Singer-songwriter Taylor Swift is a complicated media figure to say the least, so what do critics think of “Miss Americana,” the documentary that explores the enigmatic star’s life, career and politics? It premiered at the Sundance Film Festival last month before debuting on Netflix on January 31.
SEETaylor Swift songs, ranked: Her top 21 greatest hits from worst to best
As of this writing the film has a MetaCritic score of 65 based on 23 reviews counted: 16 positive, 7 somewhat mixed, none outright negative. Over on Rotten Tomatoes, which rates films on a pass-fail basis, the film is rated 91% fresh based on 58 reviews, only 5 of which are classified as negative. The Rt critics’ consensus boils down the reviews by saying, “‘Miss Americana’ provides an engaging if somewhat deliberately opaque backstage look at a pop star turned cultural phenomenon.”
Indeed, critics are somewhat divided about how revealing the film truly is. It’s “vulnerable without being invasive,...
SEETaylor Swift songs, ranked: Her top 21 greatest hits from worst to best
As of this writing the film has a MetaCritic score of 65 based on 23 reviews counted: 16 positive, 7 somewhat mixed, none outright negative. Over on Rotten Tomatoes, which rates films on a pass-fail basis, the film is rated 91% fresh based on 58 reviews, only 5 of which are classified as negative. The Rt critics’ consensus boils down the reviews by saying, “‘Miss Americana’ provides an engaging if somewhat deliberately opaque backstage look at a pop star turned cultural phenomenon.”
Indeed, critics are somewhat divided about how revealing the film truly is. It’s “vulnerable without being invasive,...
- 2/12/2020
- by Daniel Montgomery
- Gold Derby
Taylor Swift’s new documentary “Miss Americana” shows how the pop star reinvented herself, learned to speak out about politics and break from the “nice girl” image that kept her “muzzled” for so long.
The first trailer for the film, which Netflix will air on its service on Jan. 31 following a premiere at Sundance on Thursday, is described as a raw and emotionally revealing look at the singer. It shows how Swift broke away from media expectations to not express her opinions, be polite, smile and wave and instead harness the full power of her voice.
“No one physically saw me for a year. And that’s what I thought they wanted,” Swift says in the trailer. “I feel really good about not feeling muzzled anymore, and it was my own doing.”
Also Read: Janet Mock and Taylor Swift to Be Honored for Lgbtq Advocacy at GLAAD Media Awards
Emmy...
The first trailer for the film, which Netflix will air on its service on Jan. 31 following a premiere at Sundance on Thursday, is described as a raw and emotionally revealing look at the singer. It shows how Swift broke away from media expectations to not express her opinions, be polite, smile and wave and instead harness the full power of her voice.
“No one physically saw me for a year. And that’s what I thought they wanted,” Swift says in the trailer. “I feel really good about not feeling muzzled anymore, and it was my own doing.”
Also Read: Janet Mock and Taylor Swift to Be Honored for Lgbtq Advocacy at GLAAD Media Awards
Emmy...
- 1/22/2020
- by Brian Welk
- The Wrap
On the day before the Oscars, the Film Indepdnent Spirit Awards were handed out. In what may be a warm up for the Academy Awards, Get Out took Best Film, marking an excellent night overall for the movie. Impending Oscar winners Frances McDormand and Sam Rockwell both won as well for Three Billboards Outside Ebbing, Missouri, while the rest of the winners you can see below… Here are all of the Spirit Award winners: Best Feature “Call Me by Your Name” “The Florida Project” “Get Out” (Winner) “Lady Bird” “The Rider” Best First Feature (Award given to the director and producer) “Columbus” “Ingrid Goes West” (Winner) “Menashe” “Oh Lucy!” “Patti Cake$” John Cassavetes Award – Given to the best feature made for under $500,000. (Award given to the writer, director and producer. Executive Producers are not awarded.) “Dayveon” “A Ghost Story” “Life and Nothing More” (Winner) “Most Beautiful Island” “The Transfiguration” Best Director Sean Baker,...
- 3/4/2018
- by Joey Magidson
- Hollywoodnews.com
The 33rd Independent Spirit Awards took place on Saturday, March 3 in Los Angeles. The full winners list is below.
