IMHO a great film, very high quality cinema.There could be absolutely nothing new in a love affair between married people (and with children) but the political environment and the deployment of the affair make it breathtaking and intense. Great characters, great women's scenes, great shots outdoor in Jerusalem. For me this is a must see.
13 Reviews
Slow moving but entertaining
qui_j7 May 2020
This is a very slow moving film that could have been shortened significantly and lost nothing by so doing. It follows the paths of Sarah and Saleem, people on different sides of a cultural and political divide, who have an affair and the consequences that follow. It's not well edited and sometimes the scenes offer little in the way of continuity. The ending is a bit silly and the time wasted in other scenes could have been used to figure out and present a better ending.
Very enjoyable
ptkolari23 November 2018
For anyone familiar with the Middle East and/or with literary exposure to ill-fated lovers, there is absolutely nothing new in this film of an illicit affair between a Palestinian married man and an Israeli married woman. However, the story is entertaining and gripping, the cinematography excellent and the ideology evenhandedly absent. Some contrivance (even though it claims to be based on a true story), but no exaggeration or gore. Just plain movie pleasure. Highly recommend it.
Not good as I expected
chiaragiacobelli6 May 2019
I was a bit disappointed by this movie, that I found boring and far from my expectations. The historical and social contest is not well described as it should have been, while the entire movie is focused on the betrayal of the two families.
There isn't a real love story between the protagonists, only an affair of sex with too many serious consequences. Although some positive feelings and values are shown, especially between the two women, most of the characters are selfish and doesn't care of anything: family, love, honesty, attachment to their origins.
I was expecting something different, it is not a bad movie but nothing special in my opinion.
Not great, I expected more
MarcoParzivalRocha11 December 2020
Sarah and Saleem, she an Israeli and he a Palestinian, are involved in an adulterous relationship, which will absorb the two of them in a political and social cyclone, just because they were in the wrong place at the wrong time.
Given the atmosphere and the political issue of the film, I expected to see something more complex, to raise awareness of the Israeli-Palestinian conflict, but it turns out to be a romantic drama that happens to be happening in that region.
It's not about forbidden love that surpasses all barriers, but just a case of betrayal (in this case, betrayals, as they are both married), where there is only sexual attraction, and this involvement is the only escape from tired and monotonous relationships that Sarah and Saleem deal with daily.
The pace is slow in the first two acts, and it only becomes interesting st the point of transition to the final act.
For what is told, 1h30 min would be enough, instead of the 2h10 that we get.
Given the atmosphere and the political issue of the film, I expected to see something more complex, to raise awareness of the Israeli-Palestinian conflict, but it turns out to be a romantic drama that happens to be happening in that region.
It's not about forbidden love that surpasses all barriers, but just a case of betrayal (in this case, betrayals, as they are both married), where there is only sexual attraction, and this involvement is the only escape from tired and monotonous relationships that Sarah and Saleem deal with daily.
The pace is slow in the first two acts, and it only becomes interesting st the point of transition to the final act.
For what is told, 1h30 min would be enough, instead of the 2h10 that we get.
One of this year's Best!
roger-99-1715998 June 2019
Suspenseful & Informative Tale
ffiguer22 February 2018
Anti Israeli Jews theme throughout
llichtman18 February 2022
All the Jews are wicked and barbaric and all the Palestinians are noble. Antisemitic movie posing as deep.
Some themes were thought provoking. The Palestinians always took the high road and the Israeli Jews were immoral, evil or corrupt. Hardly anything in between.
Some themes were thought provoking. The Palestinians always took the high road and the Israeli Jews were immoral, evil or corrupt. Hardly anything in between.
The tension of deception
gbill-7487717 March 2022
At the outset of this film we find Saleem, a Palestinian delivery man for a bakery (Adeeb Safadi)), having an affair with Sarah, an Israeli café owner (Sivane Kretchner), by hooking up with her in the back of his van at night. If it seems they're playing with fire, they are, and things quickly get more complicated when the man has bogus charges filed against him in Bethlehem that implicate her, and we find out that her husband (Ishai Golan) is a rising star in the Israeli military.
