,...
- 6/12/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
The pandemic couldn’t have come at a worse time for Pixar. The fading animation powerhouse emerged from a decade of creative misfires and middling sequels just to have two of their most personal films in forever — Enrico Casarosa’s “Luca” and Domee Shi’s “Turning Red” — dumped onto Disney+, further diluting the brand by retraining audiences to think of Pixar as just another content provider. “Lightyear” was supposed to be the silver bullet that got the studio back on track as the cartoon kings of the summer box office, but the ill-conceived “Toy Story” spinoff only confirmed that Luxo Jr. had lost his luster. Meanwhile, last year’s equally unsatisfying “Elemental” stumbled out of the gate in a way that took the shine off its slow-burn commercial success.
Faced with its first bonafide identity crisis, Pixar decided it would pivot away from original visions in favor of slam-dunk sequels,...
Faced with its first bonafide identity crisis, Pixar decided it would pivot away from original visions in favor of slam-dunk sequels,...
- 6/12/2024
- by David Ehrlich
- Indiewire
We’re back in Riley’s head as she faces puberty, but can Pixar repeat the success of the first film? Find out in our Inside Out 2 review.
Inside Out might be the best Pixar film ever made. Heck, it might even be one of the best films ever made. Pete Docter’s 2015 animation managed to somehow make those pesky feelings and voices inside our heads accessible and easy to understand for both children and adults. Its central message – you need all your emotions, none of them are bad – felt almost groundbreaking because no one had said it out loud before. At least, not with this much charm and honesty.
When Inside Out 2 was announced, you could almost hear the collective groan let out by fans. We didn’t need – or want – another Inside Out, because frankly, how could it ever match the magic of the first one?...
Inside Out might be the best Pixar film ever made. Heck, it might even be one of the best films ever made. Pete Docter’s 2015 animation managed to somehow make those pesky feelings and voices inside our heads accessible and easy to understand for both children and adults. Its central message – you need all your emotions, none of them are bad – felt almost groundbreaking because no one had said it out loud before. At least, not with this much charm and honesty.
When Inside Out 2 was announced, you could almost hear the collective groan let out by fans. We didn’t need – or want – another Inside Out, because frankly, how could it ever match the magic of the first one?...
- 6/12/2024
- by Maria Lattila
- Film Stories
Lost Touch with Box Office Success Pixar hasn’t seen a bonafide hit since Toy Story 4 in 2019. The studio’s recent releases, such as the “Toy Story” spinoff “Lightyear,” “Turning Red,” and “Luca,” failed to resonate at the box office despite keeping Pixar’s signature heart and humor intact. A Shift from Streaming Back to Theaters Initially pivoting to streaming platforms, Pixar is now shifting focus back to traditional theatrical releases. This change comes after observing the success of films like NBCUniversal/Illumination’s Sing 2, which demonstrated strong box office performance. According to a source, an animated feature must crack $100 million...
- 6/12/2024
- by Steve Delikson
- TVovermind.com
“Inside Out 2” should evoke an emotion that Pixar hasn’t felt about the box office in years: Joy.
The follow-up film to 2015’s cerebral hit “Inside Out” is estimated to score a stellar $80 million to $90 million in its box office debut. If projections hold, it’ll overtake “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year.
As this weekend’s only new nationwide release, it’ll have no trouble taking the box office crown from the prior champion, “Bad Boys: Ride or Die.” The fourth installment in Sony’s buddy-cop comedy, starring Will Smith and Martin Lawrence, launched over the weekend with $56.5 million and should add roughly $28 million in its sophomore outing.
“Inside Out 2” also looks to snap Pixar’s recent cold streak following last summer’s “Elemental” (which scored the worst start in Pixar’s modern history...
The follow-up film to 2015’s cerebral hit “Inside Out” is estimated to score a stellar $80 million to $90 million in its box office debut. If projections hold, it’ll overtake “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year.
As this weekend’s only new nationwide release, it’ll have no trouble taking the box office crown from the prior champion, “Bad Boys: Ride or Die.” The fourth installment in Sony’s buddy-cop comedy, starring Will Smith and Martin Lawrence, launched over the weekend with $56.5 million and should add roughly $28 million in its sophomore outing.
“Inside Out 2” also looks to snap Pixar’s recent cold streak following last summer’s “Elemental” (which scored the worst start in Pixar’s modern history...
- 6/11/2024
- by Rebecca Rubin
- Variety Film + TV
First reactions to Pixar’s Inside Out 2 are here and critics are already projecting mixed feelings toward the sequel. The 2015 film emerged as a box office success accompanied by high praise for its unique and heartfelt storytelling.
Pixar’s Inside Out 2 / Walt Disney Studios
The second movie is yet to arrive in theaters, but fans are already managing their expectations after the streak of flopped movies released by Pixar over the past few years. The studio hasn’t produced a hit since 2019’s Toy Story 4, which earned over a billion dollars worldwide.
Inside Out 2 Still Hits The Spot But May Not Be A Massive Win For Pixar
An early review from industry insider Brandon Davis revealed Pixar’s Inside Out 2 is as entertaining as the first one, but it somehow lacked the elements that made the 2015 film one of a kind.
Inside Out 2 is quite fantastic.
Pixar’s Inside Out 2 / Walt Disney Studios
The second movie is yet to arrive in theaters, but fans are already managing their expectations after the streak of flopped movies released by Pixar over the past few years. The studio hasn’t produced a hit since 2019’s Toy Story 4, which earned over a billion dollars worldwide.
Inside Out 2 Still Hits The Spot But May Not Be A Massive Win For Pixar
An early review from industry insider Brandon Davis revealed Pixar’s Inside Out 2 is as entertaining as the first one, but it somehow lacked the elements that made the 2015 film one of a kind.