Best Feature
“Get Out”
Producers: Jason Blum, Edward H. Hamm Jr., Sean McKittrick, Jordan Peele
“Call Me by Your Name”
Producers: Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, James Ivory, Howard Rosenman
“The Florida Project”
Producers: Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan, Alex Saks, Francesca Silvestri, Shih-Ching Tsou
“Lady Bird”
Producers: Eli Bush, Evelyn O’Neill, Scott Rudin
“The Rider”
Producers: Mollye Asher, Bert Hamelinck, Sacha Ben Harroche, Chloé Zhao
Best Female Lead
Frances McDormand
“Three Billboards outside Ebbing, Missouri”
Salma Hayek
“Beatriz at Dinner”
Margot Robbie
“I, Tonya”
Saoirse Ronan
“Lady Bird”
Shinobu Terajima
“Oh Lucy!”
Regina Williams
“Life and Nothing More”
Best Male Lead
Timothée Chalamet
“Call Me by Your Name”
Harris Dickinson
“Beach Rats”
James Franco
“The Disaster Artist”
Daniel Kaluuya
“Get Out...
Best Feature
“Get Out”
Producers: Jason Blum, Edward H. Hamm Jr., Sean McKittrick, Jordan Peele
“Call Me by Your Name”
Producers: Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, James Ivory, Howard Rosenman
“The Florida Project”
Producers: Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan, Alex Saks, Francesca Silvestri, Shih-Ching Tsou
“Lady Bird”
Producers: Eli Bush, Evelyn O’Neill, Scott Rudin
“The Rider”
Producers: Mollye Asher, Bert Hamelinck, Sacha Ben Harroche, Chloé Zhao
Best Female Lead
Frances McDormand
“Three Billboards outside Ebbing, Missouri”
Salma Hayek
“Beatriz at Dinner”
Margot Robbie
“I, Tonya”
Saoirse Ronan
“Lady Bird”
Shinobu Terajima
“Oh Lucy!”
Regina Williams
“Life and Nothing More”
Best Male Lead
Timothée Chalamet
“Call Me by Your Name”
Harris Dickinson
“Beach Rats”
James Franco
“The Disaster Artist”
Daniel Kaluuya
“Get Out...
- 3/4/2018
- by William Earl
- Indiewire
“Faces Places” took home top honors at the 2018 Indie Spirit Awards, winning the trophy for Best Documentary Feature. Directed by legendary French filmmaker Agnès Varda and the modern artist Jr, “Faces Places” (“Visages Villages”) follows Varda and Jr as they travel around rural France, taking portraits of people they meet. The film has picked up multiple awards since its debut out of competition at the 2017 Cannes Film Festival, including the festival’s Golden Eye Award.
Read More:Agnes Varda Tells Us Why ‘Faces Places’ Could Be Her Last Film
“Faces Places” beat out other nominees “Quest” (Jonathan Olshefski), “Last Men in Aleppo” (Feras Fayyad), “Motherland” (Ramona S. Diaz), and “The Departure” (Lana Wilson). It will compete against “Last Men in Aleppo” for the Academy Award Sunday night, as well as “Icarus,” “Abacus: Small Enough to Jail,” and “Strong Island.”
“They didn’t plan that you would be so short,” Jr said...
Read More:Agnes Varda Tells Us Why ‘Faces Places’ Could Be Her Last Film
“Faces Places” beat out other nominees “Quest” (Jonathan Olshefski), “Last Men in Aleppo” (Feras Fayyad), “Motherland” (Ramona S. Diaz), and “The Departure” (Lana Wilson). It will compete against “Last Men in Aleppo” for the Academy Award Sunday night, as well as “Icarus,” “Abacus: Small Enough to Jail,” and “Strong Island.”
“They didn’t plan that you would be so short,” Jr said...
- 3/3/2018
- by Jude Dry
- Indiewire
Winners of the 2018 Independent Spirit Awards were revealed on March 3, one day before the Oscars. Many of the leading Academy Awards contenders were in the running here first, including “Call Me By Your Name,” “which reaped a leading six nominations, five-time nominee “Get Out,” and four-time contender “Lady Bird.” While “Three Billboards Outside, Ebbing Missouri” only reaped three bids here and was snubbed in the top race, it is the frontrunner to win Best Picture at the Oscars. Its closest rival there, “The Shape of Water,” was shut out of these precursor prizes.
