Other openers include Working Title’s period drama ‘Emma’.
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winner Parasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing...
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winner Parasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing...
- 2/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Other openers include Working Title’s period drama ‘Emma’.
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winner Parasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing...
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winner Parasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing...
- 2/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Other openers include Working Title’s period drama ‘Emma’.
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winnerParasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing fanbase can provide a ready-made audience,...
Sonic The Hedgehog marks the first cinema outing for the popular Sega video game character at the UK box office this weekend, as Oscars winnerParasite expands its locations by over 200%.
Released through Paramount, Sonic The Hedgehog sees a small-town police officer discover the titular animal, and attempt to defeat an evil genius who wants to do experiments on it. Ben Schwartz voices Sonic, with James Marden and Jim Carrey as the cop and evil genius.
Films based on video games have had mixed success at the box office; a pre-existing fanbase can provide a ready-made audience,...
- 2/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Diane Rouxel, Jalil Lespert, Olivier Gourmet and Finnegan Oldfield are among the cast of this Diligence Films production, which will be distributed in France by Ad Vitam and sold by Kinology. The first clapperboard will slam on 30 September for Les Dévorants (lit. “The All-consuming”), the second feature by Naël Marandin, who made a splash with She Walks (2016). With this film, Marandin continues exploring a type of fiction strongly rooted in reality, as he plunges into the world of animal farming, where the livestock market and local agricultural policies become an arena for power relations and desire to come to the fore. The cast includes Diane Rouxel, Jalil Lespert (César Award for Most Promising Actor in 2001 for Human Resources, giving...
Robert Beeson talks about factors that impact release dates of Cannes films.
Robert Beeson’s New Wave Films has snapped up UK theatrical rights to Elia Suleiman’s Cannes Competition title It Must Be Heaven, Un Certain Regard titles Homeward and Fire Will Come, as well as The Cordillera Of Dreams, which was a Special Screening.
New Wave has also bought Jean Paul Civeyrac’s French coming-of-age film, A Paris Education, which had its festival debut in Berlin’s Panorama, from Les Films du Losange.
Suleiman’s It Must Be Heaven and Homeward, by Ukrainian director Nairman Aliev, about a...
Robert Beeson’s New Wave Films has snapped up UK theatrical rights to Elia Suleiman’s Cannes Competition title It Must Be Heaven, Un Certain Regard titles Homeward and Fire Will Come, as well as The Cordillera Of Dreams, which was a Special Screening.
New Wave has also bought Jean Paul Civeyrac’s French coming-of-age film, A Paris Education, which had its festival debut in Berlin’s Panorama, from Les Films du Losange.
Suleiman’s It Must Be Heaven and Homeward, by Ukrainian director Nairman Aliev, about a...
- 6/20/2019
- by Geoffrey Macnab
- ScreenDaily
Robert Beeson talks about factors that impact release dates of Cannes films.
Robert Beeson’s New Wave Films has snapped up UK theatrical rights to Elia Suleiman’s Cannes Competition title It Must Be Heaven, Un Certain Regard titles Homeward and Fire Will Come, as well as The Cordillera Of Dreams, which was a Special Screening.
New Wave has also bought Jean Paul Civeyrac’s French coming-of-age film, A Paris Education which had its festival debut in Berlin’s Panorama, from Les Films du Losange.
Suleiman’s It Must Be Heaven and Homeward, by Ukrainian director Nairman Aliev, about a...
Robert Beeson’s New Wave Films has snapped up UK theatrical rights to Elia Suleiman’s Cannes Competition title It Must Be Heaven, Un Certain Regard titles Homeward and Fire Will Come, as well as The Cordillera Of Dreams, which was a Special Screening.
New Wave has also bought Jean Paul Civeyrac’s French coming-of-age film, A Paris Education which had its festival debut in Berlin’s Panorama, from Les Films du Losange.
Suleiman’s It Must Be Heaven and Homeward, by Ukrainian director Nairman Aliev, about a...
- 6/20/2019
- by Geoffrey Macnab
- ScreenDaily
Hélène Fillières on Nick Cave's Into My Arms in Raising Colors (Volontaire): "It's probably the most romantic song I've ever heard." Photo: Anne-Katrin Titze Laure (Diane Rouxel) with Commander Rivière (Lambert Wilson)
The last time I saw Lambert Wilson in person, he was performing his tribute to Yves Montand at the French Institute Alliance Française in New York. He was Jacques Cousteau in Jérôme Salle's The Odyssey (L'Odyssée) and now in Hélène Fillières' Raising Colors (Volontaire), co-written with Mathias Gavarry, he is Commander Rivière at the École Navale. The Commander is lovingly called 'the monk' by the chief training officer Albertini, played by Alex Descas. Laure (Diane Rouxel) in her twenties and with a first-rate education, decides to accept a job offer in the administration of the French Navy. Her mother (Josiane Balasko), a famous stage actress, is particularly upset and vocal about this turn of events.