The emotional impact of the adultery is felt because director Muayad Alayan takes the time to develop the stories of both of these character's families, something I liked about the film. Saleem has a pregnant wife named Bisan (Maisa Abd Elhadi), and in addition to her husband, Sarah has a young daughter. There is a significant class difference here as well - Saleem and Bisan struggle to pay the bills, thus he takes on shady delivery work for her brother, and Sarah and her family live in affluence, with her shielded from the knowledge of her husband's covert operations against Palestinians.
Adultery is inherently deceptive, but because of the other factors, there are layers of deception here, each with its own peril, and every time there is an attempt to bury what's happened, it never quite stays buried. Oh what a tangled web we weave, particularly when we're in Tel Aviv. (Ok, they're actually in Jerusalem, but I couldn't resist the attempt). Anyway, a Palestinian lawyer tries to stifle things by getting Saleem to file a false statement to explain the Bethlehem incident, and Sarah's husband tries to stifle things by getting her to file a false statement about what Saleem did with her. I liked how these echoed the original lie behind the affair, and how the consequences magnified.
Meanwhile, there are those seeking the truth, led by Bisan, who begins piecing things together, and Saleem's lawyer. Much scarier, and so well cast, is the Mossad agent (Jan Kühne) who methodically begins turning up to ask questions with pinpoint accuracy.
There is a feminist slant to the film, and I loved it when Bisan, who is also a university student, stood up to her brother and later her husband. Maisa Abd Elhadi's performance is wonderful. Saleem's lawyer is a strong female character as well, and then you have Sarah, guilty of cheating but in whom we empathize at least a little, since her husband is so preoccupied with his career and doesn't mind hurting people when he's angry (e.g. During sex with Sarah when he knows what she's done, or during an interrogation scene with Saleem).
It felt like the husband's character may have been a little overdrawn though, and it was a little hard to believe that Bisan and Sarah would ultimately exchange such pleasantries about her baby. The film feels realistic in a lot of ways, including how naturally Jerusalem itself is shot, but makes a few missteps, and it probably should have been a little shorter as well. Overall though, this is a solid story, full of tension, and with fine performances from the cast.
The emotional impact of the adultery is felt because director Muayad Alayan takes the time to develop the stories of both of these character's families, something I liked about the film. Saleem has a pregnant wife named Bisan (Maisa Abd Elhadi), and in addition to her husband, Sarah has a young daughter. There is a significant class difference here as well - Saleem and Bisan struggle to pay the bills, thus he takes on shady delivery work for her brother, and Sarah and her family live in affluence, with her shielded from the knowledge of her husband's covert operations against Palestinians.
Adultery is inherently deceptive, but because of the other factors, there are layers of deception here, each with its own peril, and every time there is an attempt to bury what's happened, it never quite stays buried. Oh what a tangled web we weave, particularly when we're in Tel Aviv. (Ok, they're actually in Jerusalem, but I couldn't resist the attempt). Anyway, a Palestinian lawyer tries to stifle things by getting Saleem to file a false statement to explain the Bethlehem incident, and Sarah's husband tries to stifle things by getting her to file a false statement about what Saleem did with her. I liked how these echoed the original lie behind the affair, and how the consequences magnified.
Meanwhile, there are those seeking the truth, led by Bisan, who begins piecing things together, and Saleem's lawyer. Much scarier, and so well cast, is the Mossad agent (Jan Kühne) who methodically begins turning up to ask questions with pinpoint accuracy.
There is a feminist slant to the film, and I loved it when Bisan, who is also a university student, stood up to her brother and later her husband. Maisa Abd Elhadi's performance is wonderful. Saleem's lawyer is a strong female character as well, and then you have Sarah, guilty of cheating but in whom we empathize at least a little, since her husband is so preoccupied with his career and doesn't mind hurting people when he's angry (e.g. During sex with Sarah when he knows what she's done, or during an interrogation scene with Saleem).
It felt like the husband's character may have been a little overdrawn though, and it was a little hard to believe that Bisan and Sarah would ultimately exchange such pleasantries about her baby. The film feels realistic in a lot of ways, including how naturally Jerusalem itself is shot, but makes a few missteps, and it probably should have been a little shorter as well. Overall though, this is a solid story, full of tension, and with fine performances from the cast.
Well written
kraljtvrtko25 December 2019
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