See 2018 Independent Spirit Awards live blog
American feature film nominees, culled from entries with budgets of under $20 million, were determined by a committee of an unknown number drawn from “writers, directors, producers, cinematographers, editors, actors, critics, casting directors, film festival programmers and other working film professionals.” Compare that to the selection process for winners in which the entire membership of Film Independent,...
See 2018 Independent Spirit Awards live blog
American feature film nominees, culled from entries with budgets of under $20 million, were determined by a committee of an unknown number drawn from “writers, directors, producers, cinematographers, editors, actors, critics, casting directors, film festival programmers and other working film professionals.” Compare that to the selection process for winners in which the entire membership of Film Independent,...
- 3/3/2018
- by Paul Sheehan
- Gold Derby
The always-idiosyncratic Film Independent Spirit Awards juries are not in the awards-season business. While other entities may take pride in how their selections mirror Oscar nominations down the line, the Spirits have a different agenda. It gives credit where it thinks it’s due, and raises awareness for many low-budget independent titles. If that happens to help your Oscar game, so much the better.
Read More: Save the Dates: Here’s the 2017-2018 Awards Calendar
No need to worry about Spirit top dogs “Call Me By Your Name” (six nods, Sony Pictures Classics), “Get Out” (five nods, Blumhouse/Universal), and “Lady Bird” (four nods, A24) which are well on their way to Oscar recognition and dominated the Indie Spirit field with multiple nominations including the crucial Best Feature.
A24 blazed with an astounding 17 nominations over eight features: “Lady Bird” and “Good Time” took four including Feature, “The Florida Project” and...
Read More: Save the Dates: Here’s the 2017-2018 Awards Calendar
No need to worry about Spirit top dogs “Call Me By Your Name” (six nods, Sony Pictures Classics), “Get Out” (five nods, Blumhouse/Universal), and “Lady Bird” (four nods, A24) which are well on their way to Oscar recognition and dominated the Indie Spirit field with multiple nominations including the crucial Best Feature.
A24 blazed with an astounding 17 nominations over eight features: “Lady Bird” and “Good Time” took four including Feature, “The Florida Project” and...
- 11/21/2017
- by Anne Thompson
- Thompson on Hollywood
The always-idiosyncratic Film Independent Spirit Awards juries are not in the awards-season business. While other entities may take pride in how their selections mirror Oscar nominations down the line, the Spirits have a different agenda. It gives credit where it thinks it’s due, and raises awareness for many low-budget independent titles. If that happens to help your Oscar game, so much the better.
Read More: Save the Dates: Here’s the 2017-2018 Awards Calendar
No need to worry about Spirit top dogs “Call Me By Your Name” (six nods, Sony Pictures Classics), “Get Out” (five nods, Blumhouse/Universal), and “Lady Bird” (four nods, A24) which are well on their way to Oscar recognition and dominated the Indie Spirit field with multiple nominations including the crucial Best Feature.
A24 blazed with an astounding 17 nominations over eight features: “Lady Bird” and “Good Time” took four including Feature, “The Florida Project” and...
Read More: Save the Dates: Here’s the 2017-2018 Awards Calendar
No need to worry about Spirit top dogs “Call Me By Your Name” (six nods, Sony Pictures Classics), “Get Out” (five nods, Blumhouse/Universal), and “Lady Bird” (four nods, A24) which are well on their way to Oscar recognition and dominated the Indie Spirit field with multiple nominations including the crucial Best Feature.
A24 blazed with an astounding 17 nominations over eight features: “Lady Bird” and “Good Time” took four including Feature, “The Florida Project” and...
- 11/21/2017
- by Anne Thompson
- Indiewire
Every so often, a film comes and goes with little to no fanfare, yet is an unshakable achievement in the eyes of those who actually venture out off the beaten path of their local megaplexes. Each month, there seems to be a handful of films that are unequivocally great, yet find it incredibly difficult to find an audience.
