The EE British Academy Film Awards (2017 TV Special)
Full Cast & Crew
Directed by
Matthew Amos |
Writing Credits
Ivor Baddiel | ... | (script writer) & |
Phil Kerr | ... | (script writer) |
Cast (in credits order)
Produced by
Katherine Allen | ... | executive producer |
Clare Brown | ... | executive producer: BAFTA |
Pinki Chambers | ... | commissioning editor: BBC |
Lisa Chapman | ... | executive producer: Whizz Kid Entertainment |
Zoe Cook | ... | producer |
Malcolm Gerrie | ... | executive producer: Whizz Kid Entertainment |
Justin Harris | ... | senior vt producer |
Sophie Huda | ... | line producer |
Stroma Inglis | ... | talent producer |
Stuart McFeat | ... | vt producer |
Liz Reed | ... | vt producer |
Melony Smith | ... | cut down producer |
Production Design by
Peter Bingemann |
Art Direction by
Emily Fain |
Makeup Department
Sue Sian | ... | hair stylist / makeup artist |
Production Management
Lisa McCormack | ... | head of production |
Natalie Truelove | ... | junior production manager |
Art Department
Glen Bonner | ... | live graphics |
Mitzi Cunliffe | ... | designer: the British Academy Award is based on a design by |
Chris French | ... | construction manager |
Sound Department
Richard Anstead | ... | television sound supervisor |
Stewart Chaney | ... | event sound supervisor |
Camera and Electrical Department
Neil Abbott | ... | camera operator |
Ahmet Bekir | ... | camera operator |
Charlie Bryan | ... | camera operator |
Ross Ciappessoni | ... | camera operator |
Curtis Dunne | ... | camera operator |
Sam Healey | ... | gaffer |
Leon Henry | ... | camera operator |
Nathaniel Hill | ... | camera supervisor (as Nat Hill) |
Matt Ingham | ... | camera operator |
Nick Kauffman | ... | camera operator |
Mark Marven | ... | camera operator |
Steve Nolan | ... | lighting director |
Derek Pennell | ... | camera operator |
Jez Rowland | ... | camera operator |
Mark Sayers | ... | camera operator |
Craig Williams | ... | vision supervisor |
Chris Yates | ... | camera operator |
Costume and Wardrobe Department
Elsa Acton-Bond | ... | wardrobe |
Editorial Department
Sean McHugh | ... | screens mixer |
Henry Napier-Brown | ... | edit assistant |
Rod Wardell | ... | vision mixer |
Music Department
Jane Bridgeman | ... | music clearance |
Script and Continuity Department
Amanda Church | ... | script supervisor |
Vicky Edmonds | ... | script supervisor |
Belinda Marsh | ... | script supervisor |
Transportation Department
Anna Rigolli | ... | transport manager: talent |
Additional Crew
Emily Asher | ... | floor manager |
Malcolm Birkett | ... | technical designer |
Jane Bridgeman | ... | archive clearance |
Aidan Chase | ... | production runner |
Mike Grove | ... | stage manager |
Greg Livermore | ... | outside broadcast technical manager |
Guy Mapley | ... | screens consultant |
Jordan McGauran | ... | senior researcher |
Shane Murray | ... | production accountant |
Kay Palmer | ... | floor manager |
Ed Sharpe | ... | floor manager |
Hilary Whitley | ... | archive researcher |
Becki Willard | ... | junior production coordinator |
Thanks
Emma Baehr | ... | special thanks |
Joe Baxter | ... | special thanks |
Amanda Berry | ... | special thanks |
Jim Bradshaw | ... | special thanks |
Imogen Faris | ... | special thanks |
Anders Frejdh | ... | grateful acknowledgement: for support and help |
Pippa Harris | ... | special thanks |
Cassandra Hybel | ... | special thanks |
Georgina Norton | ... | special thanks |
Kevin Price | ... | special thanks |
Jamie Ryan | ... | special thanks |
Marc Samuelson | ... | special thanks |
Kemuel Solomon | ... | special thanks |
Gabby Taranowski | ... | special thanks |
Clara Teggart | ... | special thanks |
Lucy Waller | ... | special thanks |
Nick Williams | ... | special thanks |