A total of 166 films have been submitted for consideration in the documentary feature category for the 91st Academy Awards.
Notable titles up for the gold include “Rbg,” “Three Identical Strangers,” “Free Solo” and “Won’t You Be My Neighbor?” — which have performed strongly at the box office. Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically.
Nine of the 10 titles named as finalists for the International Documentary Association’s top feature are on the list, including “Crime + Punishment,” “Dark Money,” “Free Solo,” “Hale County This Morning, This Evening,” “Minding the Gap,” “Of Fathers and Sons,” “The Silence of Others,” “United Skates” and “Won’t You Be My Neighbor?”
The Academy of Motion Picture Arts and Sciences noted that several of the 166 films have not yet had their required Los Angeles and New York qualifying runs. A shortlist of 15 movies will be announced on Dec. 17.
Nominations...
Notable titles up for the gold include “Rbg,” “Three Identical Strangers,” “Free Solo” and “Won’t You Be My Neighbor?” — which have performed strongly at the box office. Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically.
Nine of the 10 titles named as finalists for the International Documentary Association’s top feature are on the list, including “Crime + Punishment,” “Dark Money,” “Free Solo,” “Hale County This Morning, This Evening,” “Minding the Gap,” “Of Fathers and Sons,” “The Silence of Others,” “United Skates” and “Won’t You Be My Neighbor?”
The Academy of Motion Picture Arts and Sciences noted that several of the 166 films have not yet had their required Los Angeles and New York qualifying runs. A shortlist of 15 movies will be announced on Dec. 17.
Nominations...
- 11/8/2018
- by Dave McNary
- Variety Film + TV
Last year, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, it’s not so bad: only 166 were entered. The short list of 15 will be announced, along with eight others for the first time on a single date this year: December 17.
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
- 11/8/2018
- by Anne Thompson
- Thompson on Hollywood
Last year, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, it’s not so bad: only 166 were entered. The short list of 15 will be announced, along with eight others for the first time on a single date this year: December 17.
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
- 11/8/2018
- by Anne Thompson
- Indiewire
A whopping 166 documentary features have been submitted to the academy for consideration at the 2019 Oscars. That is down by four from last year’s record 170 submissions. Among these contenders are all of the highest grossing documentaries of the year including “Free Solo,” “Rbg” and “Won’t You Be My Neighbor?”
To winnow the entries down to the 15 semi-finalists that will be announced on December 17, the academy is sending monthly packages of the newly eligible documentary feature screeners to all 400 or so members of the documentary branch. While all members are encouraged to watch as many of these as they can, one-fifth of the voters are assigned each title. In late November, each branch member will submit a preferential ballot listing their top 15 choices.
See 2019 Oscars: Foreign-language film entries from A (Afghanistan) to Y (Yemen)
All of these ballots will be collated to determine the 15 semi-finalists. Branch members will then be...
To winnow the entries down to the 15 semi-finalists that will be announced on December 17, the academy is sending monthly packages of the newly eligible documentary feature screeners to all 400 or so members of the documentary branch. While all members are encouraged to watch as many of these as they can, one-fifth of the voters are assigned each title. In late November, each branch member will submit a preferential ballot listing their top 15 choices.
See 2019 Oscars: Foreign-language film entries from A (Afghanistan) to Y (Yemen)
All of these ballots will be collated to determine the 15 semi-finalists. Branch members will then be...
- 11/8/2018
- by Paul Sheehan
- Gold Derby
In a year that has seen multiple documentaries find mainstream success, the Academy of Motion Picture Arts and Sciences released the list of 166 docs that have been submitted for Oscar consideration this year.
Among the films on the list are Michael Moore’s anti-Trump polemic “Fahrenheit 11/9,” as well as CNN Films’ Ruth Bader Ginsburg biography “Rbg” and Focus’ Mister Rogers retrospective “Won’t You Be My Neighbor?”
Other films considered frontrunners include “Three Identical Strangers,” the wild story of triplets who were separated at birth by a bizarre experiment, “Free Solo,” which documents the first ever attempt to climb Yosemite’s El Capitan without any climbing gear, and “Dark Money,” an investigative report into the influence of billionaires on American democracy through the lens of a Montana congressional race.
Also Read: Sorry, Oscar Documentary Voters: Your Workload Just Doubled
The contender field is slightly less than last year’s record field of 170 but does include,...