Inside Out 2 is quite fantastic.
- 6/11/2024
- by Ariane Cruz
- FandomWire
It's been a difficult few years for Pixar. During the pandemic, former Disney CEO Bob Chapek decided to drop movies like Soul, Luca, and Turning Red on Disney+, creating the impression that its films were only fit for streaming before Lightyear underperformed at the box office.
Last year, Elemental was quickly written off as a "flop" before proving it had legs (ultimately grossing shy of $500 million), so the pressure is on this weekend's Inside Out 2 to deliver and prove there's still plenty of life left in the studio beyond Toy Story.
Following the sequel's premiere yesterday evening, the first social media reactions are in and they're overwhelmingly positive. As you'll see below, it sounds just as good - if not better - than its 2015 predecessor.
These come just days after Fandango revealed that Inside Out 2 has surpassed the first movie's advance ticket sales, becoming the highest ticket pre-seller...
Last year, Elemental was quickly written off as a "flop" before proving it had legs (ultimately grossing shy of $500 million), so the pressure is on this weekend's Inside Out 2 to deliver and prove there's still plenty of life left in the studio beyond Toy Story.
Following the sequel's premiere yesterday evening, the first social media reactions are in and they're overwhelmingly positive. As you'll see below, it sounds just as good - if not better - than its 2015 predecessor.
These come just days after Fandango revealed that Inside Out 2 has surpassed the first movie's advance ticket sales, becoming the highest ticket pre-seller...
- 6/11/2024
- ComicBookMovie.com
Pixar’s 2016 Oscar winner “Inside Out” had a dazzling look from the glow of emotions such as Amy Poehler’s Joy to the colorful Islands of Personality to the darkness of the Memory Dump or bleakness of Abstract Thought. Now, as the studio prepares for the June 14 release of “Inside Out 2,” Disney/Pixar is rendering a version of the movie in high dynamic range—providing the filmmakers expanded contrast and luminance in telling the story, which revisits the world inside “Headquarters.”
This version will play in a limited number of cinemas worldwide that are equipped with certified Hdr-capable direct view displays, meaning cinema auditoriums with LED displays rather than traditional theatrical projection systems.
“We’re very excited in general about the future of cinema, as it relates to opportunities for storytelling,” Pixar’s senior scientist Dominic Glynn says, explaining that Pixar is exploring the potential of all types of cinema systems,...
This version will play in a limited number of cinemas worldwide that are equipped with certified Hdr-capable direct view displays, meaning cinema auditoriums with LED displays rather than traditional theatrical projection systems.
“We’re very excited in general about the future of cinema, as it relates to opportunities for storytelling,” Pixar’s senior scientist Dominic Glynn says, explaining that Pixar is exploring the potential of all types of cinema systems,...
- 6/11/2024
- by Carolyn Giardina
- Variety Film + TV
Pixar has been one of the premiere names in animation ever since the first "Toy Story" released in 1995, changing the game forever. Disney's beloved animation company was also one of the true Hollywood box office titans, with pretty much everything Pixar touched turning to gold, though "The Good Dinosaur" serves as a rare exception to the rule. Unfortunately, the pandemic changed all of that, and Pixar has had a rough time recovering, with "Lightyear" bombing badly after several of the studio's originals went straight to Disney+. "Inside Out 2" aims to change the narrative next weekend and bring the studio back to its dominant place at the top of the box office charts.
Director Kelsey Mann's sequel is currently eyeing an opening weekend in the $75 to $94 million range, per Box Office Theory. Even on the low end, that would be an exceptional start for the film. Nine years ago,...
Director Kelsey Mann's sequel is currently eyeing an opening weekend in the $75 to $94 million range, per Box Office Theory. Even on the low end, that would be an exceptional start for the film. Nine years ago,...
- 6/7/2024
- by Ryan Scott
- Slash Film
Disney recently announced a drastic change in direction with their future films, and fans are not happy about it. What is the studio doing, and what do fans have to say about it?
It Doesn’t Get Much Bigger Than Disney
Disney is one of the most recognized brands today, as the studio has been entertaining children and families for generations. It’s not just the films and the theme parks themselves, or even about the impressive numbers. When it comes to Disney and everything they produce, it’s also about the influence on popular culture, and how that impacts so many.
Disney has also made some big-money moves in recent years that continue to pay dividends. One of their biggest was buying Marvel Entertainment for $4B in 2009, bringing the entire MCU with them in the process, as well as bringing in the crowds with all of the MCU hits since.
It Doesn’t Get Much Bigger Than Disney
Disney is one of the most recognized brands today, as the studio has been entertaining children and families for generations. It’s not just the films and the theme parks themselves, or even about the impressive numbers. When it comes to Disney and everything they produce, it’s also about the influence on popular culture, and how that impacts so many.
Disney has also made some big-money moves in recent years that continue to pay dividends. One of their biggest was buying Marvel Entertainment for $4B in 2009, bringing the entire MCU with them in the process, as well as bringing in the crowds with all of the MCU hits since.
- 6/4/2024
- by Evan Morgan
- TV Shows Ace
Pixar isn’t pulling any punches when its new film, Inside Out 2, comes to cinemas on June 14. At a time when films come to digital and streaming services alarmingly fast, Pixar says Inside Out 2 will get an extended theatrical run in favor of being rushed to Disney+ shortly after release.
Speaking with Bloomberg, Pixar president Jim Morris says Inside Out 2 is playing in theaters for at least 100 days. “I hope that we will not release another feature film on Disney+,” Morris explained. “If we do more stuff for Disney+, it should be a series, and then that makes a clean demarcation between what we do for theaters and what we do for streaming.”
Pixar found varying success with several of its most recent films, including Soul, Luca, Turning Red, Lightyear, and Elemental. The studio’s biggest releases underperformed theatrically, mostly due to the pandemic, except Elemental, which...