The last time I saw Lambert Wilson in person, he was performing his tribute to Yves Montand at the French Institute Alliance Française in New York. He was Jacques Cousteau in Jérôme Salle's The Odyssey (L'Odyssée) and now in Hélène Fillières' Raising Colors (Volontaire), co-written with Mathias Gavarry, he is Commander Rivière at the École Navale. The Commander is lovingly called 'the monk' by the chief training officer Albertini, played by Alex Descas. Laure (Diane Rouxel) in her twenties and with a first-rate education, decides to accept a job offer in the administration of the French Navy. Her mother (Josiane Balasko), a famous stage actress, is particularly upset and vocal about this turn of events.
- 3/24/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
If, at this point in this season, you’re tired of hearing the same handful of titles bandied about in the awards conversation, the prizes given out by the International Cinephile Society should come as a tonic. Voted on by a globe-spanning group of over 100 film critics, scholars, programmers and industry professionals, they can be counted on to zig where even the most broad-minded critics’ groups zag, often singling out films widely ignored by other precursors.
Case in point: The big winner in this year’s Ics awards was a Spanish-language auteur work, but it wasn’t “Roma” — Alfonso Cuarón’s Oscar frontrunner received only the cinematography prize. Instead, it was “Zama,” a nightmarishly atmospheric colonial drama from Argentinian director Lucrecia Martel, that ruled the roost with wins for Best Picture, Director, Non-English Language Film and Actor for leading man Daniel Giménez Cacho.
A favorite of critics on the festival...
Case in point: The big winner in this year’s Ics awards was a Spanish-language auteur work, but it wasn’t “Roma” — Alfonso Cuarón’s Oscar frontrunner received only the cinematography prize. Instead, it was “Zama,” a nightmarishly atmospheric colonial drama from Argentinian director Lucrecia Martel, that ruled the roost with wins for Best Picture, Director, Non-English Language Film and Actor for leading man Daniel Giménez Cacho.
A favorite of critics on the festival...
- 2/4/2019
- by Guy Lodge
- Variety Film + TV
A limited-perspective snapshot of a perpetually moving target, and insistent on adhering to 2018 theatrical premieres — thus haunted both by the past and the specter of already-seen “2019” cinema that deserves notice as much as anything herein. Or: it is what it is.
Honorable Mentions
Mandy, A Star Is Born, Cold War, Mission: Impossible – Fallout, The Wandering Soap Opera
10. 24 Frames (Abbas Kiarostami)
A push-pull experience par excellence: plainly beautiful for its still and natural landscapes, roughshod with the superimposition of effects; statically framed but open to variables, experimentation, “accidents” that are perhaps part of a larger plan, depending on what production story you buy; and thrilling for the breadth of its imagination while also a bit boring in the follow-through. More and more it seems our minds need opportunities to sit, wander, think for themselves amidst stimuli rendering the likes of 24 Frames all the more far-flung. Woe betide the audience saddled with...
Honorable Mentions
Mandy, A Star Is Born, Cold War, Mission: Impossible – Fallout, The Wandering Soap Opera
10. 24 Frames (Abbas Kiarostami)
A push-pull experience par excellence: plainly beautiful for its still and natural landscapes, roughshod with the superimposition of effects; statically framed but open to variables, experimentation, “accidents” that are perhaps part of a larger plan, depending on what production story you buy; and thrilling for the breadth of its imagination while also a bit boring in the follow-through. More and more it seems our minds need opportunities to sit, wander, think for themselves amidst stimuli rendering the likes of 24 Frames all the more far-flung. Woe betide the audience saddled with...
- 12/31/2018
- by Nick Newman
- The Film Stage
For our most comprehensive year-end feature, we’re providing a cumulative look at The Film Stage’s favorite films of 2018. We’ve asked our contributors to compile ten-best lists with five honorable mentions–those personal lists will be shared in the coming days–and, after tallying the votes, a top 50 has been assembled.
It should be noted that, unlike our previous year-end features, we placed no requirement on a selection being a U.S theatrical release, so you may see some repeats from last year and a few we’ll certainly be discussing more during the next twelve months. So, without further ado, check out our rundown of 2018 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2019.