Among the films on the list are Michael Moore’s anti-Trump polemic “Fahrenheit 11/9,” as well as CNN Films’ Ruth Bader Ginsburg biography “Rbg” and Focus’ Mister Rogers retrospective “Won’t You Be My Neighbor?”
Other films considered frontrunners include “Three Identical Strangers,” the wild story of triplets who were separated at birth by a bizarre experiment, “Free Solo,” which documents the first ever attempt to climb Yosemite’s El Capitan without any climbing gear, and “Dark Money,” an investigative report into the influence of billionaires on American democracy through the lens of a Montana congressional race.
Also Read: Sorry, Oscar Documentary Voters: Your Workload Just Doubled
The contender field is slightly less than last year’s record field of 170 but does include,...
- 11/8/2018
- by Jeremy Fuster
- The Wrap
Members of the Academy’s documentary branch received a generous gift from AMPAS on Friday: 77 new films that had qualified in this year’s Best Documentary Feature category.
And it turned what had been a modest year for docs — with a total of 83 films included in June, July, August and September groups — into one in which the number of eligible films that voters would need to watch nearly doubled.
The Academy also promised voters in the branch to expect a final batch of films in early November — which, if it hits double digits, will set a new record in the category.
Also Read: 'Free Solo' Leads Critics' Choice Documentary Awards Nominations
The previous high, set last year, was 170 films. With 160 already on the Oscar eligibility list and one additional (though likely small) batch yet to come, this year’s crop will give voters a lot of work to do before...
And it turned what had been a modest year for docs — with a total of 83 films included in June, July, August and September groups — into one in which the number of eligible films that voters would need to watch nearly doubled.
The Academy also promised voters in the branch to expect a final batch of films in early November — which, if it hits double digits, will set a new record in the category.
Also Read: 'Free Solo' Leads Critics' Choice Documentary Awards Nominations
The previous high, set last year, was 170 films. With 160 already on the Oscar eligibility list and one additional (though likely small) batch yet to come, this year’s crop will give voters a lot of work to do before...
- 10/27/2018
- by Steve Pond
- The Wrap
Claude Lanzmann's Les Quatre Soeurs (The Four Sisters) clockwise from top left - Ruth Elias in Le Serment d'Hippocrate (The Hippocratic Oath); Hanna Marton in L'arche De Noé (Noah's Ark); Ada Lichtman in La Puce Joyeuse (The Merry Flea); Paula Biren in Baluty
During the 55th New York Film Festival in 2017, Claude Lanzmann presented the World Premiere of The Four Sisters (Les Quatre Soeurs) in the Special Events programme. At Lincoln Center prior to the public screenings, I spoke with David Frenkel, the producer of the four films, edited by Chantal Hymans. Frenkel is also a producer for The Last of the Unjust with Jean Labadie, Kurt Stocker, and Danny Krausz (Maria Schrader's Stefan Zweig: Farewell To Europe).
David Frenkel: "What's great working with Claude is that he always surprises you. It was the same with The Last of the Unjust and Benjamin Murmelstein. He was so striking.
During the 55th New York Film Festival in 2017, Claude Lanzmann presented the World Premiere of The Four Sisters (Les Quatre Soeurs) in the Special Events programme. At Lincoln Center prior to the public screenings, I spoke with David Frenkel, the producer of the four films, edited by Chantal Hymans. Frenkel is also a producer for The Last of the Unjust with Jean Labadie, Kurt Stocker, and Danny Krausz (Maria Schrader's Stefan Zweig: Farewell To Europe).
David Frenkel: "What's great working with Claude is that he always surprises you. It was the same with The Last of the Unjust and Benjamin Murmelstein. He was so striking.
- 7/8/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
New documentary Boom for Real: The Late Teenage Years of Jean-Michel Basquiat reveals his early career, from the mob and Xerox machines to being a bad house guest
Jean-Michel Basquiat was a pain in the neck. In the late 1970s and 80s he was without a fixed abode and spent a lot of time sleeping on other people’s sofas. Basquiat wasn’t averse to painting his housemates’ clothes and fridge, or dropping in at 3am, pumping industrial music on his boombox, much to the consternation of the building’s “super”. “He was a kid,” laughs Sara Driver, the creator of Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, a documentary that recounts the early life and precocious times of the NYC street kid and nascent painter.