Speaking with Bloomberg, Pixar president Jim Morris says Inside Out 2 is playing in theaters for at least 100 days. “I hope that we will not release another feature film on Disney+,” Morris explained. “If we do more stuff for Disney+, it should be a series, and then that makes a clean demarcation between what we do for theaters and what we do for streaming.”
Pixar found varying success with several of its most recent films, including Soul, Luca, Turning Red, Lightyear, and Elemental. The studio’s biggest releases underperformed theatrically, mostly due to the pandemic, except Elemental, which...
- 6/3/2024
- by Steve Seigh
- JoBlo.com
Disney seems to be in the mood to bring back their audiences to the cinema. Their next animated film from Pixar Inside Out 2 is reportedly all set to have an exclusive 100-day theatrical window before it debuts on streaming. The president of Pixar recently mentioned that the company wants to re-train audiences from expecting the films at home sooner.
This would be the highest theatrical window for Pixar in the recent past as their post-pandemic releases Lightyear and Elemental had shorter windows. The animation studio released three of their most anticipated films on Disney Plus during the pandemic, which they reportedly hope to move away from.
Disney Confirms A 100-Day Theatrical Window For Inside Out 2 A still from Inside Out 2 | Credits: Pixar Animation Studios
Almost a decade after the successful original, Disney is all set to release Pixar’s Inside Out 2 on June 14. The film sees...
This would be the highest theatrical window for Pixar in the recent past as their post-pandemic releases Lightyear and Elemental had shorter windows. The animation studio released three of their most anticipated films on Disney Plus during the pandemic, which they reportedly hope to move away from.
Disney Confirms A 100-Day Theatrical Window For Inside Out 2 A still from Inside Out 2 | Credits: Pixar Animation Studios
Almost a decade after the successful original, Disney is all set to release Pixar’s Inside Out 2 on June 14. The film sees...
- 6/3/2024
- by Nishanth A
- FandomWire
Pixar’s focus is now on two words: “IP” and “Franchise.” The company that was once known for new and creative ideas is now finding ways to make more IP sequels or come up with “franchise seeds,” according to Pixar’s president, Jim Morris.
In an interview with Bloomberg, Morris discussed Pixar’s new focus of making three new films every two years instead of one film a year. Those three films will have two sequels or spinoffs and only one new concept that will be used as “potential seeds for new franchises.”
It isn’t about creating ideas that are just good films anymore. It’s about franchising everything for Disney.
Pixar did incredibly well for years, and then when John Lasseter left, it seemed to nosedive.
While some of their newer films aren’t as good as older ones, they still aren’t terrible. “Turning Red,” “Luca,” and...
In an interview with Bloomberg, Morris discussed Pixar’s new focus of making three new films every two years instead of one film a year. Those three films will have two sequels or spinoffs and only one new concept that will be used as “potential seeds for new franchises.”
It isn’t about creating ideas that are just good films anymore. It’s about franchising everything for Disney.
Pixar did incredibly well for years, and then when John Lasseter left, it seemed to nosedive.
While some of their newer films aren’t as good as older ones, they still aren’t terrible. “Turning Red,” “Luca,” and...
- 6/2/2024
- by Kambrea Pratt
- Pirates & Princesses
If anyone’s created any animated magic in the West, it’s Disney and Pixar. Although connected since 2006 (Pixar started off as an independent studio before being acquired by Disney), the two studios have had different policies for a while, but while they still release films somewhat independently, a balance has been found and it is now more difficult to tell a Disney production from a Pixar one; two decades ago, which is not t along, it was very easy to do. But, regardless of the magic and the historical importance, both studios have been struggling for a while now in the financial sense. Workers have been laid off, projects have been put on hold and their overall number has been reduced, while those that have been released are not doing that well at the box office.
This is an issue for both Disney and Pixar in general as the...
This is an issue for both Disney and Pixar in general as the...
- 6/1/2024
- by Arthur S. Poe
- Fiction Horizon
Counter-clockwise from top left: Martin Lawrence, Will Smith; Emma Stone, Jesse Plemons; Kevin Costner; Dakota Fanning, Olwen Fouéré; Richard Roundtree, June Squibb; Russell Crowe
Photo: Frank Masi (Sony Pictures Entertainment), Atsushi Nishijima (Searchlight Pictures), Warner Bros. Pictures, Magnolia Pictures, Vertical
The summer movie season is here, and it’s in rough shape.
Photo: Frank Masi (Sony Pictures Entertainment), Atsushi Nishijima (Searchlight Pictures), Warner Bros. Pictures, Magnolia Pictures, Vertical
The summer movie season is here, and it’s in rough shape.
- 5/29/2024
- by Matt Schimkowitz
- avclub.com
Aloha, Moana. (The hello kind.)
Disney released a teaser trailer (below) for “Moana 2” on May 29. Our princess of Motunui is still out there voyaging, still drumming with her dead ancestors, still battling coconuts — it honestly just looks like additional “Moana” footage. That’s not automatically a bad thing. Also, it’s not yet the trailer trailer, so we’ll cut it a break — especially considering the feature film’s own origin story.
“Moana 2” was originally planned as a Disney+ series. Well, upgrade. Now a proper sequel, “Moana 2” welcomes back Auli’i Cravalho (as Moana), Dwayne Johnson as Maui, Nicole Scherzinger as Sina, and Temuera Morrison as Chief Tai.
Also an “upgrade” is Maui’s “boat snack” — the pig, Pua, has joined Heihei the chicken on Moana’s boat. Johnson gets the big joke of the teaser trailer: “Bacon and eggs!?! Why didn’t you bring the pig last time?...