One of these films that just needs to get in front of the right viewer is the latest film from director Lana Wilson, entitled The Departure. Following up her brilliant documentary After Tiller, The Departure sees Wilson diving into the world of Buddhist priests, at least the life of one specifically, a priest named Ittetsu Nemoto, a motorcycle-riding former punk rocker turned Buddhist living in Japan. Finding his calling as a support system for those with suicidal thoughts, Ittetsu is a Rinzai Zen priest who helps those in need battle to find a reason to stay alive.
One of these films that just needs to get in front of the right viewer is the latest film from director Lana Wilson, entitled The Departure. Following up her brilliant documentary After Tiller, The Departure sees Wilson diving into the world of Buddhist priests, at least the life of one specifically, a priest named Ittetsu Nemoto, a motorcycle-riding former punk rocker turned Buddhist living in Japan. Finding his calling as a support system for those with suicidal thoughts, Ittetsu is a Rinzai Zen priest who helps those in need battle to find a reason to stay alive.
- 11/3/2017
- by Joshua Brunsting
- CriterionCast
With Lana Wilson’s highly recommended documentary The Departure opening today at New York’s The Metograph, we’re rerunning this interview with Wilson conducted prior to the film’s premiere at the Tribeca Film Festival. Check The Metrograph’s page for screening times and a list of special guest moderators, ranging from fellow filmmakers to Zen teachers, who will host Q&A’s with Wilson this weekend. One of the major discoveries of the 2017 Tribeca Film Festival, Lana Wilson’s The Departure is a beautiful, wise and deeply empathetic immersion into one fascinating character’s unique approach to suicide prevention. Ittetsu Nemoto is a former punk rocker […]...
- 10/13/2017
- by Scott Macaulay
- Filmmaker Magazine - Blog
Most people would probably be reluctant to answer a newspaper ad reading "Monk wanted. No experience necessary."
But fortunately, that's exactly what the subject of Lana Wilson's new documentary did. He's Ittetsu Nemoto, a 44-year-old Japanese former punk rocker and troubled club kid turned Buddhist monk who has made a specialty of counseling depressed individuals contemplating suicide. In its poetic portrait of a man whose quest to help others has cost him dearly both emotionally and physically, The Departure proves quietly profound. Wilson, who previously co-directed the acclaimed documentary After Tiller, handles the emotional subject matter with a subtle restraint...
But fortunately, that's exactly what the subject of Lana Wilson's new documentary did. He's Ittetsu Nemoto, a 44-year-old Japanese former punk rocker and troubled club kid turned Buddhist monk who has made a specialty of counseling depressed individuals contemplating suicide. In its poetic portrait of a man whose quest to help others has cost him dearly both emotionally and physically, The Departure proves quietly profound. Wilson, who previously co-directed the acclaimed documentary After Tiller, handles the emotional subject matter with a subtle restraint...
- 10/12/2017
- by Frank Scheck
- The Hollywood Reporter - Movie News
The spring, the HBO series “The Leftovers” wrapped up, leaving viewers to ponder the big questions about life and beyond. If you’re looking for a real life exploration of similar terrain, then “The Departure” may be the documentary you’re seeking and today and we have the exclusive trailer.
Directed by Lana Wilson (“After Tiller“), the fascinating film follows Ittetsu Nemoto, a Buddhist priest with an unconventional background, who counsels suicidal people, but often at the cost of his own mental and emotional well-being.
Continue reading ‘The Departure’ Exclusive Trailer: What Makes Life Worth Living? at The Playlist.
Directed by Lana Wilson (“After Tiller“), the fascinating film follows Ittetsu Nemoto, a Buddhist priest with an unconventional background, who counsels suicidal people, but often at the cost of his own mental and emotional well-being.
Continue reading ‘The Departure’ Exclusive Trailer: What Makes Life Worth Living? at The Playlist.
- 8/28/2017
- by Kevin Jagernauth
- The Playlist
Companies set to collaborate on feature and TV docs.
Ahead of this year’s Sheffield Doc/Fest, UK documentary specialist companies Roast Beef Productions and Nutopia have struck a creative partnership to produce feature and television projects.
Roast Beef, the company behind 2014 Oscar-nominated feature docs The Square [pictured] and Hell And Back Again, will join Nutopia in its newly-expanded London office.
Television-focused Nutopia’s credits include the 2010 Primetime Emmy-winning series America: The Story Of Us and 2013 series The ’80s: The Decade That Made Us.