50. Ash is Purest White (Jia Zhangke)
For over two decades the filmmaker Jia Zhangke has, through his movies,...
It should be noted that, unlike our previous year-end features, we placed no requirement on a selection being a U.S theatrical release, so you may see some repeats from last year and a few we’ll certainly be discussing more during the next twelve months. So, without further ado, check out our rundown of 2018 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2019.
50. Ash is Purest White (Jia Zhangke)
For over two decades the filmmaker Jia Zhangke has, through his movies,...
- 12/21/2018
- by The Film Stage
- The Film Stage
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
A24 Films on Kanopy
With FilmStruck sadly heading into its early grave last night, one may be looking for more options for streaming. One of the best alternatives is Kanopy, which can be accessed for free with a library card in select areas. They’ve also just added a wealth of A24 films ranging from this year’s First Reformed and Lean on Pete all the way back to their first offerings like Enemy and Spring Breakers.
Where to Stream: Kanopy
De Palma (Noah Baumbach and Jake Paltrow)
Recently, Kent Jones’ Hitchcock /Truffaut — a documentary on the famous interview sessions between the two directors — boasted perhaps the most chaotic,...
A24 Films on Kanopy
With FilmStruck sadly heading into its early grave last night, one may be looking for more options for streaming. One of the best alternatives is Kanopy, which can be accessed for free with a library card in select areas. They’ve also just added a wealth of A24 films ranging from this year’s First Reformed and Lean on Pete all the way back to their first offerings like Enemy and Spring Breakers.
Where to Stream: Kanopy
De Palma (Noah Baumbach and Jake Paltrow)
Recently, Kent Jones’ Hitchcock /Truffaut — a documentary on the famous interview sessions between the two directors — boasted perhaps the most chaotic,...
- 11/30/2018
- by Jordan Raup
- The Film Stage
Mexican drama Ya Veremos is dominating the slew of specialty newcomers this Labor Day weekend, though overall limited release launches are trending slow. IFC Films doc Pick Of The Litter, however, is showing some gusto, scoring the weekend’s highest per-theater average among the specialties. Sony Classics, meanwhile, expanded Glenn Close starrer The Wife, crossing $1M, while A24’s Eighth Grade is expected to go over $13M by the end of the holiday weekend.
Pantelion/Lionsgate Ya Veremos opened in 369 locations, grossing an estimated $1,800,000 in the three-day. The company is estimating a $2.27M gross for the entire weekend, for a 4-day $6,165 average. Pantelion has had a good run with Labor Day weekend period releases including Instructions Not Included, opening at the end of August, 2013, eventually totaling over $44.46M, the highest-grossing Spanish-language film stateside. There was also Un Gallo con Muchos Huevos which opened in early September 2015, which had a cume of $9M.
Pantelion/Lionsgate Ya Veremos opened in 369 locations, grossing an estimated $1,800,000 in the three-day. The company is estimating a $2.27M gross for the entire weekend, for a 4-day $6,165 average. Pantelion has had a good run with Labor Day weekend period releases including Instructions Not Included, opening at the end of August, 2013, eventually totaling over $44.46M, the highest-grossing Spanish-language film stateside. There was also Un Gallo con Muchos Huevos which opened in early September 2015, which had a cume of $9M.
- 9/2/2018
- by Brian Brooks
- Deadline Film + TV
As the summer comes to a close, it seems as though most distributors–especially on the indie side–were holding onto their gems before the busy fall festival slate as a number of the year’s best films arrive this month. If we’re being honest, though, our most-anticipated film won’t actually get a theatrical release, but will instead arrive on The Criterion Collection with Terrence Malick’s extended edition of The Tree of Life. However for this feature, we’ll stick to those films one will be able to see in theaters, so without further adieu, here are the 15 films we recommend this month.
Matinees to See: Nico, 1988 (8/1), Christopher Robin (8/3), A Prayer Before Dawn (8/10), Buybust (8/10), Summer of ’84 (8/10), Crazy Rich Asians (8/15), Juliet, Naked (8/17), Memoir of War (8/17), Notes on an Appearance (8/17), We the Animals (8/17), The Wife (8/17), The Night is Short, Walk On Girl (8/21), What Keeps You Alive (8/24), Papillon (8/24), The Happytime Murders...