Disney released a teaser trailer (below) for “Moana 2” on May 29. Our princess of Motunui is still out there voyaging, still drumming with her dead ancestors, still battling coconuts — it honestly just looks like additional “Moana” footage. That’s not automatically a bad thing. Also, it’s not yet the trailer trailer, so we’ll cut it a break — especially considering the feature film’s own origin story.
“Moana 2” was originally planned as a Disney+ series. Well, upgrade. Now a proper sequel, “Moana 2” welcomes back Auli’i Cravalho (as Moana), Dwayne Johnson as Maui, Nicole Scherzinger as Sina, and Temuera Morrison as Chief Tai.
Also an “upgrade” is Maui’s “boat snack” — the pig, Pua, has joined Heihei the chicken on Moana’s boat. Johnson gets the big joke of the teaser trailer: “Bacon and eggs!?! Why didn’t you bring the pig last time?...
- 5/29/2024
- by Tony Maglio
- Indiewire
Disney is culling some of its Pixar staff. The layoffs have been looming since January, as Disney’s CEO, Bob Iger, wants to cut spending and return to quality over quantity. Now, 14% of Pixar’s staff, or about 150 people, will be let go.
According to The Hollywood Reporter, Pixar was mostly spared from the Disney purge last year, during which thousands of jobs were cut, mostly in entertainment. Now that projects have finished, Disney is making cuts.
Recent Pixar films have not performed well, except “Elemental.” While a few films like “Luca” and “Turning Red” were released on the DIsney+ streaming service due to the pandemic, “Lightyear” was given the full theatrical treatment, and it bombed, losing an estimated $106 million.
When the pandemic started in 2020, Pixar films, starting with “Soul,” were only released on Disney+. Even when theaters were reopening, Disney still chose to put Pixar releases on the streaming service.
According to The Hollywood Reporter, Pixar was mostly spared from the Disney purge last year, during which thousands of jobs were cut, mostly in entertainment. Now that projects have finished, Disney is making cuts.
Recent Pixar films have not performed well, except “Elemental.” While a few films like “Luca” and “Turning Red” were released on the DIsney+ streaming service due to the pandemic, “Lightyear” was given the full theatrical treatment, and it bombed, losing an estimated $106 million.
When the pandemic started in 2020, Pixar films, starting with “Soul,” were only released on Disney+. Even when theaters were reopening, Disney still chose to put Pixar releases on the streaming service.
- 5/21/2024
- by Kambrea Pratt
- Pirates & Princesses
Pixar was hit with layoffs on Tuesday as approximately 175 employees, or 14% of its workforce, were let go.
In a note to staff, Pixar president Jim Morris said that individuals who have been impacted by the layoffs will be notified on Tuesday. “Calendar invites to speak with a leader have already gone out to those individuals, and we anticipate we will have connected with everyone impacted by the end of the day,” he wrote.
Pixar employees have been bracing for layoffs since January, but cuts were smaller than the speculated 20% reduction that was reported at the time.
Once considered the gold standard of family films, Pixar has been struggling since the pandemic when its corporate overlords at Disney used the pedigree of the animation brand to prop up its new streaming service. During that period, new offerings “Soul,” “Luca” and “Turning Red” were sent directly to Disney+ and family audiences became...
In a note to staff, Pixar president Jim Morris said that individuals who have been impacted by the layoffs will be notified on Tuesday. “Calendar invites to speak with a leader have already gone out to those individuals, and we anticipate we will have connected with everyone impacted by the end of the day,” he wrote.
Pixar employees have been bracing for layoffs since January, but cuts were smaller than the speculated 20% reduction that was reported at the time.
Once considered the gold standard of family films, Pixar has been struggling since the pandemic when its corporate overlords at Disney used the pedigree of the animation brand to prop up its new streaming service. During that period, new offerings “Soul,” “Luca” and “Turning Red” were sent directly to Disney+ and family audiences became...
- 5/21/2024
- by Rebecca Rubin
- Variety Film + TV
The long-expected layoffs at Pixar Animation Studios have begun.
Today, leadership at the storied company that traces it origins to the late Steve Jobs and was bought by Disney in 2006 will notify employees of the reductions, The Hollywood Reporter has learned. It is the biggest restructuring in Pixar’s history, although top leadership isn’t impacted.
Approximately 14 percent of Pixar’s workforce, or around 175 employees, will be let go. Before the reductions, approximately 1,300 people worked at the animation studio.
The layoffs are part of Disney chief Bob Iger’s overarching mandate to return to a focus on quality, versus churning out content for streaming which was a priority for his sort-lived successor, Bob Chapek. Disney execs have talked about returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin in the arms race to feed streamers.
Pixar employees...
Today, leadership at the storied company that traces it origins to the late Steve Jobs and was bought by Disney in 2006 will notify employees of the reductions, The Hollywood Reporter has learned. It is the biggest restructuring in Pixar’s history, although top leadership isn’t impacted.
Approximately 14 percent of Pixar’s workforce, or around 175 employees, will be let go. Before the reductions, approximately 1,300 people worked at the animation studio.
The layoffs are part of Disney chief Bob Iger’s overarching mandate to return to a focus on quality, versus churning out content for streaming which was a priority for his sort-lived successor, Bob Chapek. Disney execs have talked about returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin in the arms race to feed streamers.
Pixar employees...
- 5/21/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
For years many fans of Pixar films have become familiar with a particular voice in their movies. That voice is actor and comedian John Ratzenberger. While many growing up in the 1980s remember him as Cliff Calvin on the popular sitcom Cheers, children from the mid-1990s to the late 2010s have heard his voice in other places.
Starting in the 1995 animated film Toy Story as Hamm the piggy bank, the actor went on to appear in 23 films for the animation studio. He was P.T. Flea in A Bug’s Life, Yeti in Monsters Inc., The Underminer in The Incredibles, Mack the Truck in Cars, and many more. In essence he became the Stan Lee of Pixar.