In their new partnership, the companies will develop feature and television documentaries, including long-form and short-form projects, aimed at the international market.
The Roast Beef team is led by Oscar-nominated producer Mike Lerner and also includes Martin Herring, Havana Marking and Janet Knipe.
The company’s latest feature, Lana Wilson’s The Departure, premiered Tribeca and will have its European premiere at Doc/Fest on June 9.
Nutopia is led by Jane Root. The company...
Ahead of this year’s Sheffield Doc/Fest, UK documentary specialist companies Roast Beef Productions and Nutopia have struck a creative partnership to produce feature and television projects.
Roast Beef, the company behind 2014 Oscar-nominated feature docs The Square [pictured] and Hell And Back Again, will join Nutopia in its newly-expanded London office.
Television-focused Nutopia’s credits include the 2010 Primetime Emmy-winning series America: The Story Of Us and 2013 series The ’80s: The Decade That Made Us.
In their new partnership, the companies will develop feature and television documentaries, including long-form and short-form projects, aimed at the international market.
The Roast Beef team is led by Oscar-nominated producer Mike Lerner and also includes Martin Herring, Havana Marking and Janet Knipe.
The company’s latest feature, Lana Wilson’s The Departure, premiered Tribeca and will have its European premiere at Doc/Fest on June 9.
Nutopia is led by Jane Root. The company...
- 6/8/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Emmy-winning filmmaker Lana Wilson knows a thing or two about illuminating embattled professions through the movies, as her 2013 breakout “After Tiller” (which she co-directed with Martha Shane) brought a keen, careful eye to the work of a small group of abortion doctors. The documentarian brings similar consideration her follow-up feature, the immensely moving “The Departure.”
Much like “After Tiller,” Wilson’s latest film dives into the intricacies of a mostly misunderstood line of work, following Buddhist priest Ittetsu Nemoto, a former punk musician who has dedicated his middle-aged years to helping people end their lives.
Read More: The 2017 IndieWire Tribeca Bible: Every Review, Interview and News Item Posted During the Festival
The film opens with Nemoto leading a retreat for such people — termed “death workshops” in a fascinating 2013 New Yorker article — that helps them approximate the experience and emotion of death through guided activities and discussions. Nemoto calls it “the departure,...
Much like “After Tiller,” Wilson’s latest film dives into the intricacies of a mostly misunderstood line of work, following Buddhist priest Ittetsu Nemoto, a former punk musician who has dedicated his middle-aged years to helping people end their lives.
Read More: The 2017 IndieWire Tribeca Bible: Every Review, Interview and News Item Posted During the Festival
The film opens with Nemoto leading a retreat for such people — termed “death workshops” in a fascinating 2013 New Yorker article — that helps them approximate the experience and emotion of death through guided activities and discussions. Nemoto calls it “the departure,...
- 4/22/2017
- by Kate Erbland
- Indiewire
Although there’s no shortage of regional film festivals throughout the year, few — if any — are better curated than the Maryland Film Festival. With a slate organized by Director of Programming Eric Allen Hatch, the downtown Baltimore festival, which takes place from May 3-7, offers the finest in independent and international cinema of the past year, as well as some of our most-anticipated world premieres.
Now in its 19th year, we’re pleased to debut the full line-up for the 6-screen festival, and can exclusively reveal that Brett Haley‘s The Hero (one of our favorite films from Sundance) will be the Closing Night film. World premiering at the festival is Stephen Cone‘s Princess Cyd, his follow-up to one of last year’s finest films, Henry Gamble’s Birthday Party, along with Josh Crockett‘s Dr. Brinks & Dr. Brinks.
We can also exclusively reveal the Opening Night Shorts — 5 short...
Now in its 19th year, we’re pleased to debut the full line-up for the 6-screen festival, and can exclusively reveal that Brett Haley‘s The Hero (one of our favorite films from Sundance) will be the Closing Night film. World premiering at the festival is Stephen Cone‘s Princess Cyd, his follow-up to one of last year’s finest films, Henry Gamble’s Birthday Party, along with Josh Crockett‘s Dr. Brinks & Dr. Brinks.