Matinees to See: Nico, 1988 (8/1), Christopher Robin (8/3), A Prayer Before Dawn (8/10), Buybust (8/10), Summer of ’84 (8/10), Crazy Rich Asians (8/15), Juliet, Naked (8/17), Memoir of War (8/17), Notes on an Appearance (8/17), We the Animals (8/17), The Wife (8/17), The Night is Short, Walk On Girl (8/21), What Keeps You Alive (8/24), Papillon (8/24), The Happytime Murders...
- 7/31/2018
- by Jordan Raup
- The Film Stage
Halfway through writer-director Jean-Paul Civeyrac’s cinephile coming-of-age story A Paris Education, a girl confronts a budding filmmaker: “You seem out of touch with reality… like you live an armchair life.” It is not the first time aspiring cineastes in Civeyrac’s IndieLisboa entry get scolded for being self-centered navel-gazers, nor does the slap feel entirely undeserved. A mélange between Garrel’sRegular Lovers (with which it shares a gorgeous black and white cinematography, courtesy of Dp Pierre-Hubert Martin) and Mia Hansen-Løve’s Eden (of which it echoes the same affection for deranged, self-destructive loners), A Paris Education follows the solipsistic journeys of a few film students whose only real concern in life seem to be whether or not they’ll ever join the ranks of the auteurs they binge-watch before reality catches up with their dreams.
Long-haired and clean-shaven Etienne (Andranic Manet) is the protagonist. A native of Lyon, he...
Long-haired and clean-shaven Etienne (Andranic Manet) is the protagonist. A native of Lyon, he...
- 5/15/2018
- by The Film Stage
- The Film Stage
Popular and lucrative UK event cinema experience Secret Cinema says its next show will be its biggest yet. The firm’s Romeo + Juliet screening will transform a secret outdoor London location into a “multi-layered world of Verona Beach.” Expect live bands, DJs, choirs and artists and a possible audience of 5,000 during the 11-day run.
Rodrigo Teixeira’s Rt Features and Martin Scorsese’s Sikelia Productions are re-teaming to produce and finance two debut features: Danielle Lessovitz’s NY-set trans love story Port Authority and Antoneta Alamat Kusijanovic’s Murina. The duo had A Ciambra in Directors’ Fortnight last year and they launched an emerging talent company together in 2014.
Writer, director, producer Maria Pulera (Falsely Accused) is launching production and distribution company Rise Up with partners Eric Banoun and David Hillary. The company is backed by a Spanish-Israeli finance fund. First out of the gate was thriller Between Worlds, the...
Rodrigo Teixeira’s Rt Features and Martin Scorsese’s Sikelia Productions are re-teaming to produce and finance two debut features: Danielle Lessovitz’s NY-set trans love story Port Authority and Antoneta Alamat Kusijanovic’s Murina. The duo had A Ciambra in Directors’ Fortnight last year and they launched an emerging talent company together in 2014.
Writer, director, producer Maria Pulera (Falsely Accused) is launching production and distribution company Rise Up with partners Eric Banoun and David Hillary. The company is backed by a Spanish-Israeli finance fund. First out of the gate was thriller Between Worlds, the...
- 5/10/2018
- by Andreas Wiseman
- Deadline Film + TV
Kino Lorber has acquired all North American rights to Jean-Paul Civeyrac's cinephile coming-of-age drama A Paris Education, which had its world premiere at the Berlin film festival this February and centers on a young man who moves to Paris to study filmmaking at the Sorbonne.
The black-and-white film centers on Etienne, who moves to Paris and meets Mathias and Jean-Noel, who both share his passion for film. But as they spend the year studying, they have to face friendship and love challenges, as well as choose their artistic battles.
The film, produced by Moby Dick Films, stars Andranic Manet, Corentin Fila, Gonzague Van Bervesseles, Diane Rouxel, Jenna Thiam, Sophie Verbeeck, and Charlotte Van Bervesseles....
The black-and-white film centers on Etienne, who moves to Paris and meets Mathias and Jean-Noel, who both share his passion for film. But as they spend the year studying, they have to face friendship and love challenges, as well as choose their artistic battles.
The film, produced by Moby Dick Films, stars Andranic Manet, Corentin Fila, Gonzague Van Bervesseles, Diane Rouxel, Jenna Thiam, Sophie Verbeeck, and Charlotte Van Bervesseles....