However, in recent years, he has been noticeably absent. His last vocal appearance was in 2020’s Onward as Fennwick the Cyclops. There was apparently a cameo in 2020’s Soul, but it was more...
Starting in the 1995 animated film Toy Story as Hamm the piggy bank, the actor went on to appear in 23 films for the animation studio. He was P.T. Flea in A Bug’s Life, Yeti in Monsters Inc., The Underminer in The Incredibles, Mack the Truck in Cars, and many more. In essence he became the Stan Lee of Pixar.
However, in recent years, he has been noticeably absent. His last vocal appearance was in 2020’s Onward as Fennwick the Cyclops. There was apparently a cameo in 2020’s Soul, but it was more...
- 5/18/2024
- by Mr. Milo
- Pirates & Princesses
Tickets went on sale for Disney and Pixar's Inside Out 2 earlier today, and we're now just one month away from watching the long-awaited sequel to the 2015 hit movie. This follow-up will welcome different Emotions to now-teenager Riley's mind, and a newly released clip shows the returning fan favourites getting acquainted with Anxiety.
Earlier this year, director Kelsey Mann promised Anxiety is going to stir things up within headquarters. "Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat. That makes a lot of sense if you think about it in terms of what goes on inside all our minds."
Pixar has also shared some new posters for the movie featuring a mix of characters and we'd guess that one final trailer will head our way in the coming weeks.
The studio has struggled since the pandemic,...
Earlier this year, director Kelsey Mann promised Anxiety is going to stir things up within headquarters. "Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat. That makes a lot of sense if you think about it in terms of what goes on inside all our minds."
Pixar has also shared some new posters for the movie featuring a mix of characters and we'd guess that one final trailer will head our way in the coming weeks.
The studio has struggled since the pandemic,...
- 5/15/2024
- ComicBookMovie.com
Bob Iger wants you to marvel more at his Marvel films and series. To make them better, he’s making fewer.
On Tuesday, the Disney CEO said Marvel is going to decrease its volume to “probably about two TV series a year” and 2-3 movies annually.
“We’ve been working hard with the studio to reduce output and focus on quality,” Iger said on Disney’s fiscal second quarter (Q2) earnings call. “That’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four, and reduce our film output from maybe four a year to two— a maximum of three,” he continued.
Cool, so what you got? Iger said Marvel has “a couple of good films in [2025], and then we’re heading to more ‘Avengers,’ which we’re extremely excited about.”
He says...
On Tuesday, the Disney CEO said Marvel is going to decrease its volume to “probably about two TV series a year” and 2-3 movies annually.
“We’ve been working hard with the studio to reduce output and focus on quality,” Iger said on Disney’s fiscal second quarter (Q2) earnings call. “That’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four, and reduce our film output from maybe four a year to two— a maximum of three,” he continued.
Cool, so what you got? Iger said Marvel has “a couple of good films in [2025], and then we’re heading to more ‘Avengers,’ which we’re extremely excited about.”
He says...
- 5/7/2024
- by Tony Maglio
- Indiewire
Disney+ is back on a growth trajectory, thank goodness. Even better? Disney+ is darn close to actually making money.
After an October 2023 price hike, the core Disney+ service lost 1.3 million subscribers. Not this time. From January-March 2024, it added 6.3 million subscribers — and its Arpu (average revenue per user) increased by 44 cents. Disney+ now has 117.6 million subs, not counting Disney+ Hotstar. More than half of those are outside of the U.S. and Canada.
In February, Disney predicted Disney+ (again not counting Hotstar) would add between 5.5 and 6 million subs from January to March. Underpromise/overdeliver: always a solid strategy in business.
Disney’s direct-to-consumer (Dtc) business lost just $18 million in the quarter, which for the company is its fiscal second quarter of 2024. Last quarter, the loss was $138 million. Disney CEO Bob Iger has previously said Disney+ will be profitable by the final quarter of the company’s fiscal-year 2024 — so, by September 30, 2024 — a timeline he reiterated on Tuesday.
After an October 2023 price hike, the core Disney+ service lost 1.3 million subscribers. Not this time. From January-March 2024, it added 6.3 million subscribers — and its Arpu (average revenue per user) increased by 44 cents. Disney+ now has 117.6 million subs, not counting Disney+ Hotstar. More than half of those are outside of the U.S. and Canada.
In February, Disney predicted Disney+ (again not counting Hotstar) would add between 5.5 and 6 million subs from January to March. Underpromise/overdeliver: always a solid strategy in business.
Disney’s direct-to-consumer (Dtc) business lost just $18 million in the quarter, which for the company is its fiscal second quarter of 2024. Last quarter, the loss was $138 million. Disney CEO Bob Iger has previously said Disney+ will be profitable by the final quarter of the company’s fiscal-year 2024 — so, by September 30, 2024 — a timeline he reiterated on Tuesday.
- 5/7/2024
- by Tony Maglio
- Indiewire
Pixar fans who have already been there for a while are aware of the company’s love for Easter eggs and small and sometimes even hardly noticeable plot details that are in fact direct references to Pixar’s other movies. The tradition entailed a great variety of fans’ theories and one of them is getting trendy thanks to some astonishing revelations.
The theory developed by Jon Negroni more than 10 years ago suggests that all the stories that Pixar has ever created — be that Up, Monsters, Inc., Ratatouille or Inside Out — are actually happening within the same universe.
Negroni’s surmise has received yet another confirmation when Pixar released a brand new teaser trailer for Inside Out 2 that featured one specific element coming from the studio’s 2022’s film Turning Red.
Is Bing Bong a Monster from Monsters Inc.?
But Inside Out seems to be much more profound in terms of such intersections.