Drawing from interview and archive footage, as well as a remarkable cache of art and ephemera belonging to Basquiat’s former girlfriend Alexis Adler,...
Jean-Michel Basquiat was a pain in the neck. In the late 1970s and 80s he was without a fixed abode and spent a lot of time sleeping on other people’s sofas. Basquiat wasn’t averse to painting his housemates’ clothes and fridge, or dropping in at 3am, pumping industrial music on his boombox, much to the consternation of the building’s “super”. “He was a kid,” laughs Sara Driver, the creator of Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, a documentary that recounts the early life and precocious times of the NYC street kid and nascent painter.
Drawing from interview and archive footage, as well as a remarkable cache of art and ephemera belonging to Basquiat’s former girlfriend Alexis Adler,...
- 6/19/2018
- by Alex Rayner
- The Guardian - Film News
Modern Films takes UK rights to Cannes Competition title.
Alice Rohrwacher’s 2018 Cannes Competition title Happy As Lazzaro has scored a UK distribution deal with Eve Gabereau’s Modern Films.
The film won Cannes’ screenplay prize for writer-director Rohrwacher (in a tie with Jafar Panahi and Nader Saeivar for 3 Faces).
Starring Adriano Tardiolo, Luca Chikovani, Alba Rohrwacher and Agnese Graziani, the Italian-language drama is about a young peasant assumed, in his isolated village, to be simple-minded, and a young nobleman cursed by his imagination. Screen’s review described it as ”a delirious brew of modernism, folktale and fabulist invention”.
Netflix...
Alice Rohrwacher’s 2018 Cannes Competition title Happy As Lazzaro has scored a UK distribution deal with Eve Gabereau’s Modern Films.
The film won Cannes’ screenplay prize for writer-director Rohrwacher (in a tie with Jafar Panahi and Nader Saeivar for 3 Faces).
Starring Adriano Tardiolo, Luca Chikovani, Alba Rohrwacher and Agnese Graziani, the Italian-language drama is about a young peasant assumed, in his isolated village, to be simple-minded, and a young nobleman cursed by his imagination. Screen’s review described it as ”a delirious brew of modernism, folktale and fabulist invention”.
Netflix...
- 5/24/2018
- by Tom Grater
- ScreenDaily
Operating in the subgenre of talking-head art doc, where a filmmaker close to their subject sit and talk with friends about the good ol’ days, Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel Basquiat may not be the most engaging way to tell this story. Basquiat, himself a star of Downtown 81, has been a subject of fascination for many filmmakers from fellow painter Julian Schnabel’s director debut Basquiat in 1996 to Tamra Davis’ 2010 documentary The Radiant Child. Boom for Real, focuses its lens on the Lower East Side of 1978, a waste land of buildings torched by landlords for the insurance money, an open city in the shadows of the Williamsburg Bridge.
Driver tells the story through the eyes of those that were there from gallerists to hip hop icons like Afrika Bambaataa and Fab 5 Freddie who merged new wave and hip hop as the gallery and...
Driver tells the story through the eyes of those that were there from gallerists to hip hop icons like Afrika Bambaataa and Fab 5 Freddie who merged new wave and hip hop as the gallery and...
- 5/18/2018
- by John Fink
- The Film Stage
An abundance of new Specialty releases will roll into theaters and on-demand this weekend, including newcomers with Hollywood A-listers such as Sony Pictures Classics’ drama The Seagull, based on the Chekhov play and starring Annette Bening, Saoirse Ronan and Elisabeth Moss. Olivia Holt, Skyler Gisondo, Kristin Chenoweth and Bruce Dern star in Cinedigm Entertainment’s comedy-romance Class Rank, making a day and date bow this weekend, while a cross-section of documentaries will open, hoping to tap some of the momentum of last weekend’s successful launch of non-fiction title Rbg. Good Deed Entertainment is opening Always At the Carlyle by Matthew Miele with a cast of stars effusing about the legendary Upper East Side New York hotel. Sara Driver’s Boom For Real: The Late Teenage Years of Jean-Michel Basquiat about the late artist’s pre-fame years in a now lost downtown Manhattan begins its run via Magnolia Pictures (which...