- 5/9/2018
- by Georg Szalai
- The Hollywood Reporter - Movie News
A Paris Education (Mes Provinciales) director Jean-Paul Civeyrac: "I had the idea for the film after seeing the Marlen Khutsiev film of which we see an excerpt in the film. It's called La Porte D'Ilitch [I Am Twenty]." Photo: Anne-Katrin Titze
When was the last time Novalis (writer of the early Romantic movement and champion of the blue flower) was quoted in a film? Jean-Paul Civeyrac's A Paris Education (shot by Pierre-Hubert Martin, edited by Louise Narboni), starring Andranic Manet (Katell Quillévéré's Heal The Living) with Sophie Verbeeck (Jérôme Bonnell's All About Them), Diane Rouxel (Frédéric Mermoud's Moka), Jenna Thiam (Cédric Kahn's Wild Life), Gonzague Van Bervesseles, and Corentin Fila, illuminates the sundry elements of what actually constitutes education.
Jean-Paul Civeyrac: "I think there's a parallel there with the end of Flaubert's Sentimental Education where the characters say, what we lived that was most powerful, is something that happened before.
When was the last time Novalis (writer of the early Romantic movement and champion of the blue flower) was quoted in a film? Jean-Paul Civeyrac's A Paris Education (shot by Pierre-Hubert Martin, edited by Louise Narboni), starring Andranic Manet (Katell Quillévéré's Heal The Living) with Sophie Verbeeck (Jérôme Bonnell's All About Them), Diane Rouxel (Frédéric Mermoud's Moka), Jenna Thiam (Cédric Kahn's Wild Life), Gonzague Van Bervesseles, and Corentin Fila, illuminates the sundry elements of what actually constitutes education.
Jean-Paul Civeyrac: "I think there's a parallel there with the end of Flaubert's Sentimental Education where the characters say, what we lived that was most powerful, is something that happened before.
- 3/20/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Early on in writer-director Jean Paul Civeyrac’s cinephile bildungsroman, A Paris Education (Mes Provinciales), a student complains to one his buddies: “I’ve had enough of whiny French films. I want to see films that talk about real life.”
Arguably, this is not what 53-year-old Civeyrac (Through the Forest, Young Girls in Black) delivers in his latest feature, which follows the travails of a young man from the provinces who arrives in Paris to attend film school. Shot in widescreen black-and-white and clocking in at over two hours, with many scenes devoted to extended discussions about movies, books and the desperation...
Arguably, this is not what 53-year-old Civeyrac (Through the Forest, Young Girls in Black) delivers in his latest feature, which follows the travails of a young man from the provinces who arrives in Paris to attend film school. Shot in widescreen black-and-white and clocking in at over two hours, with many scenes devoted to extended discussions about movies, books and the desperation...
- 2/18/2018
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
The Us premiere of Mathieu Amalric’s Barbara will open the 23rd Rendez-Vous With French Cinema, set to run in Hollywood from March 8-18.
The Us premiere of Mathieu Amalric’s Barbara will open the 23rd Rendez-Vous With French Cinema, set to run in Hollywood from March 8-18.
The annual French cinema showcase will showcase 24 films from both emerging and established filmmakers, Film Society of Lincoln Centre and UniFrance announced on Wednesday (February 7).
Amalric and his leading lady and co-star Jeanne Balibar will attend the screening of his drama, which was recently nominated for nine Cesar awards including best film, actor, and actress.
Other films in the 2018 series include: Léonor Serraille’s Montparnasse Bienvenue, which received the Camera d’Or award in Cannes; Jean-Paul Civeyrac’s A Paris Education (Mes Provinciales); Noémie Lvovsky’s Tomorrow And Thereafter; (Demain Et Tous Les Autres Jours); Xavier Legrand’s Custody (Jusqu’à La Garde); Xavier Beauvois’ The Guardians (Les Gardiennes); and Nobuhiro Suwa...
The Us premiere of Mathieu Amalric’s Barbara will open the 23rd Rendez-Vous With French Cinema, set to run in Hollywood from March 8-18.
The annual French cinema showcase will showcase 24 films from both emerging and established filmmakers, Film Society of Lincoln Centre and UniFrance announced on Wednesday (February 7).
Amalric and his leading lady and co-star Jeanne Balibar will attend the screening of his drama, which was recently nominated for nine Cesar awards including best film, actor, and actress.
Other films in the 2018 series include: Léonor Serraille’s Montparnasse Bienvenue, which received the Camera d’Or award in Cannes; Jean-Paul Civeyrac’s A Paris Education (Mes Provinciales); Noémie Lvovsky’s Tomorrow And Thereafter; (Demain Et Tous Les Autres Jours); Xavier Legrand’s Custody (Jusqu’à La Garde); Xavier Beauvois’ The Guardians (Les Gardiennes); and Nobuhiro Suwa...
- 2/7/2018
- by Jenn Sherman
- ScreenDaily
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