The theory developed by Jon Negroni more than 10 years ago suggests that all the stories that Pixar has ever created — be that Up, Monsters, Inc., Ratatouille or Inside Out — are actually happening within the same universe.
Negroni’s surmise has received yet another confirmation when Pixar released a brand new teaser trailer for Inside Out 2 that featured one specific element coming from the studio’s 2022’s film Turning Red.
Is Bing Bong a Monster from Monsters Inc.?
But Inside Out seems to be much more profound in terms of such intersections.
- 5/2/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
At the end of March, I had the thrilling opportunity to travel to San Francisco, California, to visit Pixar Animation Studios for a Press Day preview of the upcoming animated sequel, Inside Out 2. Kelsey Mann directs Inside Out 2 for his feature directorial debut after helming episodes of the Megas Xlr TV series, an episode of the Green Screen Show, and the Pixar short Party Central, featuring characters from Pete Docter’s Monsters Inc.
Riley (Kensington Tallman), the central character of 2015’s Inside Out, returns for the sequel. She’s entering her “terrible teens,” and the emotions inside her head – Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale), Disgust (Liza Lapira) – are frantically trying to course-correct as new emotions – Anxiety (Maya Hawke), Ennui (Adèle Exarchopoulos), Envy (Ayo Edebiri), and Embarrassment (Paul Walter Hauser) – arrive in Riley’s Mind Space.
The story finds Riley attending a...
Riley (Kensington Tallman), the central character of 2015’s Inside Out, returns for the sequel. She’s entering her “terrible teens,” and the emotions inside her head – Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale), Disgust (Liza Lapira) – are frantically trying to course-correct as new emotions – Anxiety (Maya Hawke), Ennui (Adèle Exarchopoulos), Envy (Ayo Edebiri), and Embarrassment (Paul Walter Hauser) – arrive in Riley’s Mind Space.
The story finds Riley attending a...
- 4/16/2024
- by Steve Seigh
- JoBlo.com
In keeping with CinemaCon tradition, Disney this afternoon treated attendees to the first 35 minutes of its latest Pixar movie; this year being Inside Out 2.
The sequel to the 2015 pic brings viewers back into the mind of the now-teenage Riley (Kensington Tallman) as her emotions try to keep up with her new feelings. And while Pixar has gotten the short end of the stick during the pandemic with its movies Soul, Luca and Turning Red being sent to Disney+ and Lightyear shunned by Toy Story purists, Inside Out 2 had the Colosseum in stitches.
It was punctuated by the humor of Amy Poehler and Lewis Black, along with Maya Hawke’s scene-stealing turn as the antagonist Anxiety, who takes over the soul of young teen Riley from the feelings of Joy, Anger, Sadness and Fear. Let’s also not forget about Envy (Ayo Edebiri), who is in cahoots with Anxiety for the spirit of Riley.
The sequel to the 2015 pic brings viewers back into the mind of the now-teenage Riley (Kensington Tallman) as her emotions try to keep up with her new feelings. And while Pixar has gotten the short end of the stick during the pandemic with its movies Soul, Luca and Turning Red being sent to Disney+ and Lightyear shunned by Toy Story purists, Inside Out 2 had the Colosseum in stitches.
It was punctuated by the humor of Amy Poehler and Lewis Black, along with Maya Hawke’s scene-stealing turn as the antagonist Anxiety, who takes over the soul of young teen Riley from the feelings of Joy, Anger, Sadness and Fear. Let’s also not forget about Envy (Ayo Edebiri), who is in cahoots with Anxiety for the spirit of Riley.
- 4/11/2024
- by Nancy Tartaglione and Anthony D'Alessandro
- Deadline Film + TV
One of the Nordic region’s biggest providers of premium series, Copenhagen-based REinvent International Sales, will make a splash at this week’s Canneseries festival and MipTV market.
For the second consecutive year, the sales, financing and packaging banner has two titles in competition: the Danish drama thriller “Dark Horse”, due to world premiere in the main competition, and the short form Swedish dramedy entry “Painkiller”, which initially bowed at the Göteborg Film Festival.
“Last year we had the Norwegian political drama “Power Play” which won best series, and the Swedish romantic dramedy “Out of Touch” in the short form section. Canneseries is a great platform to get the hype going on your series,” commented Helene Aurø, REinvent sales and marketing director.
Turning on this year’s competition candidates, Aurø points out that both “Dark Horse” and “Painkiller” deal with mother/daughter relationships.
The Danish drama thriller “Dark Horse,” ordered by TV2,...
For the second consecutive year, the sales, financing and packaging banner has two titles in competition: the Danish drama thriller “Dark Horse”, due to world premiere in the main competition, and the short form Swedish dramedy entry “Painkiller”, which initially bowed at the Göteborg Film Festival.
“Last year we had the Norwegian political drama “Power Play” which won best series, and the Swedish romantic dramedy “Out of Touch” in the short form section. Canneseries is a great platform to get the hype going on your series,” commented Helene Aurø, REinvent sales and marketing director.
Turning on this year’s competition candidates, Aurø points out that both “Dark Horse” and “Painkiller” deal with mother/daughter relationships.
The Danish drama thriller “Dark Horse,” ordered by TV2,...
- 4/6/2024
- by Annika Pham
- Variety Film + TV
Disney's long, costly fight to deny activist investor Nelson Peltz seats on the company's board of directors is over (for now). During today's annual shareholders meeting, Disney announced that investors had voted to reelect all 12 current board members. Peltz's Trian Partners investment firm had sought two seats (one for Peltz and another for Jay Rasulo), but according to Disney their bid fell short by a "significant margin."