- 5/11/2018
- by Brian Brooks
- Deadline Film + TV
In the three decades since he died, at 27, of a heroin overdose, Jean-Michel Basquiat has come to be thought of in timeless terms. With every passing year, his paintings only rise in acclaim, in price, in the essential perception of where he stands in the pantheon of 20th century art. But it wasn’t always that way. In his time, Basquiat was a celebrated but intensely controversial figure. There are still those who look at Basquiat’s art and don’t see the totemic poetry of it; they see words and blotches and scrawls. Yet if you’re a Basquiat believer, as I am, what’s extraordinary about his work is that it is composed of words and blotches and scrawls — but when you look at the paintings, they’re alive. They pulsate.
There are other painters whose work has this dimension (Jackson Pollock springs to mind), but in Basquiat...
There are other painters whose work has this dimension (Jackson Pollock springs to mind), but in Basquiat...
- 5/9/2018
- by Owen Gleiberman
- Variety Film + TV
"His work was a texture of the city around him." "He was into letting art be itself..." Magnolia Pictures has released an official trailer for a documentary titled Boom for Real, made by director Sara Driver; in full it's: Boom for Real: The Late Teenage Years of Jean-Michel Basquiat. That title pretty much explains it all - this is a look at famed artist Jean-Michel Basquiat's teenage years, living in New York City, when he shaped his vision before becoming big. Early on, he was known as the street artist "Samo" (as this trailer explains nicely) living in a tough time in NYC in the 70's and 80's, before becoming the world-famous artist he is known as today, known now by his own original name: Jean-Michel Basquiat. This looks very good, and I think I'm especially fascinated because it has such a specific focus on an artist's early years and...
- 4/22/2018
- by Alex Billington
- firstshowing.net
In The Fade The East End Film Festival has announced the full line-up of its 17th edition, which will run from April 11 to 29. It sees the event move back to spring dates from the summertime slot it has been occupying since 2011.
The festival will open with the UK premiere of documentary Boom For Real: The Late Teenage Years of Jean-Michel Basquiat, which charts the artist's youth before he found fame.
Nine films by first and second-time filmmakers will screen in the competition section, plus there will also be a strand celebrating strong female characters in horror. She's Right Behind You has been curated by feminist horror film collective The Final Girls and features classics The Uninvited and Kuroneko as well as more recent films The Woman In Black and Whispering Corridors.
Fatih Akin will be among the filmmakers attending - he will discuss the controversy surround his Golden Globe winning.
The festival will open with the UK premiere of documentary Boom For Real: The Late Teenage Years of Jean-Michel Basquiat, which charts the artist's youth before he found fame.
Nine films by first and second-time filmmakers will screen in the competition section, plus there will also be a strand celebrating strong female characters in horror. She's Right Behind You has been curated by feminist horror film collective The Final Girls and features classics The Uninvited and Kuroneko as well as more recent films The Woman In Black and Whispering Corridors.
Fatih Akin will be among the filmmakers attending - he will discuss the controversy surround his Golden Globe winning.
- 3/16/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Festival hires new programming team for 17th edition.
The East End Film Festival (Eeff) has announced the programme for its 17th edition, which runs from April 11-29, moving back to its traditional spring slot.
Opening the London-based Festival is the UK premiere of Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, a documentary about the pre-fame years of the enigmatic artist in New York. The gala opening will take place at Dalston’s Rio Cinema, with a Q&A with director Sara Driver and Studio 54 after party to follow.
Amongst the titles in competition for the best...
The East End Film Festival (Eeff) has announced the programme for its 17th edition, which runs from April 11-29, moving back to its traditional spring slot.
Opening the London-based Festival is the UK premiere of Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, a documentary about the pre-fame years of the enigmatic artist in New York. The gala opening will take place at Dalston’s Rio Cinema, with a Q&A with director Sara Driver and Studio 54 after party to follow.
Amongst the titles in competition for the best...
- 3/15/2018
- by Ben Dalton
- ScreenDaily
Exclusive: Sara Driver’s documentary Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, offers insight into the artist and New York native’s formative years. The docu is having its world premiere today at the Toronto Film Festival. Driver, a close friend to Basquiat and part of art scene of the 1970s and ’80s, worked with other artists who emerged from that scene like Nan Goldin, Jim Jarmusch, James Nares, Fab Five Freddy, Lee Quinones, and Luc Sante. She…...
- 9/8/2017
- Deadline
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