We can also exclusively reveal the Opening Night Shorts — 5 short...
- 4/21/2017
- by Jordan Raup
- The Film Stage
Kicking off tonight with an all-star Radio City concert following the premiere of the Clive Davis doc, The Soundtrack of Our Lives, the Tribeca Film Festival once more offers a near-overwhelming array of new work spread across not just film but TV, Vr, gaming and music. The program has been slimmed down this year, say the programmers, but the below list of works we’re excited about could still stretch many times fold. Nonetheless, from myself and our various Tribeca contributors this year, here are 28 works we have reason to excitedly anticipate. The Departure. Lana Wilson follows up her abortion […]...
- 4/19/2017
- by Scott Macaulay
- Filmmaker Magazine - Blog
You could call it the “Netflix effect.” With the rise of the global VOD giant and its increasingly voracious appetite for nonfiction films, the documentary industry is anticipating a busy spring season at the Tribeca Film Festival and Hot Docs, North America’s largest documentary festival and marketplace.
But it’s not just Netflix, say industry insiders. The number of active buyers for documentary films suggests there’s an enthusiasm for independent nonfiction cinema that goes beyond the VOD giant.
On the eve of Tribeca, three high-profile documentaries have already found buyers: National Geographic acquired the coal-mining expose “From the Ashes,” and Gravitas Ventures bought theatrical and streaming rights to two films already partnering with CNN Films: “Elian,” the story of Cuban child émigré Elian Gonzalez, and Impact Partners’ “The Reagan Show,” a freshly relevant archival-driven doc about the staging of the former President.
Read More: Netflix’s Big New...
But it’s not just Netflix, say industry insiders. The number of active buyers for documentary films suggests there’s an enthusiasm for independent nonfiction cinema that goes beyond the VOD giant.
On the eve of Tribeca, three high-profile documentaries have already found buyers: National Geographic acquired the coal-mining expose “From the Ashes,” and Gravitas Ventures bought theatrical and streaming rights to two films already partnering with CNN Films: “Elian,” the story of Cuban child émigré Elian Gonzalez, and Impact Partners’ “The Reagan Show,” a freshly relevant archival-driven doc about the staging of the former President.
Read More: Netflix’s Big New...
- 4/18/2017
- by Anthony Kaufman
- Indiewire
Festival receives record number of submissions as top brass trim roster by 20%.
World premieres of Michael Winterbottom’s The Trip To Spain (pictured), Nick Broomfield and Rudi Dolezal’s Whitney. “can I be me,”, and Hell On Earth: The Fall Of Syria And The Rise Of Isis by Sebastian Junger and Nick Quested are among the line-up at the 16th annual Tribeca Film Festival (April 19-30).
Festival top brass led by new director of programming Cara Cusumano and artistic director Frédéric Boyer unveiled on Thursday 82 of the 98 features that will screen at this year’s edition.
Trimmed down by 20%, the festival received a record number 8,700 submissions, of which 3,362 were features – and includes 32 films in competition comprising 12 documentaries, 10 Us narratives and 10 international narratives. Films in competition will compete for cash prizes totalling $160,000.
Spotlight Narrative section features 15 fiction films, while Spotlight Documentary includes 16 non-fiction films. Five fiction and one documentary film play in Midnight.
The 2017 roster...
World premieres of Michael Winterbottom’s The Trip To Spain (pictured), Nick Broomfield and Rudi Dolezal’s Whitney. “can I be me,”, and Hell On Earth: The Fall Of Syria And The Rise Of Isis by Sebastian Junger and Nick Quested are among the line-up at the 16th annual Tribeca Film Festival (April 19-30).
Festival top brass led by new director of programming Cara Cusumano and artistic director Frédéric Boyer unveiled on Thursday 82 of the 98 features that will screen at this year’s edition.
Trimmed down by 20%, the festival received a record number 8,700 submissions, of which 3,362 were features – and includes 32 films in competition comprising 12 documentaries, 10 Us narratives and 10 international narratives. Films in competition will compete for cash prizes totalling $160,000.
Spotlight Narrative section features 15 fiction films, while Spotlight Documentary includes 16 non-fiction films. Five fiction and one documentary film play in Midnight.
The 2017 roster...
- 3/2/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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