Vote totals will be released later today, but specifying the apparent magnitude of Peltz's defeat feels like a bit of an endzone dance by CEO Bob Iger (who's repeatedly called this battle a "distraction" for the company) as well as a warning to the 81-year-old malcontent to knock it off.
Peltz has been waging this war since last year, and in theory, had cause to question the direction of the company given its precipitous stock slide in the wake of former CEO Bob Chapek's departure.
Vote totals will be released later today, but specifying the apparent magnitude of Peltz's defeat feels like a bit of an endzone dance by CEO Bob Iger (who's repeatedly called this battle a "distraction" for the company) as well as a warning to the 81-year-old malcontent to knock it off.
Peltz has been waging this war since last year, and in theory, had cause to question the direction of the company given its precipitous stock slide in the wake of former CEO Bob Chapek's departure.
- 4/3/2024
- by Jeremy Smith
- Slash Film
Exclusive: In the wake of the $216M-plus global grossing success of Anyone But You, Sony is going to keep this romcom train going. We hear that TriStar Pictures has preemptively acquired Brenda Hsueh’s high concept romantic comedy Man’s Best Friend.
Temple Hill is also set to produce.
Plot is under wraps, and in early development, but we hear it’s in the spirit of the Danny DeVito directed, Michael Douglas and Kathleen Turner 1989 black comedy, The War of the Roses.
Hsueh will write and executive produce through her Shoe’s Off Productions banner alongside her partner Yvonne Cheng.
Hsueh co-wrote the Disney/Pixar animated sleeper, Elemental, which made close to a half billion dollars at the global box office and was nominated for an Oscar in the Animated Feature category. She also consulted for Domee Shi, the director of Disney/Pixar’s Turning Red.
Hsueh also wrote and will...
Temple Hill is also set to produce.
Plot is under wraps, and in early development, but we hear it’s in the spirit of the Danny DeVito directed, Michael Douglas and Kathleen Turner 1989 black comedy, The War of the Roses.
Hsueh will write and executive produce through her Shoe’s Off Productions banner alongside her partner Yvonne Cheng.
Hsueh co-wrote the Disney/Pixar animated sleeper, Elemental, which made close to a half billion dollars at the global box office and was nominated for an Oscar in the Animated Feature category. She also consulted for Domee Shi, the director of Disney/Pixar’s Turning Red.
Hsueh also wrote and will...
- 3/25/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Taylor Swift is reigning over Disney+ with the launch of The Eras Tour (Taylor’s Version) as the platform pays homage to the superstar songstress. The homepage for the streamer unveiled new categories for its library, catered to each era (except for Debut) from Swift’s discography. Among them are Fearless (Disney’s Version), Speak Now (Disney’s Version), Red (Disney’s Version), 1989 (Disney’s Version), Reputation (Disney’s Version), Reputation (Disney’s Version), Love (Disney’s Version), Folklore (Disney’s Version), Evermore (Disney’s Version), and Midnights (Disney’s Version). (Credit: Disney+) Under each category, corresponding titles for movies and shows fitting each era’s vibe were listed. Among the Fearless section were The Marvels, Percy Jackson and the Olympians, and Marvel’s Echo. Fitting the fairytale theme of Speak Now were The Princess Bride, Enchanted, and The Princess Diaries. For Red, Turning Red, Incredibles 2, Cars, and other appropriately tinted titles were featured.
- 3/15/2024
- TV Insider
The WGA strike of 2023 has created a fortunate side effect. While writers demanded better pay from studios -- as well as a guarantee that they would not be replaced by clunky automated writing machines -- many films and TV shows halted production. Without writers, the Hollywood system ground slowly to a halt. When the strike was resolved, production began again, but it left a 148-day gap in most studios' production schedules. To fill the gaps, some studios have adopted an ingenious approach: merely re-release some of their biggest hits from years past, allowing audiences to see some of their favorite movies on the big screen again.
In the case of Pixar, films like "Soul," "Luca," and "Turning Red" are being re-released to make up for losses incurred during the pandemic. Those films were all released directly onto Disney+ in the U.S. and only played in select theaters internationally, making...
In the case of Pixar, films like "Soul," "Luca," and "Turning Red" are being re-released to make up for losses incurred during the pandemic. Those films were all released directly onto Disney+ in the U.S. and only played in select theaters internationally, making...
- 3/15/2024
- by Witney Seibold
- Slash Film
Disney+ gave its home page a makeover to celebrate the launch of “Taylor Swift: The Eras Tour (Taylor’s Version)” on the streamer.
For one day only, the home page will take inspiration from each of the Taylor Swift eras for special featured collections, dividing Disney+ and Hulu titles into their appropriate category. Nine of the eras are listed, with her debut self-titled album mysteriously absent.
The “Fearless (Disney’s Version)” collection includes heroic and brave adventures like “Moana,” “Percy Jackson and the Olympians,” “Brave,” “The Marvels” and “Limitless with Chris Hemsworth” to name a few.
“Speak Now (Disney’s Version)” focuses on enchantment, princesses and dragons with stories like “The Princess Diaries,” “Enchanted” and “The Princess Bride.”
Taylor Swift takes over the Disney+ home page for one day after launch of “Taylor Swift: The Eras Tour” (Disney+)
“Red (Disney’s Version)” was taken very literally with the tagline “Everything…...
For one day only, the home page will take inspiration from each of the Taylor Swift eras for special featured collections, dividing Disney+ and Hulu titles into their appropriate category. Nine of the eras are listed, with her debut self-titled album mysteriously absent.
The “Fearless (Disney’s Version)” collection includes heroic and brave adventures like “Moana,” “Percy Jackson and the Olympians,” “Brave,” “The Marvels” and “Limitless with Chris Hemsworth” to name a few.
“Speak Now (Disney’s Version)” focuses on enchantment, princesses and dragons with stories like “The Princess Diaries,” “Enchanted” and “The Princess Bride.”
