The central conflict of Sudarshan Thapa's directorial movie is love. Pair, who has got the pressure of marriage from family, does the false marriage which creates problem, is the crisis of the movie. Strong music, landscape shot of cinematography and development of relation between characters is the powerful peak. Hence, the weak point of 'PREEM GEET' is screenplay.
Due to the weak screenplay main character is not established. Who lead the story (Protagonist) that is not defined. With the vague of counter idea, central conflict has the problem. Without growth of crisis, director has create crisis in rush. After the climax, crisis has disturbed the resolution.
The real hero of PremGeet is Cinematographer Rajesh Shrestha. It is the first time in Nepali movie, which exposed Himalayas of Mustang that has not been framed before. Beautiful serenity of nature has been captured perfectly. We feel breathtaking after his eye-catching and meaningful shots. The next hero is Arjun Pokharel which music composition is influential. But, it has lack of cinematic language. It seems like radio drama, where can listen dialogues in every shot. Acting of Pradip, Pooja and Saroj Khanal is good feature
Due to the weak screenplay main character is not established. Who lead the story (Protagonist) that is not defined. With the vague of counter idea, central conflict has the problem. Without growth of crisis, director has create crisis in rush. After the climax, crisis has disturbed the resolution.
The real hero of PremGeet is Cinematographer Rajesh Shrestha. It is the first time in Nepali movie, which exposed Himalayas of Mustang that has not been framed before. Beautiful serenity of nature has been captured perfectly. We feel breathtaking after his eye-catching and meaningful shots. The next hero is Arjun Pokharel which music composition is influential. But, it has lack of cinematic language. It seems like radio drama, where can listen dialogues in every shot. Acting of Pradip, Pooja and Saroj Khanal is good feature