Taylor Swift takes over the Disney+ home page for one day after launch of “Taylor Swift: The Eras Tour” (Disney+)
“Red (Disney’s Version)” was taken very literally with the tagline “Everything…...
- 3/15/2024
- by Dessi Gomez
- The Wrap
Disney+ is officially in its Taylor Swift era.
With the launch of “Taylor Swift: The Eras Tour (Taylor’s Version)” on Disney+ on March 14 at 6 p.m. Pt, the megastar is getting a homepage takeover on the streamer. For one day only, the service’s main screen will feature nine curated sets of titles inspired by each of the singer’s eras — including “Fearless” (e.g. “Moana”), “1989” (e.g. “The Little Mermaid”) and “Midnights” (e.g. “Cinderella”).
The Swift takeover of the Disney+ homepage will be worldwide with a few exceptions, including Turkey, where the film will not be available until April 3.
Disney reportedly paid more than $75 million for worldwide streaming rights to “The Eras Tour” concert film, which Swift’s company produced. The newly expanded version of “The Eras Tour” on Disney+ — clocking in at three and a half hours — includes five bonus songs: “Cardigan,” from “Folklore,” plus four...
With the launch of “Taylor Swift: The Eras Tour (Taylor’s Version)” on Disney+ on March 14 at 6 p.m. Pt, the megastar is getting a homepage takeover on the streamer. For one day only, the service’s main screen will feature nine curated sets of titles inspired by each of the singer’s eras — including “Fearless” (e.g. “Moana”), “1989” (e.g. “The Little Mermaid”) and “Midnights” (e.g. “Cinderella”).
The Swift takeover of the Disney+ homepage will be worldwide with a few exceptions, including Turkey, where the film will not be available until April 3.
Disney reportedly paid more than $75 million for worldwide streaming rights to “The Eras Tour” concert film, which Swift’s company produced. The newly expanded version of “The Eras Tour” on Disney+ — clocking in at three and a half hours — includes five bonus songs: “Cardigan,” from “Folklore,” plus four...
- 3/15/2024
- by Todd Spangler
- Variety Film + TV
Ludwig Göransson made good on an awards-season sweep by winning an Academy Award Sunday night for the music of “Oppenheimer,” his second career win for best original score.
The Oscar completes a run the 39-year-old Swedish composer has had picking up Grammy, Golden Globe, BAFTA, Critics Choice and Society of Composers & Lyricists awards for the score of Christopher Nolan’s film.
Read More: See all the 2024 Oscar winners here.
Göransson previously won the original score Oscar for 2018’s “Black Panther.” He also has two Emmys for the music of “The Mandalorian,” another Oscar nomination for a song in 2022’s “Black Panther: Wakanda Forever,” and three more Grammys for “Black Panther” and his songwriting-producing work with Childish Gambino.
Göransson’s was one of seven Oscars won by “Oppenheimer.” At the podium, he thanked director Nolan for his initial idea to use the violin as a central instrument in the score, which...
The Oscar completes a run the 39-year-old Swedish composer has had picking up Grammy, Golden Globe, BAFTA, Critics Choice and Society of Composers & Lyricists awards for the score of Christopher Nolan’s film.
Read More: See all the 2024 Oscar winners here.
Göransson previously won the original score Oscar for 2018’s “Black Panther.” He also has two Emmys for the music of “The Mandalorian,” another Oscar nomination for a song in 2022’s “Black Panther: Wakanda Forever,” and three more Grammys for “Black Panther” and his songwriting-producing work with Childish Gambino.
Göransson’s was one of seven Oscars won by “Oppenheimer.” At the podium, he thanked director Nolan for his initial idea to use the violin as a central instrument in the score, which...
- 3/11/2024
- by Jon Burlingame
- Variety Film + TV
Life is about to become pure chaos thanks to every teen’s dreaded emotion: anxiety. (It’s pretty bad for grownups too.)
Maya Hawke joins Pixar’s “Inside Out 2” as Anxiety, the new voice inside tween Riley’s (Kensington Tallman) head. Join the club. Just as Riley is set to start high school, feelings of Envy (Ayo Edebiri), Embarrassment (Paul Walter Hauser), and Ennui (Adèle Exarchopoulos) join in. Actors Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, and Liza Lapira play Riley’s preexisting feelings of Joy, Sadness, Anger, Fear, and Disgust. It’s getting crowded in there….
Lilimar, Sumayyah Nuriddin-Green, and Grace Lu voice Riley’s friends, while Diane Lane and Kyle MacLachlan return as her parents. Yvette Nicole Brown voices Coach Roberts, who heads up a summer hockey camp. Additional voice actors include Paula Pell, Sarayu Blue, Flea, Ron Funches, Dave Goelz, James Austin Johnson, Bobby Moynihan,...
Maya Hawke joins Pixar’s “Inside Out 2” as Anxiety, the new voice inside tween Riley’s (Kensington Tallman) head. Join the club. Just as Riley is set to start high school, feelings of Envy (Ayo Edebiri), Embarrassment (Paul Walter Hauser), and Ennui (Adèle Exarchopoulos) join in. Actors Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, and Liza Lapira play Riley’s preexisting feelings of Joy, Sadness, Anger, Fear, and Disgust. It’s getting crowded in there….
Lilimar, Sumayyah Nuriddin-Green, and Grace Lu voice Riley’s friends, while Diane Lane and Kyle MacLachlan return as her parents. Yvette Nicole Brown voices Coach Roberts, who heads up a summer hockey camp. Additional voice actors include Paula Pell, Sarayu Blue, Flea, Ron Funches, Dave Goelz, James Austin Johnson, Bobby Moynihan,...
- 3/7/2024
- by Samantha Bergeson
- Indiewire
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